Showing posts with label Timbre. Show all posts
Showing posts with label Timbre. Show all posts

Saturday, December 30, 2017

All Media Reviews Podcast #7: Modern Songwriters Pt 2

This is 14 mins long, with the new recorder which made it into an WMA file, lol. I had to convert that, but so be it.

I'm not sure if making them at a restaurant is the best process, but it was a 1st time/experiment.

I do want to try and make 1 of these for an Albums calendar. The thing I worry about is how long it does go (and requires me to make it), per how long some of the calendars are and how much I would talk about each album (obviously some may be awhile, while others very little).

I am in the middle, er, maybe 2/3 or more from getting through 6 of them which I anticipate publishing around the same time. So perhaps if not before then, I could plan to try doing 1 or more of those Albums Calendar Podcasts around that time.

Time permitting of course per January is looking rather busy at this point with concerts, doctor appointments and a trip to the Hollywood area.



Jim Matheos Andre Matos Colin Meloy Craig Minowa Janelle Monae Neal Morse Dan Moxon Amanda Palmer Mike Patton Yannis Philippakis Tomer Pink Mike Portnoy Jesse Ribordy Sheena Ringo Claudio Sanchez Robert Schneider Sufjan Stevens Timbre Mike Vennart Daniel Victor Brooke Waggoner Steven Wilson John Wright

Sunday, December 24, 2017

X-Mas Albums: The Reign of Kindo and Timbre

among all the X-mas music I get bombarded with this time/week/day(s),

And I of course just posted that list the other day of favorite X-Mas songs, but I failed to include anything from either of these 2. I suppose partially why is per I haven't listened to them all that much, even though I own both.

Also the fact they are traditional X-Mas songs as opposed to originals, but the arrangements are still in Kindo and Timbre's style.

But in just listening to them tonight, I really should listen and know them better as they are both really good. I guess I'll have to try and remember to play them every year now knowing them a little better.




1. Merry Little Chirstmas (0:00)
2. Dreaming of a White Christmas (2:27)
3. What Child is This (5:06)
4. Oh Holy Night (8:37)
5. Winter Wonderland (15:28)
6. The Christmas Song (Chestnuts Roasting on an Open Fire) (18:39)






1. Angelus 02:34
2. O Come, O Come, Emmanuel 04:11
3. Carol of the Bells 05:32
4. The Robin Red Breast 05:22
5. Let All Mortal Flesh Keep Silence 04:38
6. Silent Night 07:07
7. O Little Town of Bethlehem 06:37
8. Silent Night (3 Year Old Timbre) 00:30
9. Joy to the World 04:08
10. What Child Is This? 06:12
11. Silent Night (Friends & Family) 01:15

Tuesday, December 6, 2016

Klimt 1918 - Sentimentale Jugend (2016-2017)

12/6/16 12:02PM
My preorder arrived yesterday. Very nice package with a finely crafted hardbound book.

Nice white Tee also, though given it was shipped in packaging, I need to wash it 1st.

That is the good news.

The not so good news is, I've checked out a little over half of this album and am struggling with much of it.

The band have sort of gone the way of Tangled Thoughts of Leaving; apparently in love with noise/noise-rock/noise-guitars. And LAYERS.

This is like a Meshuggah album in some ways. VERY DENSE.

Or similar to The Red Paintings last album.

I'm worried that despite some nice melodic and harmonic moments, and ambient passages, etc..the dominant sound is the dense, almost Metalgazey style. And the vocals even are more for affect of another layer, rather than a lead melody/sound like most if not all their previous music.

This is almost like their tribute to My Bloody Valentine or something.

Or Sun O))), Earth, Boris in the wall of sound(noise).

But I suppose the artwork fits that mood.

I will give it some more time as my wallet and history with this band owes it that much, but I worry that this could go down as a band whose ambition and direction of their ambition (and producer they used) changed in a way that I struggle to even recognize what I loved about them in the past.

Now, perhaps this could be a 1-off, and they may follow it up in a few years with an album sonically at least, if not stylistically, that resembles Dopoguerra or any of their others. But then again, they may not and feel this is their muse now and in the future, much like I look at Tangled Thoughts of Leaving now.

Granted, there are cases of comebacks/returns like Umphrey's McGee, East of the Wall and just this past year, Long Distance Calling and Avenged Sevenfold, so who knows.

I should add, I likely will include/show my copy in a video soon (the 2016-2017 preview likely).


11/12/16 12:10PM

1st new track "Comandante" which is the 2nd track on "Sentimentale" the 1st disc.

Enjoying it. Gonna preorder now that some of my bills have cleared.


10/16/16 3:50PM

Finally the details, release date being December 2nd, track list, artwork and just with the title now being shortened to
Sentimentale Jugend.
I am naturally excited for this, and am awfully curious per the description, tracklist, etc.

I do wonder a bit given it is so much, how addictive it may get. But some double albums still demand the headphone in recent years like Sun and Moon from Timbre or The River Empires of course.

US Release? unlikely right away, but I very well may just have to import it per Prophecy or another source.

Preorders per Prophecy Records

The new Klimt 1918 album "Sentimentale Jugend" as 2CD hardcover book plus a Klimt 1918 shirt for a special price.
One has to be a decided connoisseur of alternative music culture to associate the title "Sentimentale Jugend" (sentimental youth) with the short-lived experimental noise act of the same name, founded by Alexander Hacke (Einstürzende Neubauten) and his then significant other Christiane Flescherinow (also known as Christiane F. from the bestselling non-fiction book "We Children From Bahnhof Zoo") in the early 1980s. However, it is for a reason that Italian indie rock flagship Klimt 1918 names its latest double album after this footnote of pop history, namely a conscious hint at the underlying mood of the songs. "Sentimentale Jugend" captures West Berlin in its pulsating, nihilistic glory during the late 70s - just as David Bowie did with his Berlin Trilogy of the albums "Low", "Heroes" and "Lodger" - and processes notions from Florian Henckel von Donnersmarck's award-winning movie "The Lives Of Others", be it the foggy winter atmosphere in East Berlin during the early 80s or the female protagonist's melancholy.
Eight years after the 'Soundtrack For The Cassette Generation' "Just In Case We'll Never Meet Again", Klimt 1918 stay true to their sound, alternating the energetic with the wistful by means of shoegaze, indie and new wave from the 80s and 90s, yet for the first time, the sonic spectrum gets expanded with the signature guitar effects and drum rhythms of 50s and 60s pop. Ultimately, "Sentimentale Jugend" harks back to such diverse artists as The Chameleons, iLikeTrains, Cocteau Twins, The Jesus and Mary Chain, The Everly Brothers, Sigur Rós or Dead Can Dance and may be suitably tagged "dirty and noisy three beats dream pop".
"Sentimentale Jugend" consists of the separate albums "Sentimentale" (9 songs, 54 minutes) and "Jugend" (10 songs, 53 minutes), the former being the more "serene" chapter with its slow and partially long tracks, whereas the latter with its faster tunes is the more driving counterpart. Both albums are also available together with the exclusive bonus track "Lycans" as a high-quality book edition (hardcover, 18x18 cm, 48 pages).
Release date: 02.12.2016
Available editions:
- 2CD hardcover book (48 pages, 18x18 cm), containing both albums plus bonus track (700 copies)
- CD Digisleeve "Sentimentale"
- CD Digisleeve "Jugend"


