Kind of a crammed update to the List and Anticipated to a point. I do like that I have done this, this early. Just need to commit to it for the other 3 quarters.
I didn't realize the month when talking about BTBAM and The Decemberists, but o well. I did correct it.
LDC new album is really good, so I would not be surprised to see it finish in my top 10. But that list is really vague in order, Come May, I likely will have something more accurate. Although right now, I can't stop listening to Dirt Poor Robins, which I can anticipate a separate video/podcast coming about them anyway.
Long Distance Calling - Boundless
The Gloomcatcher - Blade in the Belfry [EP]
Typhoon - Offerings
Galactic Cowboys - Long Way Back to the Moon
Orphaned Land - Unsung Prophets and Dead Messiahs
In Vain - Currents
The Dear Hunter - All is as All Should Be [EP]
The Faceless - In Becoming a Ghost
Diablo Swing Orchestra - Pacifisticuffs
Greg Herriges / StellaRoma - Revel and Ritual
Esperanza Spalding - Exposure (+Undeveloped)
U2 - Songs of Experience
Cloud Cult - The Great Alone (OST, instrumental)
Nicholas Krygovich - In an Open Field
Field Music - Open Here
Umphrey's McGee - it's not us
+ a lot of anticipated albums and artists.
Showing posts with label BTBAM. Show all posts
Showing posts with label BTBAM. Show all posts
Friday, February 9, 2018
Monday, May 23, 2016
Paul Waggoner's ranking of the BTBAM Catalog
http://noisey.vice.com/blog/rank-your-records-between-the-buried-and-me
7. The Silent Circus
6. Between the Buried and Me
5. Alaska
4. The Great Misdirect
3. Colors
2. The Parallax II: Future Sequence
1. Coma Ecliptic
I don't think my personal rankings are that surprising to be a fair amount different. But just for the sake of comparison, here's mine
1. Colors
2. Alaska
3. The Silent Circus
4. Parallax I: Hypersleep Dialogues
5. Parallax II: Future Sequence
6. Between the Buried and Me
7a. The Great Misdirect
7b. Coma Ecliptic
7. The Silent Circus
6. Between the Buried and Me
5. Alaska
4. The Great Misdirect
3. Colors
2. The Parallax II: Future Sequence
1. Coma Ecliptic
I don't think my personal rankings are that surprising to be a fair amount different. But just for the sake of comparison, here's mine
1. Colors
2. Alaska
3. The Silent Circus
4. Parallax I: Hypersleep Dialogues
5. Parallax II: Future Sequence
6. Between the Buried and Me
7a. The Great Misdirect
7b. Coma Ecliptic
Tuesday, October 2, 2012
Godspeed You Black Emperor - 'Allelujah! Don't Bend! Ascend! (2012)
https://cstrecords.com/cst081/
This is interesting, sort of late-hour news, however, I'm sure NOBODY will recall, or hell even REMEMBER this post I made back on May 29, 2011. And the fact on the EPIC ROCK TALK that was made, I mentioned they might be coming out with an album this year. So? I was right, but nobody will actually give me credit of course.
Okay, putting that aside, I'm curious about this, but don't expect it to be an album of the year candidate really. Why I say that is, mood music generally has to floor me, and so late in the year, it's odds are low. But, I won't dismiss its chances just yet.
I won't be surprised if the hipsters go apeshit over this. This has been available at shows I guess on their current tour. But they have such a loyal following, their fanbase are going to make this out to being the greatest thing since sliced bread. I expect to see it rather high it on many End of Year Lists, and I wouldn't be surprised if it ended up in the top 10 on the Sound Opinions 2012 EOY poll.
Blech, well, not enough time to elaborate more for now, but given my brain was struggling to find new releases this fall save for the obvious ones like Coheed, BTBAM and maybe a few others, this does help a bit.
EDIT:
Stream is here
the 2 epics are good, the other 2 tracks seem to go nowhere.
3.5 stars
Top 10 Album Index contender? doubtful.
1. Mladic 20:01
2. Their Helicopters Sing 6:22
3. We Drift Like Worried Fire 20:09
4. Strung Luke Lights at Thee Printemps Erable 6:28
DESCRIPTION
We are proud to announce the first new recordings by Godspeed You! Black Emperor in a decade. Featuring two twenty-minute slabs of epic instrumental rock music and two six-and-a-half minute drones, ‘ALLELUJAH! DON’T BEND! ASCEND! provides soaring, shining proof of the band’s powerful return to form.
Having emerged from hiatus at the end of 2010, GYBE picked up right where they left off, immediately re-capturing the sound and material that had fallen dormant in 2003 and driving it forward with every show of their extensive touring over the last 18 months. The new album presents the fruits of that labour: evolved and definitive versions of two huge compositions previously known to fans as “Albanian” and “Gamelan”, now properly titled as “MLADIC” and “WE DRIFT LIKE WORRIED FIRE” respectively. Accompanied by the new drones (stitched into the album sequence on CD; cut separately on their own 7″ for the LP version), GYBE have offered up a fifth album that we feel is as absolutely vital, virulent, honest and heavy as anything in their discography.
