October 22nd, 2005, at Rossi's Bar in downtown Minneapolis, Steve Hackett last played Minnesota.
Since then, he's toured somewhat regularly in North America, including in Chicago in 2010 where I saw him and his band last with Renaissance.
So 14 years since his last performance in my home state, and it fell on the same evening of the Twins vs Yankees Game 3 ALDS playoff game. I bought my ticket for Mr. Hackett and company back in March, which was before the Major League Baseball Season had even began, lol.
But, this isn't a review of that game, the series, or the Twins Season (maybe soon?).
I can just say, this was without question the best, tightest, most epic performance I've seen from Steve Hackett and his band. And this was the 4th time seeing them, 5th seeing Steve.
He has a great band, with the likes of Jonas Reingold of The Flower Kings on Bass, Nad Sylvan vocals (Agents of Mercy, Solo, Hackett's Genesis Revisited II), Craig Blundell on drums (Steven Wilson), Roger King on keys, and Rob Townsend sax, flute, vocals.
I very much enjoyed the 1st set of Steve's solo work, including some of the material off his I guess very well received new record At the Edge of Light. Epic, heavy, moody, atmospheric.
Also the version of "Everyday" and "Spectral Mornings" namely really sounded wonderful and very "live." The whole band seemed so in tuned and in great spirits, extending many parts out.
Of course the 2nd set was the complete Selling England By the Pound, an album that has been an all-time favorite of mine, since the point I was fully won over by Genesis nearly 20 years ago (2000/2001/2002).
"The Cinema Show" is my favorite and it did not disappoint. They totally pulled every second of it off, and added some flourishes and different dimensions. Blundell is quite the master, channeling his inner-Phil Collins. As well as Roger King on keys pulling off maybe the greatest Keyboard section ever in Rock music.
I gotta say though, "Firth of Fifth" totally got me as well. I have always loved it, but also heard it maybe more than anything on this album. But seeing those guys pull it off live, made me respect and love it again.
And maybe the most impressive moments of the set and show was "The Battle of Epping Forest." I grew to adore that tune, as busy, quirky, and drawn out as it does get. The vocals are incredibly wordy with long run-on narratives. Plus the characters channeled. Its extensive arrangements and journey through the tale comes across as a mouthful, but it totally grew for me to appreciate how difficult and meticulous it is.
And for that, I totally applaud Nad's performance.
A couple of other things not to forget. The extended almost jam added in the middle during "I Know What I like" I really dug. I love that tune, but sometimes when it ends it makes me sad it's over. I have a HUGE nostalgia for it, going back to the early 2000's at work. I almost was brought to tears in moments last night remembering those days at work with it on. And to see it live and have them add more to it, totally worked for me.
And for them to include "Deja Vu" which Steve mentioned was a tune they wrote and maybe demo-ed? during the making of Selling England. I had never heard it, nor heard of it. I enjoyed it, although it reminded me more of something from his solo music.
I'd love to hear a demo of it anyway, especially with Peter Gabriel of course.
But I guess it did come out on the 1st Genesis Revisited album with Paul Carrack on vocals. I can't remember if I own that, or the 2nd as I bought at least of them on CD in the early 2000's.
But it's on YouTube here
Set List
Everyday
Under the Eye of the Sun
Fallen Walls and Pedestals
Beasts in Our Time
The Virgin and the Gypsy
Tigermoth
Spectral Mornings
Horizons
The Red Flower of Tachai Blooms Everywhere
Clocks - The Angel of Mons
(Intermission)
Dancing With the Moonlit Knight
I Know What I Like (In Your Wardrobe)
Firth of Fifth
More Fool Me
The Battle of Epping Forest
After the Ordeal
The Cinema Show
Aisle of Plenty
Deja Vu
Encore
Los Endos
Dance on a Volcano
Squonk
The media market is huge, thus the need for a media review market.
This is our little contribution to that field.
Showing posts with label The Flower Kings. Show all posts
Showing posts with label The Flower Kings. Show all posts
Wednesday, October 9, 2019
Monday, April 9, 2018
The Sea Within - The Sea Within (2017-2018)
So this is 1 of the latest so-called "Super Groups" that is among progressive rock musicians.
The Self-Titled album drops on June 22nd. And per the write-up below, they are going to tour, but not with Daniel Gildenlow unfortunately. Casey McPherson of Flying Colors+Alpha Rev is going to fill-in.
I am quite curious about this, although per it sounds like it was driven largely by Roine, I wonder how much this will resemble The Flower Kings.
Gildenlow and Brislin's songwriting, assuming they did a good amount of it, may help my feeling about it. But it's a wait-and-see I guess.
Also adding some of the guests like Jon Anderson and Steve Hackett might help, although they may be just token-cameos.
"Art Rock" might suggest it's less about chops, and more about mood and atmosphere. But who knows.
Roine Stolt - Guitar, Vocals? (The Flower Kings, Transatlantic, The Tangent, Anderson/Stolt)
Jonas Reingold - Bass (The Flower Kings)
Daniel Gildenlow - Guitar, Vocals (Pain of Salvation, Transatlantic)
Tom Brislin - keys (Spiraling, Solo, Yes, Renaissance, Meatloaf)
Marco Minneman - Drums, Vocals (The Artistocrats, Steven Wilson, Necrophagist)
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Disc 1:
1. Ashes of Dawn
2. They Know My Name
3. The Void
4. An Eye for an Eye for an Eye
5. Goodbye
6. Sea Without
7. Broken Cord
8. The Hiding of the Truth
Disc 2:
1. The Roaring Silence
2. Where Are You Going?
3. Time
4. Denise
The Sea Within – the new art-rock collective comprising of Roine Stolt (Transatlantic, The Flower Kings), Daniel Gildenlöw (Pain of Salvation), Jonas Reingold (Steve Hackett, The Flower Kings, Karmakanic, The Tangent), Tom Brislin Music (Yes Symphonic, Renaissance, Spiraling, Deborah Harry) & Marco Minnemann (The Aristocrats, Steven Wilson, UK, Joe Satriani) – have announced that their debut self-titled album will be released 22nd June 2018.