Klimt 1918 - Sentimentale Jugend - Book + Shirt Bundle

Tracklist "Sentimentale":

1. Montecristo
2. Comandante
3. La Notte
4. It Was To Be
5. Belvedere
6. Once We Were
7. Take My Breath Away
8. Sentimentale
9. Gaza Youth (Exist/Resist)

Tracklist "Jugend":

1. Nostalghia
2. Fracture
3. Ciudad Lineal
4. Sant’Angelo (The Sound & The Fury)
5. Unemployed & Dreamrunner
6. The Hunger Strike
7. Resig-nation
8. Caelum Stellatum
9. Juvenile
10. Stupenda e Misera Città
11. Lycans (bonus track, only on 2CD hardcover book edition)


7/20/16 1:54PM
Fantastic news! It's been so long since Just In Case We'll Never Meet Again...Double album? Feast or Famine perhaps, but I'm optimistic given it's been so long, the songs could have been refined and tweaked a lot, and there will be more of them.

Perhaps a concept album as well?..will bump with more info obviously.

Facebook post

Dear friends, just want to inform you that we will post soon some news about the new Album *** Sentimentale Jugend *** as some of you might know, it will be a Double Album, the first one is called " Sentimentale" and the second one is called "Jugend".
It will be available as two separate CDs or together in one ArtBook
We know is taking ages and we really thank you for your patience and support.
K1918

Wednesday, October 14, 2015

Subbing for Modern Kicks on KFAI Radio 10/14/15

So I was given the chance to sub again for the Modern Kicks show on KFAI radio last night/early this morning and here's my and Joyce's playlist

The show itself, went overall pretty well, although I'll admit the transitions could have been better and my issue with the "uh's" and "um's" but I'm not sure I'll ever be able to avoid those, but perhaps at least reduce them 

Also the station/studio has a brand new setup for the Promo Carts being automated, except I'm not clear on how to stop and play a different one later, that was previously lined up and skipped. I didn't realize by doing this, it skips further down in the schedule, thus the 1st 2 or 3 carts I didn't quite get in. But I'll know for next time.

And the fact they have new cd players, which the cds just go directly into without a TRAY. 
I.e. it was equipment I had to learn to use on the fly.

But my playlist is more or less a best-of 2015 and some 2014 stuff, which sort of spoils my Countdown slightly, but so be it.

Click On or "Save As" ..the "Listen Now" Link until 10/27 11:59PM

(Kyle)

Timbre/Night Girl: Nycteris Sees the Sun/Sun and Moon/Aurora Music 2015 5:49
Dream the Electric Sleep/Elizabeth/Heretics/Self Released 2014 8:22
Kaddisfly/The Painter/Horses Galloping on Sailboats/In the Clouds 2015 5:05
Major Parkinson/The Wheelbarrow/Twilight Cinema/Degaton Records 2014 7:52
VENNART/Doubt/The Demon Joke/Superball Music 2015 4
Mew/Rows/+ -/Play It Again/Universal Music 2015 1
The Dear Hunter/King of Swords (Reversed)/Act IV: Reprise and
Rebirth/Equal Vision 2015 5:07
Kevin Gilbert/Because of You (Demo)/Thud: Deluxe Edition/PRA 2015 4:38
Fjokra/Koi/Mellowsound Sessions/Self Release 2014 4:42


(Joyce)
The Orion Experience/Vampire/NYC Girl [EP]/
Sir Video/Backdoor Baby/Light Years [EP] Part II 2015
The Bird and the Bee/Doctor/Recreational Love 2015
Flight of the Concords/Carol Brown/I Told You I Was Freaky 2011
Brendan Benson/What I'm Looking For/Alternative to Love/ 2005
DJ Cassidy ft Jessy J & Robin Thicke/Calling All Hearts/Calling All Hearts 2014

(Kyle)

Everything Everything/To the Blade/Get to Heaven/Sony RCA 2015 4:12
Small Leaks Sink Ships/Midnight Jinn/Face Yourself, and Remove Your
Sandals/101 Distribution 2015 



Background:
Put Down the Muffin/Charged Particles 2014

Tuesday, June 2, 2015

Timbre - Song of the Sun [Official Video]



pretty and uplifting video along with some of the imagery. Great tune of course, and one of the best tracks of the year.

Story

Wednesday, May 20, 2015

Timbre - Sun & Moon (2014-2015)

5/20/15 6:43PM



Facebook link

She opens for of all people, Ben Folds on Saturday 5/23. Hopefully a lot of new fans will be made from that.

5/15/15 5:03PM

For what it's worth:
It's gone up to #5 on rateyourmusic.com's 2015 Chart



4/7/15 11:25AM

It's finally released today, 4/7/15. The Digital release on various sites including of course Her Bandcamp which is Embedded Below and the money goes DIRECTLY TO TIMBRE.

Also the DOUBLE COMPACT DISC PER CDBABY.COM

I've been listening to this double album a bit more since my initial posting a couple of weeks ago, and can say I enjoy a lot of it and it should be pretty high in the upcoming midseason countdown list. I also hopefully can make a YouTube Video review about it soon with some hopefully somewhat brief comments.




3/27/15 5:30AM

It was sent as a download the Indiegogo backers yesterday, so I received my download and gave it a go of course.  The track list breaks down below:

As far as a take: this is an EPIC record, not only, but of course a lot just due to the length.

My early highlights would definitely include "Night Girl: Nycteris Sees the Sun," "Singing and Singing," "Chicago Pier," "Song of the Sun," and "Your Hands Hold Home."on Sun. On Moon, "As the Night" for sure. "St.Cecilia" I do like, although I may have to revisit that live version below, as it definitely is an extensive.

The Moon stuff I can tell will have to grow some, which I'm unclear especially about the extensive all-Choral piece "Sunset (O Lux Beata Trinitas."