We don’t have much time for mythology, but we’d be lying if we said the return of Godspeed You! Black Emperor in 2010 didn’t signify a whole lot to us as a marker from which to look back on the past decade, to reflect on what’s been gained or lost within the confines of independent music culture and what’s been gained or lost in the socio-political landscape writ large. Godspeed’s music will do that to you. It is music that bears witness to, channels and transforms this predominantly terrible, infuriating, venal and nihilistically sad story we’re all living, sharing, resisting, protesting, deconstructing and trying to change for the better. We think GYBE has once again provided a uniquely moving and compelling soundtrack for these acts of analysis, defiance and ascension.
* * *
Hard to believe a full decade has passed since the release of Yanqui U.X.O., the last album by GYBE. Never a band to care for conventional industry wisdom, Yanqui was released shortly before xmas 2003 with little publicity and no press availability, no marketing plans or cross-promotions or brand synergies, with back cover artwork tracing the inextricable links between major music labels and the military-industrial complex. Driven by word-of-mouth from a passionate and committed fanbase galvanized by the group's sonic vision and its dedication to unmediated, unsullied musical communication, the album found it's rightful audience.
To suggest that such simple principles and goals have become harder to maintain and enact a decade later is an understatement. For all the contents and discontents – for all the "content" – of our present cultural moment, the idea of circumventing the glare of exposure, the massaging of media cycles and the calculus of identity management appears quaint, if not futile.
But Godspeed is looking to try all the same. The band wants people to care about this new album, without telling people they should or talking about themselves. They want to hold on to some part of that energy that comes with the thrill of anonymous discovery and unmediated transmission, knowing full well that these days, anti-strategy risks being tagged as a strategy, non-marketing framed as its opposite, and deeply held principles they consider fundamental to health as likely to be interpreted as just another form of stealth.
Truly, thanks for being open to hearing it.
Release date: 15 October 2012 (Europe), 16 October 2012 (rest of world)
Running time: 53:09
PACKAGING NOTES
CD comes in a custom gatefold jacket printed on 100% recycled paperboard in 4-colour process plus spot metallic ink and spot matte varnish. CD dust sleeve is also 4-colour print.
LP is pressed on 180 gram virgin vinyl at Optimal (Germany) and comes in a tipped-on heavyweight gatefold jacket printed in full-colour process plus a spot metallic ink and spot matte varnish. LP dust sleeve is also 4-colour print. Package includes a 7 inch in printed dust sleeve (same audio appears in a different sequence on the CD) and a 12"x48" pull-out poster (printed full colour on both sides) featuring a collage of film stills specially-photographed and captured from the GYBE live 16mm projections.
TRACKLIST
1. MLADIC
2. THEIR HELICOPTERS' SING
3. WE DRIFT LIKE WORRIED FIRE
4. STRUNG LIKE LIGHTS AT THEE PRINTEMPS ERABLE
CREDITS
PERSONNEL
Thierry Amar, David Bryant, Bruce Cawdron, Aidan Girt, Efrim Manuel Menuck, Michael Moya, Mauro Pezzente, Sophie Trudeau, Karl Lemieux.
Tracks 1 and 3 recorded at Hotel2Tango by Howard Bilerman. Tracks 2 and 4 recorded at the band's jamspace, mixed by Amar, Menuck, Bryant and Moya at The Pines.
Mastered by Harris Newman at Greymarket.
Cover photograph by Charles-André Coderre. Burnt 16mm frames by Karl Lemieux, re-photographed by Yannick Grandmont. "Atonal Canada" photo by Timothy Herzog. Others images by Bryant/Menuck/Lemieux.
This is interesting, sort of late-hour news, however, I'm sure NOBODY will recall, or hell even REMEMBER this post I made back on May 29, 2011. And the fact on the EPIC ROCK TALK that was made, I mentioned they might be coming out with an album this year. So? I was right, but nobody will actually give me credit of course.
Okay, putting that aside, I'm curious about this, but don't expect it to be an album of the year candidate really. Why I say that is, mood music generally has to floor me, and so late in the year, it's odds are low. But, I won't dismiss its chances just yet.
I won't be surprised if the hipsters go apeshit over this. This has been available at shows I guess on their current tour. But they have such a loyal following, their fanbase are going to make this out to being the greatest thing since sliced bread. I expect to see it rather high it on many End of Year Lists, and I wouldn't be surprised if it ended up in the top 10 on the Sound Opinions 2012 EOY poll.
Blech, well, not enough time to elaborate more for now, but given my brain was struggling to find new releases this fall save for the obvious ones like Coheed, BTBAM and maybe a few others, this does help a bit.
EDIT:
Stream is here
the 2 epics are good, the other 2 tracks seem to go nowhere.
3.5 stars
Top 10 Album Index contender? doubtful.