Let's get one thing straight from the start. The Sea Within is more of an amalgamation of some serious talents, than a regular “supergroup”. These musicians have come together to create a unique album. Guitarist/vocalist Roine Stolt, bassist Jonas Reingold, keyboard player/vocalist Tom Brislin, drummer/vocalist Marco Minnemann and vocalist/guitarist Daniel Gildenlöw have a vast reservoir of experience. Look at the portmanteau of artists with who they've worked: The Flower Kings, Transatlantic, Jon Anderson, Steven Wilson,The Aristocrats, Joe Satriani, Yes, Steve Hackett, Renaissance, Pain Of Salvation, Deborah Harry, Meatloaf, Karmakanic … that of itself tells you this is something very special. ��
“I suppose it all began to take shape in the autumn of 2016,” explains Stolt. “I had a chat with Thomas Waber, the boss at InsideOut Music, about the idea of putting together a new band. I wanted to move in a fresh direction with new collaborations. So Thomas gave me the ‘go ahead’ to seek musicians for a new project.”�First on-board was The Flower Kings bass player Jonas Reingold.- “He is a long time bandmate and friend and we were also very keen to get keyboardist Tom (Brislin) involved - after seeing his synth pyrotechnics with legends Yes ‘Symphonic’ and with Camel. Then we have been a fans of ‘Aristocrats’ drummer Marco for a long time; I first heard of him 15 years ago and he is a brilliant drummer, unique energy. Then when we discussed ideas for singers, Daniel's name came up, he has such a great range and dynamic voice and we've worked together on and off over the years.” Also added later to the bands line-up for live shows was vocalist & guitarist Casey McPherson of ‘Flying Colors’ & ‘Alpha Rev’, who also sings a couple of songs on the album. ��
The entire recording situation took about six months, and the band also have some very special guests featured on the album.�“We have got Jordan Rudess from Dream Theater playing piano on one song. The legendary Jon Anderson sings on another track, while 'wind ace' Rob Townsend, who plays saxophone and flute with Steve Hackett, is also on the record. Each of them brings a different flavour to the music.” �
The Sea Within as a music collective have plans to perform live, and will make their stage debut at 'Night Of The Prog' in Loreley, Germany which happens from July 13-15 and will bring special guests for that evening. �“As far as I am concerned, we will try do as much touring as possible. We have a great band, great label and our agent Rob Palmen on-board. We have great artwork by Marcela Bolivar, all looks bright. However Daniel will not be able to join us for touring now, as he has commitments with main band Pain Of Salvation. With Casey taking the vocal spot, now with us live, we can go out on the road and play this album and beyond and grow as a band. We have so much to offer musically, on record and on stage and I am sure we will develop a lot over the next few years. But 'The Sea Within' album is a great start. I am excited for everyone to hear what we have done and am now thrilled to start working on the songs for the live show.”
The album will be available as a special edition 2CD digipak, gatefold 2LP vinyl + 2CD & as digital download. You can find the full track listing below:
The Self-Titled album drops on June 22nd. And per the write-up below, they are going to tour, but not with Daniel Gildenlow unfortunately. Casey McPherson of Flying Colors+Alpha Rev is going to fill-in.
I am quite curious about this, although per it sounds like it was driven largely by Roine, I wonder how much this will resemble The Flower Kings.
Gildenlow and Brislin's songwriting, assuming they did a good amount of it, may help my feeling about it. But it's a wait-and-see I guess.
Also adding some of the guests like Jon Anderson and Steve Hackett might help, although they may be just token-cameos.
"Art Rock" might suggest it's less about chops, and more about mood and atmosphere. But who knows.
Roine Stolt - Guitar, Vocals? (The Flower Kings, Transatlantic, The Tangent, Anderson/Stolt)
Jonas Reingold - Bass (The Flower Kings)
Daniel Gildenlow - Guitar, Vocals (Pain of Salvation, Transatlantic)
Tom Brislin - keys (Spiraling, Solo, Yes, Renaissance, Meatloaf)
Marco Minneman - Drums, Vocals (The Artistocrats, Steven Wilson, Necrophagist)

Disc 1:
1. Ashes of Dawn
2. They Know My Name
3. The Void
4. An Eye for an Eye for an Eye
5. Goodbye
6. Sea Without
7. Broken Cord
8. The Hiding of the Truth
Disc 2:
1. The Roaring Silence
2. Where Are You Going?
3. Time
4. Denise
The Sea Within – the new art-rock collective comprising of Roine Stolt (Transatlantic, The Flower Kings), Daniel Gildenlöw (Pain of Salvation), Jonas Reingold (Steve Hackett, The Flower Kings, Karmakanic, The Tangent), Tom Brislin Music (Yes Symphonic, Renaissance, Spiraling, Deborah Harry) & Marco Minnemann (The Aristocrats, Steven Wilson, UK, Joe Satriani) – have announced that their debut self-titled album will be released 22nd June 2018.