I'm going to have to spend quite a bit of time with this, and lord knows Timbre and all the people she had help her with this, did. But as far as addictive-ness, I'm wondering about the Moon portion as much as Sun. Sun definitely includes a lot of Timbre's traditional style of music along with some new things. Moon is more classical/chamber/baroque/orchestral and operatic which the Opera or Opera-music can be gray in feeling for me at times.

I dunno, there's definitely a ton to take-in and an extensive amount of brilliant music on this album, which I was thinking it almost could be looked at like some other double records I like, such as Marillion's Happiness is the Road or something, as 2 companion but still SEPARATE records really.

Is it going to be a favorite 2014-2015 record for me? it certainly could be rather high on the countdown list, but the jury is out still for me early on, as it is a lot to compare and measure up. I mean it is the blood, sweat and tears for Timbre for the better part of 5 years, so go figure it's such a Magnum Opus. Perhaps my ability to love extensively long works of music has become more picky, conservative or at least more challenging recently?

I dunno. I do know I love a lot of this, and it includes some amazing stuff. "Night Girl: Nycteris Sees the Sun" alone is about as proggy as anything I've ever heard from Timbre, which is worth the price of admission alone for this album.



Sun
1. Sunrise 3:38
2. Song of the Sun 5:23
3. Your Hands Hold Home 8:18
4. The Persistence of First Love 2:55
5. Singing and Singing 7:21
6. Of Waving Woods and Waters Wild 2:32
7. I Am in the Garden 7:40
8. Chicago Pier 6:27
9. Morning Birds 2:00
10. Night Girl: Nycteris Sees the Sun 5:50

52:04

 photo Timbre - Sun amp Moon - Timbre Moon Panel-1800px-by-1800px_zpse4stxz0d.jpg
Moon
11. Sunset (O Lux Beata Trinitas) 10:57
12. Of Cloudless Climes and Starry Skies 4:17
13. St Cecilia: An Ode to Music 13:25
14. As the Night 8:17
15. Sanctus 4:34
16. Day Boy: Photogen Sees the Moon 16:39

58:09

Total Time:
110:13
or
1 Hour, 50 minutes 13 seconds

3/17/15 4:56PM

Tracklist is posted there. and the listing on her bandcamp.

The below tracklist is 16 tracks, so I'm wondering if both "Sun" and "Moon" both include 8 tracks each?

I guess we'll find out soon enough.


http://timbre.bandcamp.com/




1. Sunrise
2. Song of the Sun 05:23
3. Your Hands Hold Home
4. The Persistence of First Love
5. Singing and Singing
6. Of Waving Woods and Waters Wild
7. I Am in the Garden
8. Chicago Pier
9. Morning Birds
10. Night Girl: Nycteris Sees the Sun
11. Sunset (O Lux Beata Trinitas)
12. Of Cloudless Climes and Starry Skies
13. St Cecilia: An Ode to Music
14. As the Night
15. Sanctus
16. Day Boy: Photogen Sees the Moon

Sun & Moon is the exploration of an idea: no art exists on its own. Art always influences art. This album explores the deep intrinsic relationship between popular music and classical music. “Sun” features music written and performed by my band, while “Moon” features classical music I have written for solo harp, harp & oboe, orchestra, and choir. 

Playing with the ideas of reflection, shadow, light, and darkness, the two halves of Sun & Moon reflect one another, mirroring the relationship between these two art forms. Many of the musical themes pass back and forth between the two sides. A four-note motif begins “Sunrise” and ends “Sunset”, representing the space between light and dark, where everything blends together. This motif can be heard throughout both sides of the album, constantly blurring the thin separation between them. 
With Sun & Moon I strive to paint vividly with the light, the joy, the passion of modern commercial music, and the darkness, depth, and richness of classical music, and show that together they can communicate beauty in greater depths than either can alone. My hope is that through experiencing these two languages of art, listeners will have a new, deep, and visceral experience of beauty, for beauty is more than an idea, but is a reality that is meant to be deeply known and experienced. 
-Timbre 


“Your eyes, they are so black. Darkness can’t see, of course. I will be your eyes, and teach you to see.” - The Romance of Photogen and Nycteris, George MacDonald
credits
releases 07 April 2015

3/10/15 8:23PM

New song "Song of the Sun"..pretty great, love the vocal harmonies.

http://www.utne.com/arts/song-premiere-timbre-song-of-the-sun.aspx

Some info about the record: Sun is the chamber/folk material, and Moon has the classical work.


2/23/15 7:15PM

BIG ANNOUNCEMENT!!! SUN & MOON will be released world wide April 7th!!!!





4/5/14 8:30PM

not new, but this is amazing. The instrumental section around 3:40 is breathtaking. Can't wait to hear this record.




6/20/13 8:47AM
Today is my birthday, and wow, what a cool way to wake up and find out Timbre somehow raised nearly $5,000 in the last 24 hours to reach her goal!

$10,005

I suspect the last few pledges may have been rather large, and to push her over the hump being just $5 past the $10K

Regardless, this is awesome to see and look forward to. Now I almost expect a masterpiece, which I'm sure Timbre is capable of, but with the needed amount of cash, this record can be made purely as she sees fit, and thus, that much greater.


6/8/13 11:39AM
http://www.indiegogo.com/projects/help-timbre-record-a-double-disc-album-that-will-unite-two-worlds-of-music/x/2421326

Keep at it Timbre! $5800 left to go in the next 12 days. You Can Do It!.



Just to remind people who don't know Timbre, it's songs like this show how brilliant her music is.




5/7/13 5:55AM

the write-up below is from the Indiegogo Campaign. $10K in about a month-and-a-half. I think she can do it, but $10K is not nothing.

It sounds and I'm sure will be amazing. Double album at that. And it'll be coming in 2014 of course.

"St.Cecilia" sounds like it would be worth having this album for alone.





"Sun and Moon"

Art does not exist alone... art creates art.

This is the idea behind my newest project, "Sun and Moon". This double disc record explores the deep connection between classical music and modern songwriting. One disc, "Sun" will feature songs written with my band, songs about friendship, love, grief, nature, even a song based on a children's fairy tale (more on that later!). The other disc, "Moon", will feature a variety of classical music that I've written, from a harp and oboe duet, to a piece for full orchestra, choir, harp, and solo soprano (me!).

Both discs will feature many of the same musicians. Themes and ideas will pass back and forth between them, playing with ideas of dark and light, day and night. My desire is to show that classical music and "popular music" are deeply connected, as they have always been. Classical music and popular music each have their depth, their energies, their forms of communication, and together they can speak to us in even deeper and more beautiful ways.

