Monday, May 19, 2008

Demians - Building an Empire



myspace

k..so yeah, this is it. What all can I add to the below notes/simul-observations other than the fact I wrote that like 2 weeks ago I think either my 3rd or 4th time hearing it. Well for 1 just, that it has been like 2 or 3 weeks and I probably haven't invested enough time with this album yet to get a fully-formed opinion on it. But what I can conclude right now is, I like every song on it, 'Sand" is a classic progressive/art rock epic and I suppose I will stand by still that it supports the quality and depth on this album. "Temple" I still love after a long time listening to it. I get why "Sapphire" made sense as a 2nd sampler track off the bat. Suppose this is one of those albums that may get better with a lot more play. The atmosphere and textures kind of are distinct for Demians, even though one could point to other artists like Devin Townsend or Peter Gabriel..even the Porcupine Tree one does make some sense. I also think it could be stressed more the fact this not only is a DEBUT album, but it was all written and performed as I understand it, by Nic himself. Plus, to my knowledge, the material on BaE is a few years old, and there are already some plans for the next record. Kinda reminds me of artists like The Dear Hunter/Casey Crescenzo and even Pain of Salvation/Daniel Gildenlow..always thinking ahead. Very much looking forward to that.

The Perfect Symmetry - clean, crisp acoustics..gradual build..symphonic elements work well with the vox..'you let me drown, just one more time...i wear my crown"..nice use of samples..tone of the power-chords works well..eventually double-bass..middle gets quite epic..ambience..ethereal synths

Shine - message..acoustic beginning..powerful rhythm from the guitars..transitions to Sapphire

Sapphire - epic..been up for quite awhile..I often remember the vocal distortion part in this one. 'See the man I've become"..personal song for Nic?..'follow me here on my back"..character-driven like a dialog and narrative lyrically?..dynamics.."memories and expectations"..warm vocal doubles..like the vox harmonies later..intense build

Naive - starts out acoustic..kinda poppy ballad..gets layered and complex in the 2nd half "thank you for making me feel so real"

Unspoken - whispers at the beginning..ballad..vocal doubling again..slower..beautiful "silence means so much more"

Temple - great use of MLK samples..'We shall overcome"..dreamy mood..a song to escape..'imagine now"..is later repeated..warm..mystical..transitional..like something's changing

Empire - looping synth opens..the lyric "remember now" is repeated.."contemplate now, this temple in your " is brought back also at a different tempo..so Temple and Empire are connected in that way in the concept..really like how big the ending gets

Sand - long epic..drums sound jazzy toward the beginning..brushes?..'fasten seatbelt homeward bound"..like poetry..'swore on the downside"..the grinding..chugging guitars are a tm of Demians and this record with the soft-synths in the background."she was drawing lines in the sand...that I was holding in my hand..holding in my haaaaaaand"..the 3rd movement..awesome section where the synth gets mixed higher..then its gets rather emotional and heavy..driving vox and guitars..soul-bearing....complex vocals..".in the outside world" segues into a brighter section "everything that we have been..we were holding in our hand..now we can hold it in our hand"

8/10

and #3 on my top albums for 2008 currently. Only behind Ours and another record that is released on 5/20/08, King's X - XV.

Wednesday, May 14, 2008

John Rutsey RIP



listened to it today..RIP John :(

now that the tv lineups are all almost out and the season finales are almost done..there should be a good size writeup about them soon.

5-star Albums by Year

An interesting look..I just posted this on the 5/8 forums..
this is just based on what I have currently rated, in my rym. I'm sure I'm missing some and/or need to go back and re-rate some others.

3

Genesis - Selling England by the Pound (1973)
Yes - Yessongs (1973)
Jethro Tull - A Passion Play (1973)

2

Jethro Tull - Thick as a Brick (1972)
Genesis - Foxtrot (1972)

Yes - Relayer (1974)
Jerry Goodman and Jan Hammer - Like Children (1974)

Pink Floyd - Animals (1977)
Rush - A Farewell to Kings (1977)

Dream Theater - Awake (1994)
Marillion - Brave (1994)

Soundscape - Discovery (1997)
Fates Warning - A Pleasant Shade of Gray (1997)

Pain of Salvation - The Perfect Element I (2000)
Kevin Gilbert - The Shaming of the True (2000)