Let's get one thing straight from the start. The Sea Within is more of an amalgamation of some serious talents, than a regular “supergroup”. These musicians have come together to create a unique album. Guitarist/vocalist Roine Stolt, bassist Jonas Reingold, keyboard player/vocalist Tom Brislin, drummer/vocalist Marco Minnemann and vocalist/guitarist Daniel Gildenlöw have a vast reservoir of experience. Look at the portmanteau of artists with who they've worked: The Flower Kings, Transatlantic, Jon Anderson, Steven Wilson,The Aristocrats, Joe Satriani, Yes, Steve Hackett, Renaissance, Pain Of Salvation, Deborah Harry, Meatloaf, Karmakanic … that of itself tells you this is something very special. ��
“I suppose it all began to take shape in the autumn of 2016,” explains Stolt. “I had a chat with Thomas Waber, the boss at InsideOut Music, about the idea of putting together a new band. I wanted to move in a fresh direction with new collaborations. So Thomas gave me the ‘go ahead’ to seek musicians for a new project.”�First on-board was The Flower Kings bass player Jonas Reingold.- “He is a long time bandmate and friend and we were also very keen to get keyboardist Tom (Brislin) involved - after seeing his synth pyrotechnics with legends Yes ‘Symphonic’ and with Camel. Then we have been a fans of ‘Aristocrats’ drummer Marco for a long time; I first heard of him 15 years ago and he is a brilliant drummer, unique energy. Then when we discussed ideas for singers, Daniel's name came up, he has such a great range and dynamic voice and we've worked together on and off over the years.” Also added later to the bands line-up for live shows was vocalist & guitarist Casey McPherson of ‘Flying Colors’ & ‘Alpha Rev’, who also sings a couple of songs on the album. ��
The entire recording situation took about six months, and the band also have some very special guests featured on the album.�“We have got Jordan Rudess from Dream Theater playing piano on one song. The legendary Jon Anderson sings on another track, while 'wind ace' Rob Townsend, who plays saxophone and flute with Steve Hackett, is also on the record. Each of them brings a different flavour to the music.” �
The Sea Within as a music collective have plans to perform live, and will make their stage debut at 'Night Of The Prog' in Loreley, Germany which happens from July 13-15 and will bring special guests for that evening. �“As far as I am concerned, we will try do as much touring as possible. We have a great band, great label and our agent Rob Palmen on-board. We have great artwork by Marcela Bolivar, all looks bright. However Daniel will not be able to join us for touring now, as he has commitments with main band Pain Of Salvation. With Casey taking the vocal spot, now with us live, we can go out on the road and play this album and beyond and grow as a band. We have so much to offer musically, on record and on stage and I am sure we will develop a lot over the next few years. But 'The Sea Within' album is a great start. I am excited for everyone to hear what we have done and am now thrilled to start working on the songs for the live show.”
The album will be available as a special edition 2CD digipak, gatefold 2LP vinyl + 2CD & as digital download. You can find the full track listing below:
Labels:
Casey McPherson
,
Daniel Gildenlow
,
Jon Anderson
,
Jordan Rudess
,
Marco Minneman
,
Roine Stolt
,
Steve Hackett
,
The Flower Kings
,
The Sea Within
,
Tom Brislin
Friday, December 8, 2017
The Sea Within: New Project ft Gildenlow, Minnemnann, Stolt
http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=22127&IdCompany=8
Project release date of the yet untitled debut album from The Sea Within is Spring 2018 as the writeup there/shared below.
New project or "Super Group" of sorts that includes Daniel Gildenlow from Pain of Salvation, Roine Stolt and Jonas Reingold from The Flower Kings, Marco Minneman (Steven Wilson, The Aristocrats among many others), Tom Brislin (Yes, Renaissance, Spiraling)..
I will certainly check this album out, but with a little bit of caution per Daniel Gildenlow worked with The Flower Kings in the past and while it wasn't bad, it wasn't something I have returned to much, even among TFK's work.
I really hope this album doesn't sound much like The Flower Kings, but if it does, well, I won't be surprised. Why I am not highly anticipating it at this point. Maybe once a clip or 2 or single/video comes, my mind may change. I do hope Daniel does a lot of the lead vocals, which could make a different potentially for me.
The Sea Within – a new art-rock group formed by Roine Stolt (Transatlantic, The Flower Kings), Daniel Gildenlöw (Pain of Salvation), Jonas Reingold (The Flower Kings, Karmakanic, The Tangent), Tom Brislin (Renaissance, Spiraling, Yes Symphonic, Deborah Harry) & Marco Minnemann (The Aristocrats, Steven Wilson, UK, Joe Satriani) – have announced they will release their as-yet-untitled debut album in Spring 2018.
Roine Stolt comments on how the project came together: “I think all it started as a suggestion from the record company - putting together a new band, starting fresh, seeing if collective writing could spawn a unique style. Call it a supergroup if you want - I think we can handle that.”
The members recently entered Livingston Studios in London to begin recording the basic tracks, and found an instant chemistry in the way they worked together. “Going into the studio in London was taking a great risk as we had not been in the same room together beforehand.” Roine continues: “We had just sent demos around and didn’t really know if we could make great music together, but we managed to track almost 2 hours of new music, a mix of collective ideas. We also had a lot of great ‘off-time’, sharing laughs and stories in local pubs – that part is important.”
Currently the members are putting the finishing touches on their debut album, and of the music’s direction Roine says: “There are elements of prog, pop, art-rock and many cinematic elements. I suppose the music comes from within our collective memories of all that we love as far as sounds, visions and poetry. We hope that discovering the music will be a journey for the open-minded fan - something as fresh and uncertain and unfolding as it is for us.”
The Sea Within has also announced their first confirmed live date, taking to the stage at Night of the Prog Festival 2018 at Loreley, Germany on the weekend of 13-15th July 2018 alongside Camel, Big Big Train, Riverside & more. Tickets are available now here:
http://www.nightoftheprogfestival.com/en/home-2/
http://www.nightoftheprogfestival.com/en/home-2/
Drawing on their collective experience from across the rock and prog spectrum, The Sea Within sees them coming together to craft new music that sees them all leaving their respective comfort zones and challenging themselves.