I grew up in a completely classical world, listening to only classical and choral music until I was in my teens. I have sung classically from as early as I could stand up and make sounds, and have played harp classically for 20 years. I have been composing for a few years as well, and have had my pieces performed in cathedrals all over the world, including Notre Dame Cathedral in Paris and St Peter's Basilica in Rome. I have also performed vocally with composer Eric Whitacre in Carnegie Hall for the premiere of his choral cycle, "The City and The Sea."

 Over the past 7 years, I have slowly found my way into a new world of popular music, writing songs  with my band and playing with a ridiculously diverse collection of bands, from people like mewithoutYou, the Chariot, Brooke Waggoner, to bluegrass legend Ricky Skaggs and Jack White of the White Stripes. I have found a deep undercurrent of passion and art that connects these worlds, and I want to help my listeners plunge into the depth of those waters with me. 

I believe this album will introduce many listeners to classical music in a new way, in a way that can be attached to and felt. I also believe this album will take listeners into different depths of spiritual and emotional experience, as the different kinds of sounds take them to new places. I believe in this record, and I know I will be more proud of it than anything I have done yet! 

I also believe that the way we think about making music is changing. Music is not a commodity to be made and sold and consumed. Music is a form of deep expression, something that moves between souls, back and forth. I am so passionate about the idea of partnering with listeners. I am making this for you, to communicate with you, to share with you... and I cannot make it without you.

WHAT WE NEED:

Our ideal budget for this album $20,000. That seems like such a big number, but recording an orchestra and choir(100 +people) is not something an independent artist often undertakes. We have set our minimum goal at $10,000, but to be able to go beyond just tracking and actually master, print, and promote this album, we need $20,000. We have already invested around $5,000 into it so far, and had to stop due to lack of funding. We will be starting back up in June if this fundraiser is successful!

Money will go towards:

-Tracking in Nashville and in Cincinatti

-Paying musicians (orchestra, choir, guest musicians)

-Travel

-Engineering and mixing fees

-Mastering

-Printing (super expensive for a double disc)

-Artwork

-Promotion 

The CRAZY thing with this whole project is that fact that I even have the opportunity to write for an orchestra and for a world-renowned a capella choir. I have a beautiful relationship with my alma-mater, Trevecca University, and their music department is working on this project with me. So few composers get the chance to even hear their music performed. This is a ridiculously rare opportunity and I am SO grateful! It should cost $50,000 or more to record 2 different orchestral pieces and two a capella choral pieces, in freaking CATHEDRAL. The fact that we are able to do this for only $20,000 is a little crazy. 

WHAT WE WANT TO GIVE YOU:

All perks include early download of album! 

In keeping with this idea that art creates art, we have partnered with friends from all over the U.S. to create unique pieces of art inspired by "Sun and Moon", which you can claim with a donation to our project! There will also be crochet art made by our cellist, Patrick Rush. We will be using crochet lace doily designs as apart of the album artwork, and those doilies are among the rewards!

Here are the art pieces we have available:

https://www.facebook.com/media/set/?set=a.10151581735649165.1073741825.16237174164&type=1&l=3363e0a8c6

We also have lots of other goodies, including early downloads of the album, cover songs, house shows, even a piece of my harp. hahaha. but for real.

Just to be clear, we still have at least a year of work to do on this album, including a symphony premiere in november, which will be recorded for the album. All art rewards will be sent out once the fundraiser is over, but all music rewards will be dependent on the album release date. (approx July 2014)

If we don't reach our goal, we will keep working to put this album out ourselves! It might just take a while longer...

 More About The Album: 

"Sun and Moon" will explore many ideas of dark and light, of the mysteries of the unknown and the joy of exploring those places. 

Two snapshots of the album:

"Nycteris Sees the Sun" will be a song on the "Sun" album, and is inspired by a story written by George McDonald, "Day Boy and Night Girl- the Romance of Photogen and Nycteris" (http://www.ccel.org/ccel/macdonald/daynight/files/daynight.html) Photogen has lived entirely in light, and Nycteris has lived entirely in darkness, not knowing the other half of reality even exists. They meet, and must learn to see and love what they fear in the other. Nycteris, the girl, decides that the sun is more real than the moon, that she must KNOW this light, even if it destroys her.  My interpretation of her story expresses her decision to move from the dark of the cave that she knows into the pain and the glory of light. The music moves from a quiet, dark, contemplative sound then suddenly bursts into the frenzy of her joy and pain. Its one of my favourite songs I've ever written!! 

"St Cecilia: an Ode to Music" will be on the "Moon" album, and is written for full orchestra, choir, harp, and soprano solo. It was premiered in april 2012 and was the most incredible night of my life thus far. It explores the language of music, and again draws parallels between two worlds, this time between the natural and the spiritual. Here are my liner notes about the piece from that night:

 "St Cecilia" encompasses a series of concepts that are incredibly important to me as a composer and as an individual. It speaks of the transcendent nature, the spiritual language of music that reaches beyond what can be seen with our eyes or felt with our hands.

 “St Cecilia” also touches on a concept that has enraptured me: the unspeakable Name of God. In ancient Israel, "YHWH" represented the name of God that was beyond speaking, unknowable. Ephesians 3:19 says that we can "know this love that surpasses knowledge". That idea has always resonated with me, that we can know what is unknowable. We cannot fully quantify God, but we can know Him. We cannot fully define God, but we can experience Him. I think this is the unknowable knowing.

 I believe that if God exists, He is the ultimate form of all that is good. He is Love, He is Light, He is Joy. What I centered on for this piece is the idea that He is Beauty. All that is beautiful is a broken form of Him. And so, when we make something beautiful, we are pointing to and experiencing Him.

 These ideas came together for me in this... When we make music, music that is truly beautiful, we are speaking His Name. In song, we can speak the Unspeakable Name of God. We can participate in the mystery of His beauty, and actually hear Him sing back to us.

 St Cecilia is the patron saint of musicians. Christian legend says that as she was martyred, she sang praises to God. She died singing, and heard angels singing with her. I was struck with this, the closeness of the two worlds, joined by song. The piece begins with a plea for her to pray for us, with the hope that we too would experience God and touch heaven through music as she did.

 Other Ways You Can Help

Please use the share tools to pass this around to your friends! Together, we can make something completely new!


3/15/13 11:00PM

1 of the new songs "Chicago Pier," which sounds outstanding.


Timbre - Chicago Pier - Whalehead Sessions from Love Greatly on Vimeo.

11/9/12 2:09PM




http://www.facebook.com/TimbreHarp/posts/10151242278454165

I am excited to announce that WE GO INTO THE STUDIO TOMORROW!!!! We're driving to Cincinatti tonight and in the morning, Mason will start putting down our sweet beats!! Haha ;) Thus begins our new album "Sun and Moon" !!!!!!! #timbresunandmoon

 Pretty excited to hear this. 2010's Little Flowers is breathtaking at times, and having seen her twice this past year in my home state, including just over a month ago where she played 1 of the new pieces, my optimism about this record couldn't be higher.