Transatlantic - Bridge Across Forever (2001)
Ours - Distorted Lullabies (2001)

Pain of Salvation - Remedy Lane (2002)
Dredg - El Cielo (2002)

The Receiving End of Sirens - Between the Heart and the Synapse (2005)
Coheed and Cambria - Good Apollo I'm Burning Star IV Volume 1: Fear Through the Eyes of Madness (2005)

1

The Beatles - Sgt. Pepper's Lonely Hearts Club Band (1967)

The Beatles - Abbey Road (1969)

Queen - A Night at the Opera (1975)

Return to Forever - Romantic Warrior (1976)

Rush - Hemispheres (1978)

Marillion - Misplaced Childhood (1985)

Marillion - Clutching at Straws (1987)

King's X - Gretchen Goes to Nebraska (1989)

Toy Matinee - Toy Matinee (1990)

Dream Theater - Images and Words (1992)

Marillion - Afraid of Sunlight (1995)

Angra - Holy Land (1996)

Marillion - Marbles (2004)

Kaddisfly - Set Sail the Prairie (2007)

Monday, May 12, 2008

2008 Albums List

here's a semi-update on my list:

9/10
Ours - Mercy...Dancing for the death of an imaginary enemy

see the blog..but it still holds as the closest to a classic record this year. But I've also said it before and will hold to if this ends up the top dog come late December, 2008 will be regarded as a disappointing year. dredg, Pure Reason Revolution, Marillion, Mew among many others are gonna take some cracks at knocking it off I imagine.

8.5/10
King's X - XV

see the blog as well.i dunno how much it'll go up, but I am quite pleased with this album. very likely top 10 candidate.

8/10
Sculptured - EMBODIMENT
the 1st solid album out of the gates. But that's it, it's *just solid*..the closing 10min title piece is goosebumpy, and there is no material here I ever skip. less-is-more..progressive Metal done well..with some black/death hints. But at the same time, it's not one I foresee going any further..save for maybe trying to get familiar with their backcatlog a bit.

Arsis - WE ARE THE NIGHTMARE ...the other "less-is-more" Metal album..this certainly has got better and better over repeated play. I can't say anything bad about it..catchy, melodic, tight..they did nothing wrong here. And maybe best, totally caught me offguard since I was a bit sour on this group after the concert I saw the blastbeats drowned out their sound, but not at all on this 1.


7.5/10

Protest the Hero - FORTRESS ..good..a couple of tracks are impressive..and had I not fallen in love with KEZIA or even heard it more than the 2 or 3 times back in '06..I might have really been more into this one...but I did and KEZIA remains a slightly superior record. Still..it's 1 of the better albums out this year, just not really a breakthrough that it was anticipated to be.

The Gutter Twins - SATURNALIA..impressive..a lot of well-written songs..pretty popular as well. Didn't know the Screaming Trees history with Lanegan going-in. I suppose it's fair to say I need to play it a bit more to get a full idea of where it stands. It feels like a top 20-30 album, but not a classic really.

tbc..later...

7/10
Opeth - WATERSHED
Darla Farmer - REWIRING THE ELECTRIC FOREST
Hills Like White Elephants - HIMALAYA
Apes and Androids - BLOOD MOON
Gloria Morti - ERYX
Black Mountain - IN THE FUTURE
Cloud Cult - FEEL GOOD GHOSTS

6.5/10
The Mars Volta - THE BEDLAM IN GOLIATH
Foals - ANTIDOTES
Panic at the Disco - PRETTY. ODD.
Agalloch - THE WHITE
Russian Circles - STATION
Genghis Tron - BOARD UP THE HOUSE
Ebu Gogo - WORLDS
Textures - SILHOUETTES
The Jealous Girlfriends - THE JEALOUS GIRLFRIENDS (re-release)
dEUS - VANTAGE POINT

6/10
The Big Sleep - SLEEP FOREVER
The Helio Sequence - KEEP YOUR EYES AHEAD
!Forward, Russia - LIFE PROCESSES
Porcupine Tree - WE LOST THE SKYLINE
Muse - HAARP

5.5/10

Blowing Trees - BLOWING TREES
Youthmovies - GOOD NATURE
Monolith Deathcult - TRIUMVIRATE