THE SEA WITHIN online:
www.facebook.com/theseawithin1
www.twitter.com/theseawithin1
www.instagram.com/theseawithin1
www.facebook.com/theseawithin1
www.twitter.com/theseawithin1
www.instagram.com/theseawithin1
Labels:
Daniel Gildenlow
,
Marco Minneman
,
Pain of Salvation
,
Roine Stolt
,
The Flower Kings
,
The Sea Within
,
Tom Brislin
Friday, March 18, 2016
Anderson / Stolt - Invention of Knowledge (2015-2016)
3/18/16 8:46PM
I saw some stuff about this, I forget when, maybe a couple of weeks ago? Or it may have been just over last weekend. Anyway, the thing about this is, I tend to notice like Neal Morse, most things Roine Stolt does, sound like him and The Flower Kings. So I guess my hopes and expectations for this would be for it to sound like TFK's with Jon singing.
Now with the emphasis and inpsiration even more from classic, 70's epic Yes stuff, and especially having Jon involved, it may not ultimately quite come out like The Flower Kings with Jon Anderson singing.
And it is impressive to have this come out, with Jon's track record of projects that are in-the-works but never seem to actually come out.
And just noticing the guests, I am curious what role Daniel Gildenlow will have? he may just sing some harmonies and play guitar on some of it, I dunno. And from creative standpoint, his role may be minimal at best. Since even the stuff he did with The Flower Kings I never fell head over heals with exactly.
But all that being said, I will certainly check this out and maybe at least hope to be pleasantly surprised by it. If they capture some of the Tales and Relayer/CTTE/Heart of the Sunrise vibe (or even "Mind Drive" for that matter) I cannot see myself not listening to it a fair amount.
insideoutmusic.com
1. Knowing 17:45
2. Everybody Heals 13:20
3. Invention Of Knowledge 23:10
4. Know 11:20
Anderson / Stolt, the brand new duo of legendary Yes vocalist & singer/songwriter Jon Anderson and progressive rock veteran Roine Stolt (The Flower Kings, Transatlantic), have announced the release of their collaborative album 'Invention Of Knowledge' for 24th June 2016 via InsideOut Music.
Jon Anderson had this to say: ".....Music is always the driving force in my life...working with such a wonderful musician as Roine Stolt made the creation of this album very unique,we are very excited with the release of 'Invention of Knowledge'."
Roine Stolt adds: "It is not aiming at being new Yes music; just new music, modern and classical, rock and ethno, tribal and orchestrated, grooving and floating. Hopefully in the true spirit of "progressive" - leaning forward, surprising and also comforting with familiar run-arounds.
We've been "inventing" as we go along - Jon is an endless source of new ideas. We've been bouncing ideas back and forth for months and as a result there are probably dozens of versions of these songs. It's been a very interesting and rewarding time and the result is just insanely detailed."
InsideOut label-head Thomas Waber comments: "I have been talking to Jon for ages about making an album of 'Yes music' - as Jon calls it - and Roine seemed like the perfect guy for him to work with. I am really happy that it has finally happened and I am also thrilled with the material they have come up with. I think it will please a lot of fans!"
The idea came to life swiftly off the back of a performance from Roine's band Transatlantic, and Jon Anderson on the Progressive Nation At Sea Cruise in 2014, and was initially instigated by InsideOut Music label boss Thomas Waber. The duo set about crafting new music in the spirit of early epic works such as 'Tales From Topographic Oceans', 'Awaken' & 'Olias Of Sunhillow', but giving it a modern twist.
Written & recorded over the course of 1 and a half years, the tracks have been in a state of constant change as Roine and Jon swapped & refined ideas by sending tracks to each other via the internet. In March 2015, an ensemble was put together by Roine to realise the music live in the studio. Joining him there was Tom Brislin (who played on the Yes Symphonic tour) & Lalle Larsson on keys, Jonas Reingold & Michael Stolt on bass and Felix Lehrmann on drums. The sessions were also bolstered by appearances from Daniel Gildenlöw, Nad Sylvan, Anja Obermayer, Maria Rerych and Kristina Westas who all provided backing vocals.
I saw some stuff about this, I forget when, maybe a couple of weeks ago? Or it may have been just over last weekend. Anyway, the thing about this is, I tend to notice like Neal Morse, most things Roine Stolt does, sound like him and The Flower Kings. So I guess my hopes and expectations for this would be for it to sound like TFK's with Jon singing.
Now with the emphasis and inpsiration even more from classic, 70's epic Yes stuff, and especially having Jon involved, it may not ultimately quite come out like The Flower Kings with Jon Anderson singing.
And it is impressive to have this come out, with Jon's track record of projects that are in-the-works but never seem to actually come out.
And just noticing the guests, I am curious what role Daniel Gildenlow will have? he may just sing some harmonies and play guitar on some of it, I dunno. And from creative standpoint, his role may be minimal at best. Since even the stuff he did with The Flower Kings I never fell head over heals with exactly.
But all that being said, I will certainly check this out and maybe at least hope to be pleasantly surprised by it. If they capture some of the Tales and Relayer/CTTE/Heart of the Sunrise vibe (or even "Mind Drive" for that matter) I cannot see myself not listening to it a fair amount.
insideoutmusic.com
1. Knowing 17:45
2. Everybody Heals 13:20
3. Invention Of Knowledge 23:10
4. Know 11:20
Anderson / Stolt, the brand new duo of legendary Yes vocalist & singer/songwriter Jon Anderson and progressive rock veteran Roine Stolt (The Flower Kings, Transatlantic), have announced the release of their collaborative album 'Invention Of Knowledge' for 24th June 2016 via InsideOut Music.
Jon Anderson had this to say: ".....Music is always the driving force in my life...working with such a wonderful musician as Roine Stolt made the creation of this album very unique,we are very excited with the release of 'Invention of Knowledge'."