The only thing is, she mentioned to myself and my friend John who was there as well, she has enough music for a double album, but she also didn't really know for sure when it would be coming out. Perhaps due to the fact she may want to release a double album, it may take all of next year to finish, thus perhaps a 2014 release.

But regardless, it's great news she is finally going into the studio to record it.
She is rather active on social media, so I imagine updates will be happening and bumps of this entry in the coming week/months when more info is certain. 

Very cool that both her and Brooke Waggoner have albums coming soon, for my and others female orchestral-oriented pop/rock/etc music fix. 

Thursday, May 7, 2015

2014-2015 Midseason Ratings List/Countdown

2014-2015 has seen a lot of records come out I've enjoyed, although not many I'm addicted to. The 1 though that I can claim that, came out of nowhere, and won and continues to win me over.

But I am happy a lot of these records have come out finally, as it seems every year/season there's albums I and many others look forward to, but often get pushed back. And in some cases, they do come out, and just end up being underwhelming for whatever reason.

However, I do think many times the 1st half of the season/year ends up having something come out and it gets shelved and forgotten until the end of the season or even years later, and then does win many over. In a sense, I almost enjoy that more; thus, I actually look to some of the lesser listened to albums as having potential to go up at a later time.

And of course, like 2013-2014 with iamthemorning and Dream the Electric Sleep, I did sleep on them and then got won over at the end. But part of that is not even knowing about them or their new album. So, there's certainly a good chance a few records have come out that I am totally unaware of that I will end up loving come the beginning of November.

That all being said, I do think the 1st half of 2014-2015 has been pretty strong, and there are a handful of big records to look forward to in the 2nd Half, namely Mike Vennart, The Dear Hunter and of course Kaddisfly. So, the Countdown in November I would not be surprised may look a fair amount different. But the #1 record on this countdown certainly will not be easy to beat.

3-stars or less


Umphrey's McGee - The London Session

Good, mostly older tunes re-recorded at Abbey Road Studios. A bit like the Pain of Salvation record from 2013-2014 Falling Home.


Ne Obliviscaris - Citadel

I enjoy this still, but I'm not sure if their style has passed me by or something in that I don't love this like their debut and am kind of finding it somewhat undesirable to listen to them now. Maybe it's me and their style of prog metal (especially with so much of the mix using the blast beats).


Tuxedo - Tuxedo

Fun sideproject from Mayer, doing music a little closer to Chromeo than his solo band, with the electronic and dancey nature.

Zozzled cover art
Hardcore Crayons- Zozzled


Caravan of Thieves - Kiss Kiss

Dave Kerzner - New World
Pink Floyd - The Endless River
Thomas Giles - Modern Noise
Susanne Sundfør - Ten Love Songs
Steve Hackett - Wolflight
Public Service Broadcasting - The Race for Space
The Decemberists - What a Terrible World, What a Beautiful World
Danny Cavanagh - Memory and Meaning
Daniel Johns - Aerial Love [EP]
Author - Of Brighter Days
Josh Rouse - The Embers of Time
Lost Lander - Medallion
Demians - Mercury
Godspeed You! Black Emperor - 'Asunder, Sweet and Other Distress'
Vola - Inmazes
Sufjan Stevens - Carrie and Lowell

3.5-stars

Nordic Giants - A Séance of Dark Delusions

I've only gone through this a couple of times, but I already am enjoying it much like I did the 2 EPs Build Seas and Dismantle Suns, which I heard previously.

They made another winner track with samples and atmosphere with "Evolve or Parish."

A lot of great female vocal parts with textures, piano, strings, etc.


Mercies - Blue Against Green

Dreamy and catchy. Maybe even more consistent in terms of the dreamy Barbershop chanting, compared to the excellent debut Three Thoussand Days from 2011.



Punch Brothers - The Phosphorescent Blues

Another record from this band that features no really boring parts, and a few unexpected moments. The opening 10+ minute piece "Familiarity" along with tracks like "I Blew it Off" to the closing piece "Little Lights" with it's soaring strings and choir vocals, stand out certainly.

This band continue to surprise me when I underestimate them.


Archive - Restriction

Another solid record from Archive, and much of the continuation in quality from 2014's Axiom soundtrack. A lot of dark, electronic moments, which is not new, but seems to usually work well for them.

The melancholy soaring ballad "Black and Blue" is probably my favorite cut at this point.


Native Construct - Quiet World

This is a debut record from some Berklee college of Music kids, released on Metal Blade records. It is well written prog metal that certainly channels the likes of Between the Buried and Me, Pain of Salvation and even Mr. Bungle at points. They are schizophrenic enough, but still manage to allow the compositions to breathe.

I'm not sure if they should be given credit for combining influences well, or just using influences to write interesting songs.


Steven Wilson - Hand.Cannot.Erase

A good follow up to The Raven That Refused to Sing. The concept or story part of this record does seem to be maybe the biggest focus, and maybe one reason I haven't fallen in love with this album exactly. But the music itself, sounds like Steven Wilson really, mixing progressive rock, with textured, atmosphere at points.

The title track and "Happy Returns" and its quite sad/melancholic nature, are my favorites or the songs I probably think about this record the most for. Many reviews have mentioned their love of songs like "Home Invasion" and especially "Ancestral" which I can follow, but the dynamic shifts in tone almost come across as forced with those. Yet, I do still enjoy parts of them and the other sections of this album.



Signal-to-Noise - I Won't Let the World Become a Prison

This kind of came out of nowhere to be one of my favorite records thus far in 2014-2015. It is more or less written and recorded/performed all by Chicago musician Michael Downing of the band Single Channel Stereo.

I really enjoy a lot of the songs on here's (simple in some ways) yet very unusual melodic nature. The use of piano certainly works well, along with a lot of echoing tones and textures. Even the lyrics seem relate-able and tell interesting stories.

In a lot of ways less being more.

Favorite tracks: Universal, Biologic, Firebox, Presque Vu, Something to Say


Thurisaz - The Pulse of Mourning

It has been a few years since their last LP The Cimmerian Years, but I gotta say, this album has refreshed my memory about why I loved this band. They use textures and melodic death metal in a cool way. This album seems to feature a lot of strings and new instrumentation, and very tastefully, along with some samples which adds to the atmosphere.

I have no idea how many people, even in the Metal scene know about this album or even this band, but they certainly deserve a more visible following than I notice. A bit like Archive I suppose among progressive rock fans. They are still around, doing their thing with I'm sure their loyal fans, but for some reason they have yet to really breakthrough to a wider audience.