5/10
Colin Meloy - COLIN SINGS LIVE
In Ruin - A GHOST TO BE FORGOTTEN
This Will Detroy You - THIS WILL DESTROY YOU
Mt.Helium - FACES
Fleet Foxes - SUN GIANT (EP)
The Sword - GODS OF THE EARTH
Brain Drill - APOCALYPTIC FEASTING

4.5/10
Grand Archives - THE GRAND ARCHIVES
Kayo Dot - BLUE LAMENCY DOWNWARD
Murder By Death - RED OF TOOTH AND CLAW

.5/10 - 4/10

Elbow - THE SELDOM SEEN KID
Island - ORAKEL
White Hinderland - PHYLACTERY FACTORY
Klimt - KLIMT
Idiot Pilot - WOLVES
Tiles - FLY PAPER
RPWL - THE RPWL EXPERIENCE

Unrated
Eluveitie - SLANIA
Ihsahn - ang L
Hate - MORPHOSIS
Meshuggah - obZen
Zero Hour - DARK DECEIVER
Vampire Weekend - VAMPIRE WEEKEND
The National Bank - COME ON OVER TO THE OTHER SIDE
Pat Metheny - DAY TRIP
Annuals/Sunfold - WET ZOO (EP)
Hate Eternal - FURY AND FLAMES
The Dresden Dolls - NO, VIRGINIA
Secret Chiefs 3 - XAPHAN: BOOK OF ANGELS VOLUME 9

TV: PILOT WEEK 2008

so..
ALIENS IN AMERICA supposedly 86'ed..REAPER possibly as well..= FAIL

E! Online's story

the lineups from that are gonna be announced each day
Tuesday 5/13: ABC, CW
Wednesday 5/14: CBS
Thursday 5/15: FOX


FOX may have a reasonable number or shows to watch now if this JJ Abrams "Fringe" thing is any good, the Sarah Connor TERMINATOR show coming back, and the new Joss Whedon show "Dollhouse" getting greenlit.

I will have more..a LOT more to elaborate on this soon, but I have a car to get maintenanced and then a huge, long night of progressive rock concerts and activities to attend to.



Dream Theater, Opeth, Between the Buried and Me, 3..and Margot and the Nuclear So and So's.


Oh and this is the 5th Anniversary of the famous show where Pain of Salvation recorded the all-acoustic 12:5 on May 12th, 2003.

Tuesday, May 6, 2008

The Jealous Girlfriends - THE JEALOUS GIRLFRIENDS

Edit: expect some edits..but this is my notes from last week with this re-release:

I like this band and album..not spectacular, but nothing bad about it. I went back to it like 3 times a few weeks ago. Remind me at times bands like The Ebb and Flow, Black Mountain, Menomena, and some of those Shoegaze bands of the early 90's like The My Bloody Valentine and The Raveonettes. I found out about them via another blog and realized they were playing in town in June, opening for Sea Wolf. Suppose when I do see them, my impressions may change. But certainly a good discovery for myself, especially in the past few weeks.




The Jealous Girlfriends - The Jealous Girlfriends

myspace

Secret Identity - distorted guitars..wall-of-sound..female vocals remind of many shoegaze bands

How Now -

The Pink Wig - NA NA NA NA NA NA NAHHHHHHHHHHHHHHH..melodic CHANTING harmonies

Roboxulla - like the piano and psych layers w/ vox and guitars. FEMALE SINGER REMINDS ME OF THE FEMALE SINGER FROM THE EBB AND FLOW A LOT...great whoahhh whooah whooahhhh harmonies toward the end

I QUIT - fuckinG IT UP FUCKING IT UP IN THE VERY WORST WAY..THAT'S OK BECAUSE"..NEW WAVE GUITAR ALA eDITORS OR bLOC PARTY

Organs...-key-lead..bluesy..'if you love something set it free and if it comes back"..sax rhythm is nice..builds

HIEROGRLYPHICS..delayed guitars..dig the ending with the piano

sOMETHING IN THE WATER - NICE RIFF..reminds me of Broken Social Scene

Gift Horse - one of the best riffs and guitar work on this album

Machines - great song!..higher..love the "there's hole in your soul and man you've got nothing" with the piano..kinda like a Menomena-thing..it repeats and lasts over 2 mins which could have been even longer

Carry Me - ending ballad..almost sounds like a Bend Sinister ballad..vocal inflection and feel

3 1/4 stars
6.5/10

Sunday, May 4, 2008

New Films: The Visitior, The Wackness, The Good Night, Paris Je' T'aime



The Visitor

imdb

Here's my review I posted on mp.com like a week ago.

