Showing posts with label Zebulon Pike. Show all posts
Showing posts with label Zebulon Pike. Show all posts

Wednesday, July 3, 2013

O'Brother - Disillusion (2013)

This album is being released on August 20th.

I probably haven't been up on this as much as I would have preferred. I think part of that is, while I do/did enjoy O'Brother's debut record Garden Window a fair amount back in 2011, their style is rather schizophrenic, and especially with Doomy/Sludgey music, I often have struggled with it, if not just not cared for at all (see Minnesota's own Zebulon Pike for example).

But that being said, I am happy and looking forward to this record, but I suppose like Garden Window, my expectations are not gigantic. More of, I'll check it out, if it doesn't blow me away, I won't be too down about it, but maybe at least a few songs will grab me. And if it does really catch my ear, I will be happily surprised.

These guys are doing a type of college experimental prog in some ways, and actually there aren't really any bands who cover the exact combinations of styles of music.



1. Come Into the Divide
2. Parasitical
3. Context
4. Perilous Love
5. Path of Folly
6. Oblivion
7. Transience
8. Disillusion
9. Absence
10. Radiance



Monday, August 29, 2011

Ian Anderson:Thick as a Brick Tour 2012!

tull homepage link

Ian Anderson Announces the Thick As A Brick Tours for 2012.
Ian Anderson performs Thick As A Brick in its entirety for the first time since 1972, going out for a world tour commencing in the UK in Mid-April. Then, it's on to European countries in the late SprThick as a Brick Live Tour 2012ing and Summer before landing in the USA for two tours spanning September, October and early November.
This tour will feature a more theatrical production with video, additional musicians and a troupe of dancing elephants. (Just kidding about the dancing elephants: they don't dance.,...)
In 1972, Ian wrote the music (and the lyrics which were credited at the time to the fictitious character, 8 year-old Gerald Bostock, whose parents lied about his age) and recorded with Jethro Tull, Thick As A Brick. The record became a number one Billboard album and enjoyed huge commercial success in most countries of the world. The album featured only one song, lasting nearly 45 minutes. To accommodate the album on LP vinyl and cassette, the seamless track was split on both sides of the record. It reached number one on the US Billboard Pop Albums chart.

Tull then dutifully took the somewhat theatrical show on the road in the Great Britain, USA, and other world markets.


Since 1972, the album has never been performed in its entirety although a few minutes of the material have been a regular repertoire staple in both Tull and IA solo shows over the years.


Now, scheduled for performance again in 2012, Ian will take the original album to a theatre near you. It will be performed in its entirety in a theatrical setting with band, and additional guests.


Well this past Summer (2011), Tull did the complete Aqualung live, which I missed unfortunately (but saw The Book of Right On and Zebulon Pike instead at least). But while I like Aqualung, Thick as a Brick is a bloody fucking masterpiece to me, my favorite Tull record, and one of my favorite records of all-time. So this very much will seem to mean a lot more to me.

Ticket prices? who knows, but given it's not the actual "Jethro Tull" name, the cost very easily could be less. Regardless, as long as there's a show in Minnesota (Fitzgerald, Orpheum, State or somewhere else), and I don't have another conflict, I certainly plan to see this.

A bump hopefully will come once the dates are announced.

Tuesday, June 28, 2011

The Book of Right On - All These Songs About Music (2010)



1 Pinpointing the Exact Moment Hollywood Said Good Enough 5:18
2 Year of the Acronym 4:28
3 Obligatory Jam for the Lady Folk 3:51
4 Manchild at the Helm 4:50
5 Frankly, Ms. Janke 3:07
6 Silk Scarves & White 'Zin 5:04
7 Sense of Entitlement is the New Herpes 6:57

Wow, yet ANOTHER local Minnesota band who are really good, who I just heard about. This band opened for Zebulon Pike on Saturday night at the Triple Rock. There's more to why I even ended up at that show, and ZP themself which hopefully I can share soon in here.

But this band more or less floored me. After their set, I had to pick up both this record on vinyl (+ a download card of course) along with a limited to 100 pressing 7" single of theirs which I have yet to hear actually (no d/l card, although it's supposedly online on 1 of their links to stream).

But referring to this, their debut LP of around 30 minutes, it's pretty much without an uninteresting song. Quite percussive, very organic sounding at times, and many of the songs transition rather well into different sections, including 1 with I think 3-part vocal harmonies. They even use 2 drummers at times, one of them named Kelly, also plays keys and guitar.

The lead vocals are a bit odd, and pretty lyrical in emphasis, but at the same time, the lyrics seem so random and esoteric, they almost sound like they are being used for-how-they-sound (rather than what they mean literally).

I should try reading through them though, as I have yet to do so, and I recall noticing on their myspace blog seeing them posted. And in chatting with their trumpet/sax player, David I think he said his name is, the lyrics are rather significant to what they're doing. Their singer, seems rather opinionated, almost to the point of outspoken-ness, but I think he actually gives them a distinct element that adds a lot to what they are doing. At the show on Saturday, at one point, he was doing a Spoken Word of sorts and ranting pretty good at times. And I guess some of the Hip-Hop fans/community actually digs them, perhaps even just due to that side of the band.

Is there any spoken-word specifically on this album? no, not really. But there certainly are many moments to enjoy. I guess comparing them to other music, stuff like Primus, Battles, or King Crimson makes a little bit of sense, but the melodies, namely from the guitar parts, really adds more to their style.

At times they're atonal or just rythmically driven, but other times the melodic sense shines.

My only really criticism about this album is how short it is. It seems more like an EP being only 7 songs and about half an hour. I guess that's why among other reasons, I am really curious on what they do next. Definitely one of the best new bands, or bands in general, in Minnesota. And one of the best I've found out about for the 1st time in 2011.

Minnesota, land of 10,000 sadly unknown, yet still incredible bands. The Book of Right On being another, and one of the best, which a lot more people would like if they were given the exposure to them. Including the progressive rock scene, as they are most definitely doing (the good kind of) prog. They should get on bills with local bands like Brice Plays Drums, The Royal Veil or even Run at the Dog among a number of others.

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