Roine Stolt adds: "It is not aiming at being new Yes music; just new music, modern and classical, rock and ethno, tribal and orchestrated, grooving and floating. Hopefully in the true spirit of "progressive" - leaning forward, surprising and also comforting with familiar run-arounds.
We've been "inventing" as we go along - Jon is an endless source of new ideas. We've been bouncing ideas back and forth for months and as a result there are probably dozens of versions of these songs. It's been a very interesting and rewarding time and the result is just insanely detailed."
InsideOut label-head Thomas Waber comments: "I have been talking to Jon for ages about making an album of 'Yes music' - as Jon calls it - and Roine seemed like the perfect guy for him to work with. I am really happy that it has finally happened and I am also thrilled with the material they have come up with. I think it will please a lot of fans!"
The idea came to life swiftly off the back of a performance from Roine's band Transatlantic, and Jon Anderson on the Progressive Nation At Sea Cruise in 2014, and was initially instigated by InsideOut Music label boss Thomas Waber. The duo set about crafting new music in the spirit of early epic works such as 'Tales From Topographic Oceans', 'Awaken' & 'Olias Of Sunhillow', but giving it a modern twist.
Written & recorded over the course of 1 and a half years, the tracks have been in a state of constant change as Roine and Jon swapped & refined ideas by sending tracks to each other via the internet. In March 2015, an ensemble was put together by Roine to realise the music live in the studio. Joining him there was Tom Brislin (who played on the Yes Symphonic tour) & Lalle Larsson on keys, Jonas Reingold & Michael Stolt on bass and Felix Lehrmann on drums. The sessions were also bolstered by appearances from Daniel Gildenlöw, Nad Sylvan, Anja Obermayer, Maria Rerych and Kristina Westas who all provided backing vocals.
Monday, January 27, 2014
dredg - I Left My Heart In San Francisco (Tony Bennett/Video)
dredg entered the studio a few months ago, posting some brief thing on twitter about it. It was apparently for this.
Haven't heard it yet of course. But the song is a Tony Bennett song. For some reason though, there's a The Flower Kings song "I Am the Sun" that references it, that always comes to mind. As well as in one passage in Song Remains the Same the double live album/movie from Led Zeppelin, I recall Robert Plant may have sang a part of this tune as well.
What this means for dredg and 2014? who knows. The fanboy in me and many others hope it inspires them to get back to recording at least 1 more record soon. Maybe a year from now, I'll be sitting here happy to have hoped for that.
The "About":
Behind The Scenes Video - http://youtu.be/D-Y_-_KF39A
Download Song Free Here - http://tinyurl.com/m92qxop
Directed, Filmed & Edited - Marc Donahue
http://instagram.com/permagrinfilms
http://facebook.com/PermaGrinFilms
http://twitter.com/PermaGrinFilms
http://PermaGrinFilms.com
Roth Rind - Producer - http://www.rind-raja.com
Bryce Grimm - Assistant Camera Operator
Shiseido Ruiz - Associate Producer/Location Manager
Michael Shainblum - Additional Timelapses
http://www.shainblumphoto.com/
Music: Dredg - http://dredg.com/
Track: I Left My Heart in San Francisco Tony Bennett cover
Download Free Here - http://tinyurl.com/k6gwdf6
I was truly inspired by the song I left my heart in San Francisco by Tony Bennett. I already had a passion for time-lapse and of course, the beautiful landscape that is SF. Thinking on how to approach a new project I decided it was best to collaborate with Dredg, a band that I had grown up with and admired. Dredg was equally excited about the prospect of covering one of the best classic songs of our time and morphing it into something artistic and new. We primarily used the Canon 5D Mark III, which has served as an amazing product for our projects. To capture unique movement within our shots we used Dynamic Perception's Stage 0 and the Stage 1 accompanied with Emotimo's TB3 Black Pan & Tilt System. With the backing of these two companies we were able to successfully capture our vision within each composition.
And of course, what is a project from PermaGrin Films without using our GoPro armada. As we ran around the streets of San Francisco guerrilla style, GoPro's served as an excellent behind-the-scenes tool to show off our techniques. You can find these videos on our instagram - http://instagram.com/permagrinfilms
Motion Control Gear Sponsors:
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http://emotimo.com/
Dynamic Perception
http://www.dynamicperception.com/
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For licensing & inquires please contact Info@PermaGrinFilms.com
Special Thanks to:
Stanford Court Hotel - http://www.stanfordcourt.com/
Parc55 Hotel - http://www.parc55hotel.com/
Tracy Rodriguez
Mike Juco
Scott Keenan
Eric Perez
Matt Cross
Stephen Burich
Leland Mitchell Tong
Patrick Anderson
Sean Parker
Drew Roulette
Mark Engles
Gavin Hayes
Dino Campanella
Brandon Cotter
Monday, December 2, 2013
Transatlantic - Kaleidoscope (2014)
12/2/13 9:04PM
New song and video for "Shine." Just looking at many of the comments, I don't agree with the majority of them. This song isn't bad, it's just a ballad. Amazing? no, but for what it is, even at 7 and a half minutes, it's actually decent enough. Nice guitar solo namely from Roine.
10/23/13 2:36PM
Okay, another update nearly 1-week late. Life happens, what can I say?
I am looking forward to this album coming out on January 27th. Kaleidoscope? if I recall, there was at least 1 somewhat accomplished cult psych band from the 70's with that name. Inspiration? doubtful, but it came to mind in thinking about the title.
Structurally, this album reminds me of SMPT:e for what that may be worth. My guess is, a few epics, and 1 or 2 shorter pieces.
Whether it's close to as good as either the debut album or Bridge Across Forever, I'm kind of at a wait and see since The Whirlwind ended up being a large bloated mess, with not too many memorable moments/sections that those 1st 2 LPs had that I totally loved about this band, and how they always stood out from more or less all of the "retro" sounding prog rock groups. Or even, more than both The Flower Kings and Spock's Beard were in some ways.