Very good..and well worthy of the awards and high praise it received at SUNDANCE and ever since. Funny at times..good story. A man goes to his NYC apt for the 1st time in a few years and finds a minority couple living in it. As it turns out the guy is in NYC from Syria..playing his music on hand drums. But he's also an illegal alien but doesn't know it. The older fella learns to play the African hand-drums from him..which is cool and funny at the same time. Really a subtle, yet charming tale of a man who finds friendship in his midlife with an unexpected couple. Also stresses about the tru stories about the illegal aliens in this country and how they are treated post-9/11

7.5/10


I did catch it a 2nd time this past week and the only things I can add I suppose are the somewhat ambigious ending leaves you wanting some resolution. I do really like the dude who played Tarek. And I think some of the best moments are the humor of him playing drums, and even behind the table trying to sell the jewelry. I haven't seen Richard Jenkins before that I know of, but I'll certainly be interested in his future work. Much like the woman who played Tarek's mother. She was also quite good.



The Wackness
imdb
Caught an advanced screening of this one this past week (4/29/08). Ben Kingsley and Olivia Thirlby were 2 of the faces people will recognize. The lead actor reminds of a few other actors, but I can't claim to remember seeing him specifically in anything before. Set in 1994, he's 18, a HS senior whose family is struggling in NYC to make ends meet. Luke, finds his way by selling weed and bonding with his pothead school-shrink played by Kingsley. Thirlby, known for JUNO, but probably the best thing I've seen her do, sorta plays the encapsulated love-interest that seemed to be too good to ultimately help Luke out. She is enough eye-candy to see this one alone. Kingsley's character has enough funny moments where you grow to care about him. This isn't one I would say everyone out there will go for, but it's hardly mailed-in. The 1994 18 y/o thing kinda hits home since, I was 18 in the Summer of 1994. I wished they'd at least have had 1 Beavis reference, but maybe they did and I missed it?

6.5/10



The Good Night

imdb

Richard Roeper mentioned this film like 2 or 3 weeks ago as a under-seen or under the radar film that nobody saw last year. I wouldn't disagree, but I'd also add others to that list (FIRST SNOW, WRIST CUTTERS to name a few). Martin Freeman I have yet to see do anything bad, and I wouldn't say this would qualify for that either. However, this was certainly a picture that is a bit more rewarding from the ending. His love interest is played by Gwyneth Paltrow, as it turns out the director is the brother of in fact. The thing about their relationship is, they aren't the most happy couple, which is intentional on the part of the story. Which to some may be a bit of a job to get through watching. Paul (Freeman) in the process of his disappointing life apparently due to lack of career and romantic happiness, is drawn into a more fulfilling situation in his dreams, where he encounters the pleasure of an alluring lady (Penelope Cruz) that seems pretty much just a *fantasy*. So this leads him to investigate more about those dreams in his waking-life. He meets Danny Devito's character, who now in hearing the commentary from the director, is in many ways a potential reflection of what he'll become..for better or for worse. Devito's character Mel I would say is the most enjoyable character, which doesn't surprise me. He's a lucid-dreaming junkie so to speak, but also one that gets by with odd-jobs and experiences that don't necessarily show so much in his waking life. Why the ending helps this film out is, in the dramatic event which involves his relationship with Dora, *spoiler*...the classic tale of a boy loses girl, then experiences a life-threatening situation and the girl comes back to him. Except, in this case, Paul goes into a Coma and is then left to be in his fantasy state for an uncertain amount of time. Although, he ends up having to choose in that case whether to be with the *fantasy* girl or stay with his longtime relationship. The ending made you care more about him, which actually is not that uncommon in many romantic dramas. But it was told in a cool way. Also the fact most of this movie was shot in London was pretty surprising to learn.