Maybe by the end of the year, this album could do that for them.

Favorites: In All Rememberance, One Final Step, Pattetrns of Life, Tanagram,


The Barnum Meserve - The Barnum Meserve

Great debut record from the heavy rock band that uses chamber instruments very tastefully. Trumpet, strings, piano, all blend nicely with vocals that are quite unique sounding. The Barnum Meserve's singer really uses a lot of emotion and force in his vibrato. And tone-wise, I'm unfamiliar with another singer who sounds like him really.

Very promising debut record that has been a few years in the making; so much so, there's 2 more albums coming in the near future, possibly over the next few years.

If I chose 1 standout track, "Take Shelter" would make sense at this point. Very epic.


Shiina Ringo - Hi Izuru Tokoro

This may be a compilation or many of her older b-sides re-recorded, but I don't care really as I am enjoying this as much as anything from Shiina's career (both solo and Tokyo Jihen).


Madam Officer - Madam Officer [EP]

Great debut EP, mixed incredibly well. Sound wise, the dreamy nature of the tracks remind me a lot of Warpaint or fellow Portland, Oregon band Genders.



Tigran Hamasayan - Mockroot

Very impressive  instrumental Jazz-Rock, which the couple of times I've listened to this album, I have enjoyed it, so much so, I may be sleeping on it more than I'm afraid to admit. Very impressive writing and musicianship.

4-stars

New World Sundown cover art
Hotel of the Laughing Tree- New World Sundown
A good follow-up to both the amazing debut album Terror and Everything After and the 2 Mammoth Skin EPs. More song-oriented and subtle, yet each track offers something and flows well into the next.

Favorites: Aging Archimedes, The Generals Girl, Temple Arms, Stray, Crook in the Gold, Brussels


Mew - + -
Another long awaited LP from a band last heard from in 2009. This album I enjoy more or less all of, but have come to conclude early-on, other than "Rows" there's not any statement/classic tracks thus far. But "Rows" gets both dreamy and trippy as it goes along, I look forward to it each time.

"Clinging to a Bad Dream" "My Complications" "The Night Believer" (feat Kimbra) "Satellites" and "Cross the River on Your Own" I do enjoy and seem to get a little more each time I hear them.

I guess I love this band as much as I do, I can't feel unhappy or even disappointed in this album, even as long as its been. A little like No More Stories I suppose, in it's more greater than the sum of its parts. At least for now, I guess we'll see come this Fall and years that follow how well it holds up.

The Great Bazaar cover art
Subterranean Masquerade - The Great Bazaar
A wonderful comeback after a decade since their only full-length LP. This new record is very polished progressive metal that features middle eastern instrumentation, great piano arrangements, and saxophone, along with Paul Kuhr's both clean and guttural vocals, as well as some other vocalists, namely Kobi from Orphaned Land.

Tour Diary and Blanket of Longing are among my favorites.

Sun & Moon cover art
Timbre - Sun and Moon

A 110 minute double LP singer/songwriter and harp virtuoso Timbre labored over for over 4 years. There's a lot of brilliant work on this album, and I'll admit, in a lot of ways, it reminds me of something like The River Empires record from 2010. I guess time may have the work on this to standout even more, both just from a ambition standpoint, and just some of her and the best music that has been made bringing Classical music together with modern folk/pop/rock.

The "Sun" disc, I can hardly find any part of to skip, save for maybe a small portion of the track "I am in the Garden," but even that track has already grown on me.

Otherwise, from the proggy "The Nightgirl" to the happy  "Song of the Sun" to tracks like "Singing and Singing" and "Chicago Pier" I keep enjoying that 1st half of this album more. The Moon disc, the oboe+harp-driven "As the Night" remains my favorite piece. The choral or acapella? compositions "Sunset" and "Sanctus" I am coming to acceptt as part of the sound of this album, but ultimately, I'm not sure if I will ever find I'll listen to regularly. The other tracks "St.Cecilia" and especially the closing 17-minute live epic "Day Boy" I have found repeated listening has helped and allowed me to appreciate this record more.

The concept? I may want to spend the rest of this season trying to take-in and enjoy more about, but otherwise, I'm pretty sure Sun and Moon will measure up favorably to many others, come early November.

5-stars

Face Yourself, and Remove Your Sandals cover art

1. Small Leaks, Sink Ships - Face Yourself and Remove Your Sandals

Classic experience for me of a record coming out of nowhere, no knowledge of its release or even much of the band's (recent) activity. This album won me over the more I listened to it. It's very cohesive, mesmerizing, diverse, creative. I mean I love the moods throughout, from the opening track "Power Outage" to the closing epic "The Mind is its own Place" I never want to skip any part of it.

"Building Blocks" and "Midnight Jin" remain my favorite tracks, but there's parts of every track I find standout.

And I also can say it's the 1st clear cut 5-star record I've heard in over 2 years. Based on that and many other things, I'm not sure if any of the anticipated 2nd half releases will be able to challenge it for my favorite this season (but I'd love that to happen).


haven't heard (among many others I'm sure):
Brian Wilson - No Pier Pressure
Tangled Thoughts of Leaving - Yield to Despair


2nd Half Anticipation (as of the 1st week of May 2015)

Titles:
Faith No More - Sol Invictus
Other Lives - Rituals
The Helio Sequence - The Helio Sequence
God is an Astronaut - Helios | Erebus
Daniel Johns - Talk
Mike Vennart - The Demon Joke
Refused - Freedom
The Velvet Teen - All Is Illusory
Muse - Drones
Between the Buried and Me - Coma Ecliptic
Everything Everything - Get to Heaven
Kaddisfly - Horses Galloping on Sailboats
The Dear Hunter - Act IV: Reprise in Rebirth
The Bird and the Bee - Recreational Love

and of course many others with titles but not much in terms of a time frame of release yet, or no titles but still a reasonable chance of a release (like Fjokra, or Mutemath among many others).

I may post a new Anticipation topic in the next month or 2 when more of the details come for so many others not on the list above.

Wednesday, June 12, 2013

Vuvuzela - Like a Lion (live)

Despite the sound quality, great performance! From seeing Timbre, awesome to see another live harp from Stephanie.

Friday, February 15, 2013

Brooke Waggoner - Originator (2013)

2/15/13 11:30AM 

I just preordered both the Vinyl and CD.
 
http://www.facebook.com/notes/brooke-waggoner/pre-order-originator-tour-dates-announced-new-t-shirts/10151320604921284

PREORDER:
http://store.brookewaggoner.com/

Hi,

Head over to the webstore now and pre-order your copy of ORIGINATOR before it hits the shelves! CD &/or Vinyl is available. store.brookewaggoner.com/
If you prefer digital, you can pre-order through the site via my Bandcamp or head to  iTunes. The iTunes album is currently only available in the U.S., Canada, & Mexico.