I have always felt, TA is like taking the best elements of Spocks and TFK's making them better.
I also have often wondered what this project could have been like with Jim Matheos and with the name "Second Nature"..and even how/what it may have been like with Kevin Gilbert involved. But, all "what ifs" of course.
Also the tour includes Daniel Gildenlow again (but not the album? I would love to see him get involved, but I guess that'll never happen. But even just ANY ORIGINAL MUSIC project with Mike Portnoy would be welcome to see happen at some point, OSI? lol).
The tour itself is coming to the States, but Chicago of course is the only date relatively close. Obscure Prog Rock and doing full-scale US tours affordably, just never has and probably never will happen like it did in the 70's.
Transatlantic reveal new studio album ‘Kaleidoscope’ and 2014 World Tour!
Progressive-rock super-group Transatlantic, featuring Mike Portnoy, Neal Morse, Roine Stolt and Pete Trewavas will release their brand new fourth studio album ‘Kaleidoscope’ on the 27th January 2014. The track-listing for the forthcoming record is as follows and the beautiful artwork for the release can be seen below:

1. Into the Blue
2. Shine
3. Black as the Sky
4. Beyond the Sun
5. Kaleidoscope
The band will also embark on a 6-week World Tour that will see them joined once again by Pain of Salvation’s Daniel Gildenlöw as a 5th touring member. As part of the extensive tour, the band will also headline the Progressive Nation At Sea 2014 Cruise from the 18th till the 22nd February alongside 22 other leading Prog acts including Adrian Belew Power Trio, Devin Townsend Project, King's X, Anathema, Spock’s Beard and many more. This unique performance will see the band performing a very special encore of classic Yes material with the legendary Jon Anderson on vocals. You can find more details on PN14 here: http://www.progressivenationatsea.com/
An Evening With Transatlantic 2014 World Tour:
Jan 31st - Los Angeles, CA - El Segundo Performing Arts Center
Feb 1st - San Francisco, CA
Feb 2nd - Everett, WA - Everett Music Hall
Feb 4th - Chicago, IL - The Arcada Theater
Feb 5th - Quebec City, Canada - Theatre Du Capitole
Feb 6th - Montreal, Canada - L'Olympia
Feb 8th - Philadelphia, PA - Keswick Theater
Feb 9th - New York City, NY - Highline Ballroom
Feb 11th - Mexico City, Mexico - Teatro Metropolitan
Feb 13th - São Paulo, Brazil - Carioca Club
Feb 14th - Buenos Aires, Argentina
Feb 15th - Santiago, Chile
Feb 18th to 22nd - Progressive Nation At Sea
Feb 27th - Madrid, Spain - La Rivera
Feb 28th - Barcelona, Spain - Razzmatazz 2
March 2nd - Milan, Italy - Alcatraz
March 3rd - Rome, Italy - Orion
March 5th - Pratteln, Switzerland - Z7
March 6th - Karlsruhe, Germany - Substage
March 7th - Munich, Germany - Muffathalle
March 8th - Berlin, Germany - Astra
March 9th - Cologne, Germany - E Werk
March 11th - Antwerp, Belgium - Trix
March 12th - London, England - The Forum
March 13th - Tilburg, Holland - 013
March 14th - Tilburg, Holland - 013
March 15th - Paris, France - Le Bataclan
June - Sweden Rock Festival
For more information visit:
www.facebook.com/transatlanticmusic
www.transatlanticweb.com
9/27/13 10:12PM
Coming in January?
https://twitter.com/MikePortnoy/statuses/383256179809742848
“@Vikernest777: @MikePortnoy Any info about the new Transatlantic album?” OUT IN JAN...TOUR IN FEB/MARCH...INFO SOON
5/30/13 5:47AM
Update from Portnoy:
https://www.facebook.com/TransatlanticMusic/posts/10151631858946293
From MP: The TA4 Sessions went splendidly fantastic! (I think I've been hanging around Pete too much these past weeks...haha!) I won't disclose any details, but I will say the album is about 75 mins long and has 5 songs (2 Epics & 3 "normal" length) and we also recorded 8 Covers for a Bonus Disc as well! Release is expected for the beginning of 2014...more info to come later in the year...
Doesn't mean much, as the last album had other "shorter songs" on the bonus disc if I recall. But on the surface, it sounds more like the 1st 2 records in terms of structure., But it's all about the quality of the music, regardless of length.
3/29/13 9:38AM
http://www.progrockmag.com/news/transatlantic-plan-4th-album/
Neal Morse has confirmed that prog supergroup Transatlantic will start work on their fourth album in May.
It follows a recent European tour featuring the Neal Morse Band and The Flower Kings, which brought together prime movers Morse, Roine Stolt and Mike Portnoy – leading to fan speculation that a studio project might be in the works with bassist Pete Trewavas.
According to DPRP, Morse says: “We have set dates in May; and, my friends, it is actually happening! Before I left for the tour, and even just a few days ago, I have a lot of really strong prog music ideas that I’m really excited about presenting to the guys.
“But, of course, everything has to be kind of secret until we actually do it – so I can’t say or tell much more. We’re all really excited about it.”
He believes the follow-up to 2009′s The Whirlwind could appear early next year although he adds: “Who knows? I’m just glad we’re doing it!”
The Neal Morse Band and The Flower Kings have announced a US appearance at La Mirada Auditorium, Los Angeles, on May 7. “Mike recently became available in May,” says Morse, “and I knew TFK were in the States for RoSfest; so I sent a few emails, and here we are. We had such a great time in Europe and we want to share it with our friends in the States. I just wish we could do more.”
This isn't the biggest news, of news, as Portnoy has especially been asked about the next TA for a few years now, and he has said it likely would happen, just a matter of when.
But the plan now is to write and likely record it in May.
