Showing posts with label Tony Levin. Show all posts
Showing posts with label Tony Levin. Show all posts

Monday, May 4, 2015

Peter Gabriel - Documentary for Security (or PG4)




I noticed Joseph Auger mention this to Kimbra, of all people yesterday. I of course had never seen this doc on Peter Gabriel's 4th S/T (or aka Security album). An album I have noticed a lot of the hardcore fans consider possibly his best (or their favorite).

It does include the 1 hit "Shock the Monkey," but beyond that, it's definitely more experimental and ambitious I suppose. But at the same time, I can't say I feel it's amazing, like more or less all 4 of his S/T albums.

And oddly, there is not much if any footage of the writing/recording of Shock the Monkey.

That being said, this is quite a cool doc, odd too to see Tony Levin without a mustache and some of the members of Peter's band (Jerry Marotta and Larry Fast namely).

There's some others on YouTube that I may be checking out soon, and possibly bump this entry, or add a new one for.


Wednesday, December 11, 2013

Peter Gabriel: Brief Quotes regarding Genesis/PC and I/O



I just noticed this interview earlier, and figured it may be worth passing on. While a reunion with Genesis, is kind of the fantasy/pipe-dream, I think the more SIGNIFICANT and REALISTIC piece of news in this story is his comments about I/O.

I/O, I don't recall the EXACT time it 1st was talked about, but personally, I remember some of my friends talking about it as early as 2001. I know it was at least that long ago, because when I went to Nearfest in 2001, Tony Levin made an appearance with the California Guitar Trio, and afterwards was part of their Meet-and-Greet/Signing. And my friend said he talked to Tony Levin about I/O (or asked him about it). And that was late June of 2001.

So, even before Up was released (or even recorded), I/O was already brought up if not mostly written.
But the gap between Us and Up was what, 10 years? (a quick Google shows 1992 for Us, 2002 for Up). So if I/O came out in 2014 or 2015, the long gap between Up and it wouldn't seem so unusual for Peter Gabriel.

Lol, I also was just remembering a conversation my friend Creighton and likely John and maybe another friend Downtown Tom had on KFAI when I did the monthly+fill-in show back in 2002. I recall a comment Creighton made saying "Well it's not like Peter Gabriel is just sitting around doing nothing. He has done soundtrack work, collaborations, etc."

Things like Ovo, Afro Celt Sound System and all the political stuff he had been doing even around that time.

But I guess even if he reworks/rewrites many of the songs, I and so many fans will be intrigued. Although given how good Up was, and the stuff he's released since which has been pretty forgettable (New Blood, Scratch My Back, And I'll Scratch Yours), which are covers and rearranged versions of older music of his.

Like Transatlantic's 3rd LP. I can't help but wonder if I/O, had it come out around 2003 or 2004, would have been somewhat like Up, but maybe even better. But so be it, I hope it just finally comes out in any form/arrangements. It reminds me of among others, the many Jon Anderson projects that have been talked about, even samples shared, but nothing actually came out (The Big If, the California Guitar Trio collaboration, and even the possibly Jimmy Gnecco collaboration that maybe is more fanboy-in-me after reading about their email exchanges, rather than anything very realistic).

But also as far as the Genesis reunion, still nothing to get hopes up about, but he does sort of have a point about the members being dead thing. But THE LAMB thing, it sounds like Peter may be more up for a movie, than performing it live. Trey Anastasio of Phish has asked Peter to join Phish for a Halloween show, and I guess Trey says the band will not play The Lamb without Peter. But Peter was quoted in a story I read when rumors were coming out this year about it again, saying he can't sing a lot of the material from The Lamb anymore. Even when the band wrote it, it wasn't exactly ideal for his voice/range BACK THEN. Although Gabriel did tour for The Lamb, but why the issues in the writing/recording of The Lamb were as such, the band wrote a lot of the vocal parts without Peter there, and not regarding his interest 100% I guess.

For those unfamiliar, during that period, Gabriel's wife was going through a difficult pregnancy, and he didn't have the necessary time to give to the band as he had in the past.

But perhaps even if Gabriel did reunite to play live, it would be to perform some of the pre-Lamb music (and the stuff he still can sing from The Lamb), instead. Supper's Ready or something like Cinema Show? I'd love to be wrong, but be skeptical as well. Who knows.

But also maybe it would be to write and record new music, in some fashion with those guys? for some reason, that almost sounds like something Peter would be more intrigued by.

But, I'm just dreaming/brainstorming. Just thinking about Gabriel and Genesis is nice regardless. I suppose more could happen next week if he ends up being announced to have been voted into the Rock and Roll Hall of Fame.

http://www.classicrockmagazine.com/news/genesis-peter-gabriel-welcomes-phil-collins-back-from-retirement/

Peter Gabriel is glad that former Genesis bandmate Phil Collins is considering coming out of retirement.