And, I'm hitting a few beloved venues for release month!
Come. To. The. Show.
A gold piano, lunar eclipse, and my amazing band are some of the treats in store.

-Grimey's Record Shop InStore - Nashville, TN 3.4.13
-3rd & Lindsley RELEASE SHOW - Nashville, TN - 3.5.13
-Proud Larry's - Oxford, MS - 3.8.13
-Spanish Moon - Baton Rouge, LA - 3.10.13
-Cedar Door SXSW BMI Show - Austin, TX - 3.13.13

See link for details http://www.brookewaggoner.com/shows.

XXXX,
Brooke


2/4/13 12:30PM

New video for the song "Rumble"




12/17/12 11:55AM

The below info is all from her latest newsletter. Release date of March 5th, same day as the new Cloud Cult album in fact.

Extremely thrilled to announce that ORIGINATOR will be releasing March 5, 2013!!!

This is the official album cover for the lp.
I want to thank Rory White for artwork/image and concept and JT Daly for the design work on the packaging. These guys are insanely talented and I'm ecstatic with how it's all turned out.

I also want to announce the official tracklisting for the project:




1. Shiftshape
2. Rumble
3. From the Nest
4. Ink Slinger
5. Squint
6. Perish
7. Welspryng
8. Waterlogged
9. Canticle
10. Mixin' with the Birdies
11. To Love

There's so much music ready to share with you.
We'll have new merch, vinyl, tours, release shows, and a slew of other news to share with you as the new year begins.

Stay tuned,
Brooke



10/17/12 1:00AM I guess this is the cover. It apparently was sent to her email list. I guess I'd like to see something from her about it elsewhere like Facebook/Twitter or her website, but until then, the word of the Email list will have to do. It's certainly odd, almost striking, but maybe the music will be that way as well. Even if the cover art doesn't stand out as much as I'd like, if the music is good, it will hold very little importance.

9/14/12 12:35PM


She made this announcement from her Facebook on Tuesday.

My new single INK SLINGER is available for worldwide download today via Rolling Stone!

This is a FREE download from my upcoming album "ORIGINATOR"!

Enjoy and come back to support more when the album releases early next year (2013)!

That's right folks, the album release is being delayed for a few months.

My apologies for the postponing, but keep checking back for updates -- coming very SOON!

Also, head over to Industry of One to check out the photo shoot we did at my Nashville home when Industry of One came down from Brooklyn to visit. My most recent interview is also included.

Final bit of news, I'm playing NPR's Mountain Stage again this year - show date is officially November 18, 2012! Come to the event and hear some new songs from the upcoming record, "ORIGINATOR".

xx


Brooke

Go Download INK SLINGER FREE

While I'm honestly a little sad the album is delayed a few months, I know it will come out all the more better when it does. And the new single linked above "Ink Slinger" is REALLY FUCKING GOOD.

I guess I've said this about 50 times about her and Timbre too, but it bares repeating. All the JOANNA NEWSOM and Regina Spektor (to a lesser extent) Hipster Lemmings need to check Brooke out and realize what what good songwriting combined with good musicianship from a adventurous yet accessible singer/songwriter ACTUALLY DOES SOUND LIKE.

2009's Go Easy Little Doves is an AMAZING RECORD, that STILL NOT EVEN CLOSE TO ENOUGH PEOPLE HAVE HEARD/APPRECIATED. And this next album could very well match or be better. Although "Ink Slinger" is a little different stylistically, but it still has the trademark layered, emotional and uplifting element that Brooke is known for.

I guess for now, that tune will have to tide me over, but come early next year when Originator drops, I'm going to be extremely excited, and probably still but not expect a larger amount of notice about it, than her previous work.

I should hope Jack White will get a copy and perhaps say some things about it. Of course that would be in part, due to the fact Brooke's been part of his touring band in 2012, and I believe she also played on his new album. And beyond the Joanna Newsom and Regina Spektor crowd, maybe then The White Stripes/Raconteurs/Dead Weather and his Solo Band fans will be exposed to her own music. And at least a percentage become fans.

We'll see, but for now I'm loving this new tune of hers.

Tuesday, October 30, 2012

Umbrella Tree RIP




















I feel bad about this as I don't have the time at the moment to add the amount this band deserves. But as it says, they are ending sadly (but not surprisingly). Timbre even played on 1 of their albums. Hopefully I'll have the chance to edit in a bit more, but for now, RIP another good 2000's college prog band.














from their latest newsletter:


This is what happens when you run out of gas.
On August 23rd, we celebrated the 7-year anniversary of our first show as Umbrella Tree. We now announce, with introspection and cautious optimism, that Umbrella Tree is no more. So it goes. We part ways with a great surplus of love and mutual well-wishing.


As our final encore, we are now making available the complete, multi-camera, HD video from our album release show this past May. It is available HERE for free. Enjoy it. Pass it along. Remember us fondly, as we will remember you.


Finally, we must thank a considerable enclave of supporters. Thank you everyone who ever bought an album or came to a show or put us on a mixtape. Thank you all Kickstarter backers, everyone who made their own Umbrella Tree music videos, and those of you who choreographed dance pieces to our songs. Thank you to all the bands with whom we played. Thank you Christi Bissell, Matt Slocum, Richena Purnell, Matthew Beale, Chris Click, Adam Troxler, Jamie Bacon, Timbre Cierpke, Anna Fitzgerald, Tia Shearer , Jill Ann Raney, and Poly for performing on our records or with us live or doing sign language interpretation or some combination of these things. Thank you Jeremy Ferguson for everything you have ever done for us, and Jimmy Abegg for introducing us to Jeremy. Thank you Jim DeMain, Loney John Hutchins, Justin Boots Herlocker, Steve Mabee, and Al Willis for your work on our recordings. 


Most of the photographs we have ever used professionally were taken by either Ben Pearson or Sally LaFave; thank you pixels and pixels and pixels. Thank you Amy Smith, Jack and Heath Henley, Kip Kubin, and especially Dave Ogle for your help and work on our videos. Thank you Sandy Craven for your work and personal investment in the band. Thank you Sylvie, Ben Frank, Laura Baisden, and Rachel Gresham for your album and poster and t-shirt art and layout. Thank you Annalise Frank for introducing Zack to Derek, and Justin Spencer for introducing Zack & Derek to Jilly & Ryan. Thank you Stefaniah McGowan for jumping on board in the 11th hour; we wish we had met you 5 years ago. Thank you Kristin Pearson for being our beloved den mother from note one.
 