I'm looking forward to it, although my feeling about TA and The Whirlwind sadly isn't all that favorable. Mainly since I adore both SMPTe and especially Bridge Across Forever so much.
In other words, I am hoping this new album will have the magic of those early 2000's lps, and NOT the bloated nature of The Whirlwind from 2009. I'm a bit skeptical it will though just given the recent music Neal Morse has written. But I'd love to be surprised.
I wouldn't expect it to come out until 2014 though.
New song and video for "Shine." Just looking at many of the comments, I don't agree with the majority of them. This song isn't bad, it's just a ballad. Amazing? no, but for what it is, even at 7 and a half minutes, it's actually decent enough. Nice guitar solo namely from Roine.
10/23/13 2:36PM
Okay, another update nearly 1-week late. Life happens, what can I say?
I am looking forward to this album coming out on January 27th. Kaleidoscope? if I recall, there was at least 1 somewhat accomplished cult psych band from the 70's with that name. Inspiration? doubtful, but it came to mind in thinking about the title.
Structurally, this album reminds me of SMPT:e for what that may be worth. My guess is, a few epics, and 1 or 2 shorter pieces.
Whether it's close to as good as either the debut album or Bridge Across Forever, I'm kind of at a wait and see since The Whirlwind ended up being a large bloated mess, with not too many memorable moments/sections that those 1st 2 LPs had that I totally loved about this band, and how they always stood out from more or less all of the "retro" sounding prog rock groups. Or even, more than both The Flower Kings and Spock's Beard were in some ways.
I have always felt, TA is like taking the best elements of Spocks and TFK's making them better.
I also have often wondered what this project could have been like with Jim Matheos and with the name "Second Nature"..and even how/what it may have been like with Kevin Gilbert involved. But, all "what ifs" of course.
Also the tour includes Daniel Gildenlow again (but not the album? I would love to see him get involved, but I guess that'll never happen. But even just ANY ORIGINAL MUSIC project with Mike Portnoy would be welcome to see happen at some point, OSI? lol).
The tour itself is coming to the States, but Chicago of course is the only date relatively close. Obscure Prog Rock and doing full-scale US tours affordably, just never has and probably never will happen like it did in the 70's.
Transatlantic reveal new studio album ‘Kaleidoscope’ and 2014 World Tour!
Progressive-rock super-group Transatlantic, featuring Mike Portnoy, Neal Morse, Roine Stolt and Pete Trewavas will release their brand new fourth studio album ‘Kaleidoscope’ on the 27th January 2014. The track-listing for the forthcoming record is as follows and the beautiful artwork for the release can be seen below:
1. Into the Blue
2. Shine
3. Black as the Sky
4. Beyond the Sun
5. Kaleidoscope
The band will also embark on a 6-week World Tour that will see them joined once again by Pain of Salvation’s Daniel Gildenlöw as a 5th touring member. As part of the extensive tour, the band will also headline the Progressive Nation At Sea 2014 Cruise from the 18th till the 22nd February alongside 22 other leading Prog acts including Adrian Belew Power Trio, Devin Townsend Project, King's X, Anathema, Spock’s Beard and many more. This unique performance will see the band performing a very special encore of classic Yes material with the legendary Jon Anderson on vocals. You can find more details on PN14 here: http://www.progressivenationatsea.com/
An Evening With Transatlantic 2014 World Tour:
Jan 31st - Los Angeles, CA - El Segundo Performing Arts Center
Feb 1st - San Francisco, CA
Feb 2nd - Everett, WA - Everett Music Hall
Feb 4th - Chicago, IL - The Arcada Theater
Feb 5th - Quebec City, Canada - Theatre Du Capitole
Feb 6th - Montreal, Canada - L'Olympia
Feb 8th - Philadelphia, PA - Keswick Theater
Feb 9th - New York City, NY - Highline Ballroom
Feb 11th - Mexico City, Mexico - Teatro Metropolitan
Feb 13th - São Paulo, Brazil - Carioca Club
Feb 14th - Buenos Aires, Argentina
Feb 15th - Santiago, Chile
Feb 18th to 22nd - Progressive Nation At Sea
Feb 27th - Madrid, Spain - La Rivera
Feb 28th - Barcelona, Spain - Razzmatazz 2
March 2nd - Milan, Italy - Alcatraz
March 3rd - Rome, Italy - Orion
March 5th - Pratteln, Switzerland - Z7
March 6th - Karlsruhe, Germany - Substage
March 7th - Munich, Germany - Muffathalle
March 8th - Berlin, Germany - Astra
March 9th - Cologne, Germany - E Werk
March 11th - Antwerp, Belgium - Trix
March 12th - London, England - The Forum
March 13th - Tilburg, Holland - 013
March 14th - Tilburg, Holland - 013
March 15th - Paris, France - Le Bataclan
June - Sweden Rock Festival
For more information visit:
www.facebook.com/transatlanticmusic
www.transatlanticweb.com
9/27/13 10:12PM
Coming in January?
https://twitter.com/MikePortnoy/statuses/383256179809742848
“@Vikernest777: @MikePortnoy Any info about the new Transatlantic album?” OUT IN JAN...TOUR IN FEB/MARCH...INFO SOON
5/30/13 5:47AM
Update from Portnoy:
https://www.facebook.com/TransatlanticMusic/posts/10151631858946293
From MP: The TA4 Sessions went splendidly fantastic! (I think I've been hanging around Pete too much these past weeks...haha!) I won't disclose any details, but I will say the album is about 75 mins long and has 5 songs (2 Epics & 3 "normal" length) and we also recorded 8 Covers for a Bonus Disc as well! Release is expected for the beginning of 2014...more info to come later in the year...
Doesn't mean much, as the last album had other "shorter songs" on the bonus disc if I recall. But on the surface, it sounds more like the 1st 2 records in terms of structure., But it's all about the quality of the music, regardless of length.
