Showing posts with label Epic Rock Talk. Show all posts
Showing posts with label Epic Rock Talk. Show all posts

Thursday, November 9, 2017

Audio Recordings for YouTube? (All Media Reviews Podcast)

11/14/17
edit: unfortunately, my address in ebay hadn't been updated since I moved, and the recorder shipped to my old apartment ironically. Hopefully it'll be forward-ed to my current address in the next day or 2.

11/9/17
So however short or long this will be, here's the deal.

When I moved out of my apartment back in July, I obviously found myself challenged as to not only when but WHERE I might be able to make YouTube Videos, at least in the short term.

So it just occurred to me, giving Podcasting another shot might make sense again. And this time, to use YouTube, at least initially as my hosting site.

PODCASTING: My history is basically this.

In 2006 or 2007? I tried making audio recordings with an iRiver I had with a microphone. Similar to some of the Man-on-the-street recordings and even interviews I had done years before, for KFAI and just for my own documentation/future nostalgia and boredom, etc.

But it never really went anywhere, largely per I wanted to use music, but of course the issues of copywright and file-sharing, etc. So I never did use music, but found it was more work than I wanted using Audacity software.

I recall making little recordings for the "All Media Reviews Essentials" which I forget the hosting site I used now. But those were short-lived for maybe a year/year-and-a-half.

Psych Fans Podcast/Psychic Crapfest: Of course my friend John and some others did make this podcast with the microphones on my PC and Audacity software, which was fun, albeit troublesome and tedious among other issues. The quality of the sound was hit and miss, although it wasn't at least for a lack of effort. In the end, we did make a Podcast for nearly every  episode, but most of them are not available now. Had I thought about it, YouTube or maybe even archive.org would have been a better platform, but that would not have mattered a ton per the low-fi fidelity of them, and just the way we did them. I would imagine our podcast could have found more of a following though. And I've thought for a few years, to when the time may be available, to try and upload them to YouTube now. (or Archive.org and/or as well).

Epic Rock Talk: This was a Podcast that I tried doing with some friends, That Drummer Guy (Josh Rundquist) and some others, often at KFAI. They were as the title said, "Epic" i.e. 2-3 hour recordings just shooting-the-shit about music I and Josh and the others on there, were into. Going down to KFAI, at the time, seemed like a reasonable thing to try and do, but it increasingly became more difficult with schedules and what not. Plus, I feel terrible about this, but I felt like I talked too much, which I had a bad habit about, especially about music. And I was so bad about rattling off names of bands, that the listener might have grown frustrated if/when they heard them.

I think a return to this could happen, but I think it may have to be done like Pardon the Interruption on ESPN2 where each guest has like 1.5 minutes to speak and then a bell goes off. I dunno. Josh and I do enjoy chatting about music, obscure music of course. I just find when we made these, he should have done more speaking and me less, even if it means giving some kind of time limit.

But this will likely only happen when time becomes more available. Possibly through Skype and/or on his radio show. But he's so busy with those, I don't know when that will come. It might want to be just an ANNUAL or BI-ANNUAL thing, given 1 or 2 times a year, we could plan it in advance.

So I posted this on FB a bit ago.

Audio Recordings for YouTube? = i.e. a Podcast likely only shared on YouTube.
Just purchased (arrival pending) a fairly inexpensive hand-held digital recorder which I am looking to use for these.
more in the blog in a bit...


The whole point being, my absence from YouTube may not need to continue so much given it is largely due to where to film, and the amount of time it can take between setting up, recording, watching the recording (and making sure it looks and sounds okay, and often I don't say something that I wished I hadn't or can't remember something I couldn't remember, etc), and then uploading with the all the tags and everything.

By making AUDIO only recordings, some of that time-consuming process is removed/reduced. And of course WHERE I record isn't so dependent on what it looks like.

Plus, the recordings can and are often anticipated/expected to be longer. How much longer? I dunno, but at least a 30 minute audio recording is smaller in size and very likely will take less time to upload onto YouTube.

So the hope is, to try and make a Audio Recording/Podcast more regularly, such as once a week or maybe more often. They may be made in the car like I've tried to do with Videos. It may be in some other places.

And they may be short or long, not sure.

My only real hope is to make them and in some ways, organize them. Have a few things written down or pulled up in my Laptop to go over.

I may still forget things, which, yeah, I very likely will. Or say a thing or 2, a name, fact, date, etc that is off, but I can imagine the ability to remake or even possibly edit it out will be easier/quicker than on Video.

What this means for Video? I still plan to make them, and of course show Vinyl and cds, etc, but I am hoping until I find a regular location to do that (when the wife and I find a new place to live?), these audio/podcast version of my activity on YouTube can fill that void.

In looking back on it, I do really wish I had considered this years ago. Sure, they may come across as Babble-fests or Diarrhea-of-the-mouths, but I have noticed with YouTube and even now, compared to 5-10 years ago, using Social Media, you can reach more people potentially than back then, which gives me encouragement.