But while he won’t rule out a classic lineup reunion of the influential prog band, he’s not fully convinced it will ever happen.

Collins retired in 2011 but last month suggested he was reconsidering the decision, saying: “I have started thinking about doing new stuff. Some shows again, even with Genesis. Everything is possible.”

Asked what he thinks of his former colleague’s comments, Gabriel tells Rolling Stone: “Good! I think he got himself into a bit of a hole, and that’s great news he’s coming out of it. It doesn’t have to involve work – but if it does, that’s a great indicator.”

His reaction leads to the inevitable question about a Genesis reunion, with the possibility having been raised on several occasions over the last decade. Gabriel replies: “It’s never been ruled out. I’m trying to picture a time when it would top my priorities list though.”

But he adds: “If you’re gonna do it, you gotta do it before you’re all dead, right? I was thinking about that the other day. We’re quite lucky – looking back at other bands of our generation, there’s usually one or two missing now. So you do get a sense of the clock.”

And he thinks the chances of staging a live performance of classic album The Lamb Lies Down On Broadway are slipping away. “I’m getting older,” he says. “My voice has dropped a tone since the Genesis days. That’s a fact of life. I still sort of think through film ideas for The Lamb.”

Meanwhile, he’s aiming to complete the solo album he began in 2005, to be entitled I/O. “I really need to stop doing other things and lock myself away for a while,” he reflects. “It probably hasn’t moved nearly as much as I would have liked to in the intervening time. The songs are still there, but some of them I would redo now; and there’s some new stuff as well.”

Tuesday, February 26, 2013

David Bowie - The Next Day (2013)

2/26/13 9:22AM

This is the new/2nd video (and single?) from this record "The Stars (Are Out Tonight)"

rather provocative and gender-bending with  Bowie and Tilda Swinton featured . I guess Tilda has been likened often to how Bowie looked especially in the 70's. (not sure if this is NSFW, as I had to stop it out of concern).

The song itself I heard on 89.3 this morning and I'm liking it a fair amount more than "Where Are We Now?"
which may raise the optimism for this record a little more being as good a song as this new song/single is.


1/8/13 5:59AM
http://www.davidbowie.com/news

This album drops on March 11th. The 1st video/single is below. Not a bad tune, namely how it picks up towards the end. More to add later, but I guess Tony Levin played on this album which is noteworthy.

I guess I'll add just briefly my 2 cents about this/Bowie. I never was hugely into him, until about 10 years ago when a co-worker at my old job burned me a bunch of his records. And at that point, I realized how diverse he was, including a period of his music could be described as prog. I'm referring to mainly the Ziggy Stardust period, and from an album like Hunky Dory, the string arrangements drew me to some of his songs, namely "Life On Mars?" Rick Wakeman even played with Bowie, although not on Ziggy Stardust (as many think of). It was the fact he had the 2 offers at once, 1 to join Bowie's Ziggy Stardust and the Spiders band, and the other was Yes. Whether he chose the right band, who knows. It can be argued either way, but the fact is, he did play with Bowie and his impact is noticed on a lot of those early Bowie records.

And I enjoyed parts of more or less every record this coworker burned for me, but I can't say any one specifically ever stood out over others, although I'll admit to not spending great amounts of time with them. I do recall of his 2 most recent records, I enjoyed Heathen much more than Reality. I remember Heathen being more consistent, more energetic, and layered (and heavy even?). Jordan Rudess of Dream Theater, even made an appearance on it.

So, I am not expecting a ton with this album, but, if resembles Heathen more than Reality, that would be my preference at this point.And having Tony Levin on it can't hurt.

I'm not sure if the way the image below is, with the title like that, is the actual cover, or the image on his website without his name and the title is. But I'll go with the 1 below for now.

Barnbrook designs for David Bowie
1 The Next Day 3:51
2 Dirty Boys 2:58
3 The Stars (Are Out Tonight) 3:56
4 Love Is Lost 3:57
5 Where Are We Now? 4:08
6 Valentine's Day 3:01
7 If You Can See Me 3:16
8 I'd Rather Be High 3:53
9 Boss of Me 4:09
10 Dancing Out in Space 3:24
11 How Does the Grass Grow 4:33
12 (You Will) Set the World on Fire 3:30
13 You Feel So Lonely You Could Die 4:41
14 Heat 4:25

Bonus tracks:
15. “So She”
16. “I’ll Take You There”
17. “Plan”



DAVID BOWIE Where We Are Now? (New Single 2013) from Videodrome Discothèque on Vimeo.