3/29/13 9:38AM
http://www.progrockmag.com/news/transatlantic-plan-4th-album/
Neal Morse has confirmed that prog supergroup Transatlantic will start work on their fourth album in May.
It follows a recent European tour featuring the Neal Morse Band and The Flower Kings, which brought together prime movers Morse, Roine Stolt and Mike Portnoy – leading to fan speculation that a studio project might be in the works with bassist Pete Trewavas.
According to DPRP, Morse says: “We have set dates in May; and, my friends, it is actually happening! Before I left for the tour, and even just a few days ago, I have a lot of really strong prog music ideas that I’m really excited about presenting to the guys.
“But, of course, everything has to be kind of secret until we actually do it – so I can’t say or tell much more. We’re all really excited about it.”
He believes the follow-up to 2009′s The Whirlwind could appear early next year although he adds: “Who knows? I’m just glad we’re doing it!”
The Neal Morse Band and The Flower Kings have announced a US appearance at La Mirada Auditorium, Los Angeles, on May 7. “Mike recently became available in May,” says Morse, “and I knew TFK were in the States for RoSfest; so I sent a few emails, and here we are. We had such a great time in Europe and we want to share it with our friends in the States. I just wish we could do more.”
This isn't the biggest news, of news, as Portnoy has especially been asked about the next TA for a few years now, and he has said it likely would happen, just a matter of when.
But the plan now is to write and likely record it in May.
I'm looking forward to it, although my feeling about TA and The Whirlwind sadly isn't all that favorable. Mainly since I adore both SMPTe and especially Bridge Across Forever so much.
In other words, I am hoping this new album will have the magic of those early 2000's lps, and NOT the bloated nature of The Whirlwind from 2009. I'm a bit skeptical it will though just given the recent music Neal Morse has written. But I'd love to be surprised.
I wouldn't expect it to come out until 2014 though.
Labels:
Bridge Across Forever
,
Jim Matheos
,
Kaleidoscope
,
Kevin Gilbert
,
Marillion
,
Mike Portnoy
,
Neal Morse
,
Pete Trawavas
,
Roine Stolt
,
SMPTe
,
The Flower Kings
,
The Whirlwind
,
Transatlantic
Sunday, March 24, 2013
Sigur Rós - Kveikur (2013)
1 Brennisteinn
2 Hrafntinna
3 Ísjaki
4 Yfirborð
5 Stormur
6 Kveikur
7 Rafstraumur
8 Bláþráður
9 Var
Drop date is June 17th.
The song in the video below, which is the opening track, the last 3 minutes are pretty sweet. But the 1st 4:40+, some of the comments about this *new* direction for them, which I interpret as them more or less combining shoegaze and industrial sounds, being a good *new* direction, I can't say I agree with.
But then again, Valtari and I'd estimate most of what they've done since () has been somewhat predictable and underwhelming. Sans for the Heima film, although that was more of the film itself, rather than the music alone.
However, with another new record, these guys are getting rather prolific, along with Jonsi solo record a few years ago, I wonder if they are suffering a bit from the The Flower Kings/Omar Rodriguez-Lopez disease in that just because you've written and recorded music, doesn't necessarily mean it's the best work you can make right now. I.e., maybe they could use a (new/outside) producer?
Someone like Rick Rubin or Brian Eno perhaps?
Anyway, I'll hopefully get to check this out, although I said the same about Valtari last year, and I maybe listened to it twice. And I actually spent even more time listening to music last year, as opposed to this year thus far, I have not spent even 2/3 the amount of time with new music sadly, yet.
Labels:
()
,
Brian Eno
,
Heima
,
Kveikur
,
Omar Rodriguez-Lopez
,
Rick Rubin
,
Sigur Rós
,
The Flower Kings
,
Valtari
Friday, February 3, 2012
The Flower Kings - TBA (2012)
THE FLOWER KINGS - Press statement Feb 2012:
Legendary progressive, iconic, symphonic rockband "The Flower Kings", formed in 1995 by guitarist, singer, composer Roine Stolt ( Transatlantic ), announce their immediate return to service in 2012, after an almost 5 years well earned hiatus.
The band consisting of Roine Stolt, bassplayer extraordinaire Jonas Reingold, keyboarder grand deluxe Tomas Bodin, singer & guitarist Hasse Froberg and new 26 year old Berliner dextrous drummer prodigy Felix Lehrmann, started the recording of a new album at Varispeed studios in Sweden on January 23rd.
The music is recorded in classic 70's style, with all musicians performing live in a room thru 70's vintage tube recording equipment and famous NEVE consoles. If all Gods and muses are onboard the new TFK is scheduled for an album release on June 6th on the Inside Out Music label (Century Media/EMI). The yet unnamed album has a 23 min epic centerpiece and the material is all classic Flowerkings style with all the dreamy melodic & cinematic elements that the bands fans has come to love over the years, but also contain some heavier psychedelic music and some darker hi energy material.
The band is likely to embark on a headline european tour in september this year but will have it's official first re-union gig at the "Sweden Rock Festival" in June 7th - 2012.
from Foxtrot Music/IOM/Century Media
Not that this is a huge deal to me, as I have kind of given up on this band. I did many years ago in fact, pretty much since Unfold the Future, I found their music to be drawn-out, unfocused, and including far too much jazz-noodling and fat within some good parts. A bit like the last Transatlantic album in fact.
But, I do enjoy their early and especially mid period, finding their best work to be 2000's Space Revolver.
So, I'm up for checking this out, and I'm sure there are a lot of people looking forward to this. I suppose it'll be interesting to see how this and the new Ted Leonard-fronted Spock's Beard will be.
Labels:
Roine Stolt
,
Spock's Beard
,
The Flower Kings
,
Transatlantic
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