When will they start? if the Recorder arrives in the mail by say Monday, I could see trying to make 1 or 2 even next week, if not sooner.

Tuesday, October 2, 2012

Godspeed You Black Emperor - 'Allelujah! Don't Bend! Ascend! (2012)

https://cstrecords.com/cst081/

This is interesting, sort of late-hour news, however, I'm sure NOBODY will recall, or hell even REMEMBER this post I made back on May 29, 2011. And the fact on the EPIC ROCK TALK that was made, I mentioned they might be coming out with an album this year. So? I was right, but nobody will actually give me credit of course.

Okay, putting that aside, I'm curious about this, but don't expect it to be an album of the year candidate really. Why I say that is, mood music generally has to floor me, and so late in the year, it's odds are low. But,  I won't dismiss its chances just yet.

I won't be surprised if the hipsters go apeshit over this. This has been available at shows I guess on their current tour. But they have such a loyal following, their fanbase are going to make this out to being the greatest thing since sliced bread. I expect to see it rather high it on many End of Year Lists, and I wouldn't be surprised if it ended up in the top 10 on the Sound Opinions 2012 EOY poll.

Blech, well, not enough time to elaborate more for now, but given my brain was struggling to find new releases this fall save for the obvious ones like Coheed, BTBAM and maybe a few others, this does help a bit.

EDIT:
Stream is here

the 2 epics are good, the other 2 tracks seem to go nowhere.

3.5 stars

Top 10 Album Index contender? doubtful.


1. Mladic 20:01
2. Their Helicopters Sing 6:22
3. We Drift Like Worried Fire 20:09
4. Strung Luke Lights at Thee Printemps Erable 6:28

DESCRIPTION

We are proud to announce the first new recordings by Godspeed You! Black Emperor in a decade. Featuring two twenty-minute slabs of epic instrumental rock music and two six-and-a-half minute drones, ‘ALLELUJAH! DON’T BEND! ASCEND! provides soaring, shining proof of the band’s powerful return to form.


Having emerged from hiatus at the end of 2010, GYBE picked up right where they left off, immediately re-capturing the sound and material that had fallen dormant in 2003 and driving it forward with every show of their extensive touring over the last 18 months. The new album presents the fruits of that labour: evolved and definitive versions of two huge compositions previously known to fans as “Albanian” and “Gamelan”, now properly titled as “MLADIC” and “WE DRIFT LIKE WORRIED FIRE” respectively. Accompanied by the new drones (stitched into the album sequence on CD; cut separately on their own 7″ for the LP version), GYBE have offered up a fifth album that we feel is as absolutely vital, virulent, honest and heavy as anything in their discography.



We don’t have much time for mythology, but we’d be lying if we said the return of Godspeed You! Black Emperor in 2010 didn’t signify a whole lot to us as a marker from which to look back on the past decade, to reflect on what’s been gained or lost within the confines of independent music culture and what’s been gained or lost in the socio-political landscape writ large. Godspeed’s music will do that to you. It is music that bears witness to, channels and transforms this predominantly terrible, infuriating, venal and nihilistically sad story we’re all living, sharing, resisting, protesting, deconstructing and trying to change for the better. We think GYBE has once again provided a uniquely moving and compelling soundtrack for these acts of analysis, defiance and ascension.

* * *

Hard to believe a full decade has passed since the release of Yanqui U.X.O., the last album by GYBE. Never a band to care for conventional industry wisdom, Yanqui was released shortly before xmas 2003 with little publicity and no press availability, no marketing plans or cross-promotions or brand synergies, with back cover artwork tracing the inextricable links between major music labels and the military-industrial complex. Driven by word-of-mouth from a passionate and committed fanbase galvanized by the group's sonic vision and its dedication to unmediated, unsullied musical communication, the album found it's rightful audience.

To suggest that such simple principles and goals have become harder to maintain and enact a decade later is an understatement. For all the contents and discontents – for all the "content" – of our present cultural moment, the idea of circumventing the glare of exposure, the massaging of media cycles and the calculus of identity management appears quaint, if not futile.

But Godspeed is looking to try all the same. The band wants people to care about this new album, without telling people they should or talking about themselves. They want to hold on to some part of that energy that comes with the thrill of anonymous discovery and unmediated transmission, knowing full well that these days, anti-strategy risks being tagged as a strategy, non-marketing framed as its opposite, and deeply held principles they consider fundamental to health as likely to be interpreted as just another form of stealth.

Truly, thanks for being open to hearing it.

Release date: 15 October 2012 (Europe), 16 October 2012 (rest of world)
Running time: 53:09

PACKAGING NOTES
CD comes in a custom gatefold jacket printed on 100% recycled paperboard in 4-colour process plus spot metallic ink and spot matte varnish. CD dust sleeve is also 4-colour print.