7/10



Paris, Je T'aime

imdb

Didn't see this originally, but decided to rent the DVD. Liked much of it, some of the stories were quite amusing. The cast was pretty good. Suppose my original reason for not seeing were justified in that like LOVE ACTUALLY or some others I've seen, it's sorta not enough of each character to get into, but for brief moments it can work as "less is more." Something like 14 5-10minute little films take place in Paris that the theme of love is used as a basis. My favorite probably being the Elijah Wood vampire seduction one, the Juliette Binoche losing her son but seeing a cowboy as well. The Bob Hoskins one was certainly good..the point where that woman slaps him had me cracking up a bit. I did like the way some of the characters met at the end, but if they could have, it might have been neat to have all of them at some party at a table or something, but I can only imagine that being next to impossible with the ensemble cast that were all in this.

5/10

Friday, May 2, 2008

Opeth - WATERSHED (early) notes/review

Here's my early review of this guy..I honestly don't expect it to go much further..it's hardly a horrible album and it has some new and diverse elements; but ultimately..like Porcupine Tree's album from last year, I ask myself, how often do I want to go back and play this?..I'm doubting it'll be that often, and I also doubt if it'll end up not top 10, but even top 20 for 2008. Not sure if that says more about depth and quality of this year, or the album itself. "Lotus Eater" at least is one of the best songs the guys have done, I'll give it that much at a minimum.



Opeth - Watershed

Coil - clean..sorta an acoustic prelude track..'I can see you running through the fields of sorrow"..female vocals

Heir Apparent - nice piano from heavy riff beginning..nice mellotron textures..then flute..love the acoustic guitar phrasing in the middle..big guitar melodies..interplay is awesome

The Lotus Eater - very different for them in a good way..clean vox over blast beats?..great transitions..love the jazzy key solo in the middle..catchy as hell..great vocal performance..interplay between the guitars and vocal toward the end stands out..the crescendo is intense..no clue about the voices at the end

Burden - Clean, folky, psychedelic ballad..with spanish kind of acoustic guitar at the end

Porcelain Heart - single.."I cling to my past..I promise to stay..I went far away"..like the guitar leads..the rhythm reminds me of REVERIES "ah ah ahhhh, ah ah hhhh, ah ah ahhhh, ah ah ahhhhhhhhhhhhhhhhh"..bassoon?..."don't ever ask the reason why"

Hessian Peel - acoustic intro with a light electric guitar lead..mellotron melody is good..jazzy drums..crushing part about 5:45 in..'lock the children away from home...years of trial"..lot of subtle cymbals..intensity picks up around the 9minute mark

Hex Omega - teasing builds that last for 20 seconds and go quiet..more mellotron-happiness or sadness rather..big, grandiose, slow guitars.

3.5 Stars
7/10

Tuesday, April 29, 2008

King's X - XV



King's X - XV

strange title based on actual *releases* which include 1 Best Of and 1 commercially release double live record, and 1 online-only live album to come up to the 15th in their career's discography

best album since 2002's experimental classic "Manic Moonlight"..short diddies like ZZ Top did back in the 70's..Sam Taylor also worked with ZZ Top actually

Pray - heavy lead bassline..religious themed lyrics, great groove. "Don't forget to pray for me"..love the 3rd verses harmonies

Blue - sounds like a OGRE TONES track..which in a way makes it one of the weaker songs on the album..still it's not bad. Bluesy Ballad "yes it is" a classic dug soulful scream..slower song, and being the 2nd cut kinda kills momentum from the good energy of "Pray"

Repeating Myself..awesome harmonies..Ty sounds great..great vocalm harmonies..the vocal echoes work really well

Rocket Ship..great energy..'Would-you-like-to-spend-the-night-in-my-new-rocket-ship?"..line repeats..reminds me in that way of "A Box"

Julie - great melodic song..Jerry on vox sounds really good..his voice reminds me a bit of Roger Manning Jr from jellyfish..love the "doo doo doo doo doo doo doo doooooo" after the guitar solo..great power-poppy..sorta mystical

Alright..1st single I guess..another high energy track..like 'pray"..I love how Dug gets up in the vocals as the song progress..catchy guitar bridge..echoing vocals work really well

Broke..big guitar sound.."na na nahhh"..preachy.."put your hand on the record player and say I'm going to get my freedom"

I Just Want To Live - Ty sounds different on this song. I like the harmony vocals in the 2nd half. ...."it's a little bit scary but it's wonderful"..almost makes sense about the struggles of life.