1. Mladic 20:01
2. Their Helicopters Sing 6:22
3. We Drift Like Worried Fire 20:09
4. Strung Luke Lights at Thee Printemps Erable 6:28
DESCRIPTION
We are proud to announce the first new recordings by Godspeed You! Black Emperor in a decade. Featuring two twenty-minute slabs of epic instrumental rock music and two six-and-a-half minute drones, ‘ALLELUJAH! DON’T BEND! ASCEND! provides soaring, shining proof of the band’s powerful return to form.
Having emerged from hiatus at the end of 2010, GYBE picked up right where they left off, immediately re-capturing the sound and material that had fallen dormant in 2003 and driving it forward with every show of their extensive touring over the last 18 months. The new album presents the fruits of that labour: evolved and definitive versions of two huge compositions previously known to fans as “Albanian” and “Gamelan”, now properly titled as “MLADIC” and “WE DRIFT LIKE WORRIED FIRE” respectively. Accompanied by the new drones (stitched into the album sequence on CD; cut separately on their own 7″ for the LP version), GYBE have offered up a fifth album that we feel is as absolutely vital, virulent, honest and heavy as anything in their discography.
We don’t have much time for mythology, but we’d be lying if we said the return of Godspeed You! Black Emperor in 2010 didn’t signify a whole lot to us as a marker from which to look back on the past decade, to reflect on what’s been gained or lost within the confines of independent music culture and what’s been gained or lost in the socio-political landscape writ large. Godspeed’s music will do that to you. It is music that bears witness to, channels and transforms this predominantly terrible, infuriating, venal and nihilistically sad story we’re all living, sharing, resisting, protesting, deconstructing and trying to change for the better. We think GYBE has once again provided a uniquely moving and compelling soundtrack for these acts of analysis, defiance and ascension.
* * *
Hard to believe a full decade has passed since the release of Yanqui U.X.O., the last album by GYBE. Never a band to care for conventional industry wisdom, Yanqui was released shortly before xmas 2003 with little publicity and no press availability, no marketing plans or cross-promotions or brand synergies, with back cover artwork tracing the inextricable links between major music labels and the military-industrial complex. Driven by word-of-mouth from a passionate and committed fanbase galvanized by the group's sonic vision and its dedication to unmediated, unsullied musical communication, the album found it's rightful audience.
To suggest that such simple principles and goals have become harder to maintain and enact a decade later is an understatement. For all the contents and discontents – for all the "content" – of our present cultural moment, the idea of circumventing the glare of exposure, the massaging of media cycles and the calculus of identity management appears quaint, if not futile.
But Godspeed is looking to try all the same. The band wants people to care about this new album, without telling people they should or talking about themselves. They want to hold on to some part of that energy that comes with the thrill of anonymous discovery and unmediated transmission, knowing full well that these days, anti-strategy risks being tagged as a strategy, non-marketing framed as its opposite, and deeply held principles they consider fundamental to health as likely to be interpreted as just another form of stealth.
Truly, thanks for being open to hearing it.
Release date: 15 October 2012 (Europe), 16 October 2012 (rest of world)
Running time: 53:09
PACKAGING NOTES
CD comes in a custom gatefold jacket printed on 100% recycled paperboard in 4-colour process plus spot metallic ink and spot matte varnish. CD dust sleeve is also 4-colour print.
LP is pressed on 180 gram virgin vinyl at Optimal (Germany) and comes in a tipped-on heavyweight gatefold jacket printed in full-colour process plus a spot metallic ink and spot matte varnish. LP dust sleeve is also 4-colour print. Package includes a 7 inch in printed dust sleeve (same audio appears in a different sequence on the CD) and a 12"x48" pull-out poster (printed full colour on both sides) featuring a collage of film stills specially-photographed and captured from the GYBE live 16mm projections.
TRACKLIST
1. MLADIC
2. THEIR HELICOPTERS' SING
3. WE DRIFT LIKE WORRIED FIRE
4. STRUNG LIKE LIGHTS AT THEE PRINTEMPS ERABLE
CREDITS
PERSONNEL
Thierry Amar, David Bryant, Bruce Cawdron, Aidan Girt, Efrim Manuel Menuck, Michael Moya, Mauro Pezzente, Sophie Trudeau, Karl Lemieux.
Tracks 1 and 3 recorded at Hotel2Tango by Howard Bilerman. Tracks 2 and 4 recorded at the band's jamspace, mixed by Amar, Menuck, Bryant and Moya at The Pines.
Mastered by Harris Newman at Greymarket.
Cover photograph by Charles-André Coderre. Burnt 16mm frames by Karl Lemieux, re-photographed by Yannick Grandmont. "Atonal Canada" photo by Timothy Herzog. Others images by Bryant/Menuck/Lemieux.
Monday, August 31, 2009
Leak?
both of these may have leaked in one format or more this morning. However, not much evidence about whether they are worth going after right now. The Muse one especially, given the hordes of fakes that keep showing up.
They both drop in the next couple of weeks so leaks are expected any day/hour/minute really.
also Between the Buried and Me have posted a teaser/trailer/preview to their upcoming album "The Great Misdirect."
edit:
I'll be looking fwd to hearing a sample when I get hom tonight, along with some of the new Kevin Gilbert songs on Gruno's radio special at 9PM Central time.
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