LP is pressed on 180 gram virgin vinyl at Optimal (Germany) and comes in a tipped-on heavyweight gatefold jacket printed in full-colour process plus a spot metallic ink and spot matte varnish. LP dust sleeve is also 4-colour print. Package includes a 7 inch in printed dust sleeve (same audio appears in a different sequence on the CD) and a 12"x48" pull-out poster (printed full colour on both sides) featuring a collage of film stills specially-photographed and captured from the GYBE live 16mm projections.

TRACKLIST
1. MLADIC
2. THEIR HELICOPTERS' SING
3. WE DRIFT LIKE WORRIED FIRE
4. STRUNG LIKE LIGHTS AT THEE PRINTEMPS ERABLE

CREDITS
PERSONNEL
Thierry Amar, David Bryant, Bruce Cawdron, Aidan Girt, Efrim Manuel Menuck, Michael Moya, Mauro Pezzente, Sophie Trudeau, Karl Lemieux.

Tracks 1 and 3 recorded at Hotel2Tango by Howard Bilerman. Tracks 2 and 4 recorded at the band's jamspace, mixed by Amar, Menuck, Bryant and Moya at The Pines.

Mastered by Harris Newman at Greymarket.

Cover photograph by Charles-André Coderre. Burnt 16mm frames by Karl Lemieux, re-photographed by Yannick Grandmont. "Atonal Canada" photo by Timothy Herzog. Others images by Bryant/Menuck/Lemieux.

Tuesday, December 27, 2011

Epic Rock Talk - Episode 3

nearly 2 hours, separated into 2 parts

http://epicrocktalk.blogspot.com/2011/12/episode-3-end-of-2011new-studio.html

Topics:

Dream Theater (Red, Ra)
Three
The Dear Hunter (Flying Colors)
Scale the Summit (Mono, Pelican, Isis)
Devin Townsend (Apes and Androids, Strapping Young Lad, Marillion)
Daniel J (Orphaned Land)
Mastodon (Between the Buried and Me, Protest the Hero, Skeleton Staff, House of Fools,
Animals as Leaders (Liquid Tension Experiment, Platypus, Cloudkicker)
Djent (Born of Osiris, Attack Attack, Djentstep/Dubstep, Autotune, Imogen Heap, Cynic, Peter Frampton)
Iced Earth
Revocation (Last Chance to Reason, Dead Letter Circus, Fair to Midland, What's Left of Her, Solstafir, Steven Wilson, Hands of Despair, For the Imperium)
November's Doom (Subterranean Masquerade, Novembre, Klimt 1918, Katatonia)
Doom Metal (Zebulon Pike)
Metal Evolution Documentary
Black Metal (Gloriabelly, False, Alcest, Meshuggah)
Protest the Hero (Coheed and Cambria, Muse, Between the Buried and Me, Zero Hour)
Erick Serna and the Killing Floor (The Dear Hunter, Trent Romens, The Galactic Cowboy Orchestra, The House Harkonnen, Nicole Atkins)
dredg (King's X, Pain of Salvation, Marillion, Dream Theater)The Dear Hunter
Apes and Androids
The Stiletto Formal
dredg
Hotel of the Laughing Tree
Margot & the Nuclear So & So's
The Baltic Sea
Radical Face
Bruce Peninsula
Neverending White Lights (Bed of Stars, Dallas Green)
NewVillager
Team Me
Kimbra
Arch/Matheos
*Shels (Tangled Thoughts of Leaving, Younger Brother, Tokyo Jihen)
The Book of Right On
House of Fools
Ne Obliviscaris
Lehto & Wright
The Age of Rockets (Rosetta)
Fates Warning (Arch/Matheos, OSI)
The Reign of Kindo (Steven Wilson)
Crippled Black Phoenix (Godspeed You Black Emperor, Clann Zu)
Emanuel & the Fear
Spawn of Possession (Subterranean Masquerade)
The Faceless
Cynic (Metal Evolution Documentary: Fates Warning, Between the Buried and Me maudlin of the Well, SikTh, Pain of Salvation, Porcupine Tree)
Local Natives Warpaint
Demians
Flying Colors (John Sykes, Derek Sherinian)
Marillion
The Mars Volta
Meshuggah
Vektor

Thursday, July 7, 2011

Shameless Plug: EPIC ROCK TALK v 2.

Epic Rock Talk Mark II (shorter) BOOSTED by epicrocktalk1

edit: Reuploaded with a higher GAIN.

epic rock talk blog

For those who may not have seen, the 2nd (shortened down to only 49 minutes) version of this experiment with my friend Josh over at That Drummer Guy's Blog (and mp.com forum among other places) has been posted.

Yes we (esp me) tend to babble. But then again, the podcasts I've made for this blog are not much different.

Saturday, March 26, 2011

ERT - Epic Rock Talk

http://epicrocktalk.blogspot.com/

I don't have the time right now to elaborate as much as I mean to, but basically my friend Josh and I are doing our version of Used Bin Radio of sorts, recorded. We'll see. The write up I made in the 1st post with the 1st show explains some more.

but of course, it is a work in progress.