Monday, March 26, 2012

Ian Anderson - Thick as a Brick 2 (TAAB2): Whatever Happened To Gerald Bostock?

3/26/12 8:44AM

"Tomorrow’s Facebook stream of Ian Anderson’s ‘Thick of a Brick 2’ commences at 3pm (GMT) and will be available for 24 hours."

3PM GMT TODAY MARCH 26TH (England time, which would be 10AM Central, 11AM Eastern) the whole thing is going up to stream for 24 hours.

2/17/12 1:55PM

It's not under the Tull name, but Ian's I guess. Track list, pre-order info. Comes with a DVD, etc.

Ian Anderson's ambitious follow-up to his seminal 1972 opus, Thick As A Brick.



Special edition with CD, audio-visual DVD and 16-page booklet.


The DVD contains 5.1 surround mixes, 24-bit stereo mix, videos covering the making of the album, interviews with the musicians and a lyric reading where Ian Anderson reads the lyrics in various settings.


5.1 and stereo mixing by Steven Wilson.
Preorder now for 2nd of April 2012 release date




http://www.burningshed.com/store/jethrotull/product/444/3608/



1 From A Pebble Thrown

2 Pebbles Instrumental
3 Might-have-beens
4 Upper Sixth Loan Shark
5 Banker Bets, Banker Wins
6 Swing It Far
7 Adrift and Dumfounded
8 Old School Song
9 Wootton Bassett Town
10 Power and Spirit
11 Give Till It Hurts
12 Cosy Corner
13 Shunt and Shuffle
14 A Change of Horses
15 Confessional
16 Kismet in Suburbia
17 What-ifs, Maybes and Might-have-beens



2/1/12 9:13AM


2 Press releases of sorts on this
j-tull.com Ian Commentary

TAAB2
Whatever Happened To Gerald Bostock?


In 1972, I wrote and recorded the Jethro Tull Progressive Rock classic album Thick As A Brick. The lyrics were credited at the time to the fictitious child character, Gerald Bostock, whose parents supposedly lied about his age. The record instantly became a number one Billboard Chart album and enjoyed considerable success in many countries of the world.


We then, somewhat dutifully, took the quaintly theatrical show on the road in the UK, USA and a few other countries. Since 1972, the album has never been performed in its entirety although a few minutes of the material have been a regular repertoire staple in both Tull and Ian Anderson solo shows over the years.


Now, scheduled for performance again in 2012, I will take the original album and this follow-up recording, TAAB2, to a theatre near you.


So, forty years on, what would Gerald Bostock – aged fifty in 2012 – be doing today? What might have befallen him?


The theme of this anniversary “part two” album is to examine the possible different paths that the precocious young schoolboy, Gerald Bostock, might have taken later in life and to create alter-ego characters whose song-section identities illustrate the hugely varied potential twists and turns of fate and opportunity. Not just for Gerald but to echo how our own lives develop, change direction and ultimately conclude through chance encounters and interventions, however tiny and insignificant they might seem at the time.


In the development of the piece, the divergences of life’s infinitely forked roads finally give way to an almost gravitational pull which results in convergence to, perhaps, a pre-ordained, karma-like conclusion.


As we baby-boomers look back on our own lives, we must often feel an occasional “what-if” moment. Might we, like Gerald, have become instead preacher, soldier, down-and-out, shopkeeper or finance tycoon?


And those of more tender years - the social media and internet generation - may choose to ponder well the myriad of chance possibilities ahead of them at every turn.....


Odd chap, life.....


If someone had suggested that I might release a Prog concept album in the year 2012, I would have thought him seriously, dangerously even, off his trolley. But that is precisely what happened. A few years ago, Mike Andrews and Royston Eldridge, two ex-Chrysalis Records gents pressed me to consider a follow-up to Thick As A Brick. I gave it some dutiful deliberation - for a couple of minutes - and politely declined. Nice idea, nice chaps but, after reflection, no-oooooo.


Then, in 2010, a re-aquaintance with seventies Prog Rock vocalist-turned-record exec Derek Shulman - yes, he of Gentle Giant fame - restarted the old refrain. Yes, but.... no, but, and finally - OK, I'll give it some more dutiful deliberation (four and a half minutes, this time) eventually produced, in February of 2011, the synopsis of the idea. Derek's enthusiasm and gauntlet-challenge plus two weeks of dedicated, fast and furious music and lyric writing combined to produce a flurry of material. And - blow me down with a Dodo's tail-feather - the whole thing was completed ready for scoring and arranging by the beginning of March. There were a couple of pieces prepared earlier which were bent into new shape and fitted into the scheme of things, so they too were popped into the bubbling saucepan.