So that’s that. We had a great time with you. Enjoy the live video. We hope to remain on your turntables, virtual or actual, for many years.

Lovey dovey,
Zachary, Jillian, Derek, Ryan
Umbrella Tree

Sunday, April 1, 2012

Timbre live 3/28/12 @ The Beat





(the video and image above are NOT from this show, but other recent shows)

Timbre aka Timbre Cierpke is a Harpist/Vocalist/Songwriter/Hired-Gun I've been a fan of ever since seeing with Brooke Waggoner live, which in just doing a little research, was nearly 2 years ago on April 1st, 2010 at The Triple Rock Social Club.

I love Brooke, but at that show, I may have been as if not more blown away by Timbre and her mesmerizing harp along with angelic vocals. So much so, I asked her if she had music of her own, and she did, and I ended up buying her 1st record Winter Comes to Wake You blindly. Then not too long after, her follow-up, the 2010 album Little Flowers was released; which hasa become a record I have grown to adore, and ended up pretty high on my 2010 Album Index.

It's funny though, it has been only 2 years since being introduced to her music, but it seems like longer. Possibly part of that is following her on facebook for so long, this show seemed like such an accomplishment for me at least, having posted "please come to Minnesota" at least 5 or more time probably on some of her status updates.

So, she played with her trio of sorts as a short-notice show at The Beat Coffee House on Wednesday evening. This being the 1st time I got the chance to see her play her music, it was more or less a gigantic thrill. She played many pieces from Little Flowers including opening with my favorite track off it "I Will Go Plant Little Flowers." I totally had goosebumps hearing that/seeing her and her group perform it. I think that song, and the record captures such a fantasy element, like an escape or something. Almost like when you might go through a struggle with something, and then it all seems worth it because it produces something so beautiful, none of the sadness of your past matters.

Her group consists of herself of course, and 2 other musicians, Samuel Lockridge who played xylophone, vocals, guitar textures and even some drums/percussion. And Patrick Rush plays Cello and sings as well (and maybe some percussion?). Being just a 3-piece, they do or did sound bigger than that may seem. So much so, I think Timbre's music may come across even better live. It is so passionate and heartfelt.

As far as the rest of her set, she played 1 or 2 pieces off Winter Comes to Wake You along with 3-5 other Little Flowers songs besides the opening namesake track of sorts. And then 1 or 2 new songs, and a Radiohead cover, which despite my taste for Radiohead, sounded pretty amazing arranged for a harp and with her voice.

Of course a huge thrill was also getting to visit with Timbre and her band members. She confirmed more or less she is working on a new record right now, that may be released within the next year or less. Including 1 piece I recall she said, was a 15 minute Choral composition. I actually remember seeing her post something about that maybe even around the Summer or Fall of 2010. She also is involved with Brooke Waggoner's upcoming record, which I'm sure will be amazing. I also would suspect she will end up playing on other records as her list of credits include many (Anathallo, O'Brother, mewithoutYou, Umbrella Tree)

To add to her performance, this show included pleasant surprises from Samuel Lockridge and formerly of Nashville (and Colorado among other places), and new Twin Cities native Amy Courts.



Samuel Lockridge did the singer/songwriter thing pretty well at times, although I cannot forget his vocal style seemed to channel among others, Jeff Buckley and the lesser-known but still talented Scott Matthews. His songs almost reminded me of some of the dynamic and passion I enjoy from Glen Hansard and/or The Swell Season. I ended up purchasing a copy of his newly printed album on cd When I Rise, except for some reason I cannot find it now. I either left it at The Beat somewhere, or he never gave it to me after I gave him the money. I guess at least it's available to stream (and/or download) here on his bandcamp, but that still sucks that I don't have a copy after having paid for it.



And Amy Corts, I was impressed at times by as well. She does do the singer/songwriter thing pretty well, although the thing for me is with that style, a lot of artists sound similar. But I guess with her, I did find at least a few of the songs she played, having this high level of passion with wailing and what not, plus really clean sounding acoustic guitar, which I can be a sucker for at times.. I did pick up 1 of her discs as well, These Cold and Rusted Lungs, which while I'm not guessing I'll become addicted to it, still does have a few really nice, passionate tunes on it. Namely the *hit* she referred to( in trying to write) "Shiver" and "Stand" just from listening to it. But her performance probably had twice that many songs that got my head turned. So much so, I think I'll end up seeing her again in Roseville at J Arthur's Coffeehouse on April 20th.

This was definitely one of the best shows I've seen in 2012, and very fulfilling after Timbre went on tour a number of times and wasn't able to come here. I did send The Cedar Cultural Center a request/suggestion about the date which they had open, but a few days after the show they finally got back to me saying they typically book shows 2 months in advance. Which, I know makes sense, but still, it didn't exactly show much confidence. However, maybe they will keep her in mind the next time I may suggest her play there.

I suppose getting in touch with The Ritz Theater and of course my cousin Marc's venue, The Baroque Room about a tour ahead of time would make sense. I mean it's odd how she even was part of the National Association for Campus Activities Conference the day after, which honestly, I think the fact Timbre and her group being scheduled for that showcase in St.Paul on Thursday, was the primary reason she found interest to do a show of any kind in Minnesota on her tour, lol. I suppose had I known that, I might have been a little more forward with trying to emphasize how great it would be to get a venue to have her play at. I guess it was held in downtown St.Paul, literally walking-distance from The Baroque Room, lol.

Oh well, hopefully next time, there will be a little more notice and the show won't seem so last-minute. That being said, I do like The Beat Coffeehouse, and it was great to have them hold this show, being so at the 11th hour.

Tuesday, January 17, 2012

Brooke Waggoner with Hammock



link

* We've sung the praises of ambient post-rockers Hammock before — as when we mentioned the recent and ultra-noteworthy Asleep in the Downlights, for instance. Via their Bandcamp page, Hammock is now offering a single called "Parkers Chapel" that features vocals from local songstress Brooke Waggoner and instrumentation from Hammock's Marc Byrd. Byrd notes that the lyrics were related to a deeply personal matter, saying, "When I told her the story behind it she approached the music reverently and something very special appeared." Stream "Parkers Chapel" below, or purchase it for a mere $1.25 at Hammock's Bandcamp.


I have a friend who loves Hammock, and I know some others who also are very big fans. Myself? not that I hate them, but haven't really found them amazing. But Brooke Waggoner of course I think is brilliant at times.

So this is an interesting pairing.

I don't believe this is what Brooke's been working on of late, as Timbre posted the other day, playing some Harp with her, on presumably, her own, upcoming new music/record etc. But in the mean time, this will have to tide myself and others over.