It was a little daunting to consider the impact – or perhaps lack of – which this release might have on old and new fans alike but I eventually decided that I would embark on this for my own benefit and enjoyment rather than trying to please anyone else at all. To find the balance of interesting musicality and more accessible content too was not the main issue. The conceptual and heavily lyrical nature of the beast, however, might be out of place in the attention span-deficit world which we seem to occupy these days. But, having toured in 2010 and 2011 in Italy, Latin America, Australia and other countries where passions run high, I decided that maybe the world – or our little corners of it – was, in fact, ready for a bit of more substantial and weightier fare.


The era of professional media Prog-bashing seems to have given way to a more appreciative appraisal of the genre and newer bands such as Dream Theater, Porcupine Tree and Spock's Beard have possibly prompted a new and younger audience to re-examine the seventies originators' seminal albums too.


So, it's not such a cold and lonely place after all. The elements of Folk, Classical and Jazz Music are still to be found in today's more Rock-oriented Progressive Rock. You will certainly find them subtly present in TAAB2 but along with a rather more acoustic feel than many of our peers, past and present. Not the only flute in town but......


Actually, I played much more acoustic guitar than usual on this record having written most of the music on that instrument. But there are still sections conceived on the flute and sometimes – quite often, in fact – the lyric writing preceded all the melodies and harmonic structures. Starting with lyrics and then thinking of the music is not normally the way I work but it was here. A title, a few words or a verse or two and then the acoustic guitar was immediately to hand to conjure up a full song section out of the growing lyrics. Having a plan was important. Stories to tell made it all easier. The imagination-filled process of thinking how things might have turned out for the young and older Gerald kept me fascinated. Maybe you will be too. And maybe not.


Ah, well – you can always go and watch The X Factor and the Eurovision Song Contest.


Ian Anderson January 2012



IAN ANDERSON's
'Thick As A Brick 2'

Ian Anderson announces 40th anniversary sequel to the hugely successful, groundbreaking 1972 album
Following the recent announcement of a 19-date tour to commemorate the 40th anniversary of 'Thick As A Brick', on April 2nd Ian Anderson will release a sequel to the original album.

In 1972, Ian Anderson wrote and recorded the Jethro Tull Progressive Rock classic album 'Thick As A Brick'. The lyrics were credited at the time to the fictitious child character, Gerald Bostock, whose parents supposedly lied about his age. The record instantly became a number one Billboard Chart album and enjoyed considerable success in many countries of the world.

So, forty years on, what would Gerald Bostock - aged fifty in 2012 - be doing today? What might have befallen him? The anniversary "part two" album will examine the possible different paths that the precocious young schoolboy, Gerald Bostock, might have taken later in life through alter-ego characters with song-section identities illustrating the hugely varied potential twists and turns of fate and opportunity. Not just for Gerald but to echo how our own lives develop, change direction and ultimately conclude through chance encounters and interventions, however tiny and insignificant they might seem at the time.

Ian Anderson says of the album, "As we baby-boomers look back on our own lives, we must often feel an occasional 'what-if' moment. Might we, like Gerald, have become instead preacher, soldier, down-and-out, shopkeeper or finance tycoon?," Adding, "and those of more tender years - the social media and internet generation - may choose to ponder well the myriad of chance possibilities ahead of them at every turn....."

To coincide with this groundbreaking release, for the first time since 1972, Anderson and fellow musicians John O'Hara (keyboards), David Goodier (bass), Florian Opahle (guitar) and Scott Hammond (drums) - as well as some guest performers - will take to the road to perform the album in its entirety and, it can now exclusively be revealed that, in addition there will be a second part to the show where Anderson and the band will also perform the sequel.

'TAAB2' tracklist:
1 From A Pebble Thrown
2 Pebbles Instrumental
3 Might-have-beens
4 Upper Sixth Loan Shark
5 Banker Bets, Banker Wins
6 Swing It Far
7 Adrift And Dumfounded
8 Old School Song
9 Wootton Bassett Town
10 Power And Spirit
11 Give Till It Hurts
12 Cosy Corner
13 Shunt And Shuffle
14 A Change Of Horses
15 Confessional
16 Kismet In Suburbia
17 What-ifs, Maybes And Might-have-beens

'Thick As A Brick 2' will be released on the 2nd of April 2012 in three formats: a standard jewel case CD and digital download, and a Special Edition 2-disc format featuring the album plus a DVD containing a 5.1 surround mix, a making of the album film, interviews with the band video and engineers and lyric reading video.




no Martin Barre? I guess I am at a wait-and-see. I love TAAB immensely, but like the Yes album without Jon Anderson, I can't really expect nearly what they made with TAAB. Nostalgia at this point. But I'd rather them do this, than nothing, even sans Martin Barre.