Move - great groove..lead bass..the chorus rules.."i'm gonna move into the light...and spit out the disease...."..'Force ethical standards"..kinda political statement

I Don't Know - Ty song..the ending makes this one worth it..the guitar and vocal harmonies are great the last minute or so..reminds me of early, psychedelic KX.

Stuck
- "Love. is on. the line."..lot of tracks as this one goes on...maybe just multiple guitars..more vocal harmonies and dug with his classic soulful chants

Go Tell Somebody - win win win..this track kicks ass..the basslines and the vocal echoes are all heavy and catchy..'if you like what you hear, then go tell somebody..go tell someone"..awesome groove in the rhythm.."shout it from the rooftops"

Love and Rockets (Hells Screaming)..continues the groovey mystical vibe on some other tracks earlier..along with the doubled vocal chorus..the guitar solo is so much about goosebumps..almost demonic at times the mood and vocals..the "love and rockets" chorus almost sounds like Faith No More

No Lie - bluesy..the guitar solo almost sounds like Brian May..'something's gotta hold..got ahold of me"..this sounds like a Southern Blues song..or Texas since they are from there and it's mentioned in the song.

It's found it's way to the 2nd spot on my 2008 albums list and a 4.5-star rating on rym..altho that is mainly due to the fact I give it a

8.5/10

it's a very strong 4-star or a slight reach at 9/10 so 8.5 feels right, at this point. In all likelihood will make my top 10, but who knows.

Wednesday, March 26, 2008

Ours - Mercy (Dancing for the Death of an Imaginary Enemy)

Ya know what?..I'm kinda sick of trying to write reviews how I think they should be, and instead probably many if not all of the stuff going in here is gonna be more of a notes/grammar-less-at-times stream-of-consciousness writing which is more *natural* and 2nd nature to me.

So here's the Ours review/notes..and I suppose I would also say this and possibly many others may change/be modified much like a forum post.

Ours.net
Ours myspace page




1 Mercy
2 The Worst Things Beautiful
3 Ran Away To Tell the World
4 Black
5 Moth
6 Murder
7 God Only Wants You
8 Live Again
9 Saint
10 Lost
11 Get Up

Among the nearly 60 records I've heard this year

(See the list here)
, this is the clear cut top disc in 2008 thus far. It took 6 years to finally be released, but it's proving to be well worth that wait.

Ours - Mercy...Dancing for the Death of an Imaginary Enemy)

Mercy - epic opener, 2nd part of a split track..works well on its own..spacey soaring guitar and vocals...floating..flowing track
live it would often go on much longer but the recorded version includes a little of that features Static's ambient guitar at the end

Worst Things - catchy catchy catchy..think U2 at their most catchy. The chorus never leaves your brain afterwards..such an uplifting song..this song is all about win.I'll admit I turned my back on this 1..shocked me..I love it when that happens and it proves why I love this band so much. Radio should eat it up..pop stations could play it all day. Could be their 1st single.

Murder - 2nd part of the epic..trumpets enhance this guy a lot. Clapping is sorta ritual-like. OLD song going back to the SOUR demo. Repeated pounding chorus..with emphasis. almost like a King's X thing.

Ran Away To tell the World - Moving ballad..great use of cello. "don't spend your whole life waiting for your whole life thinking that't over"
love the rocking bridge guitar solo. Classic ballad.

Black - experimental..includes a preachy almost-rap. Dark..forceful..gothic..kinda like DL in a way..dynamic changes..newer song..great vocal range with falsetto and lower ranges on a dime..ALBUMS THEME LYRICALLY..PERSONAL SONG FOR JIMMY

THE MOTH - GREAT LIVE tune..maybe 1 of 2 tracks that didn't translate as well studio..always loved the ryhthm and dynamics on this 1..the harmonies too..powerful live

GOD ONLY WANTS YOU
- short..powerful but I thought it would be bigger..the vocals included. Subdued..LIKE THE ARRENGEMENT WITH THE STRINGS
..cLANCY from blue hippopatmus PLAYS CELLO..great build at the end..even if it feels short compared to the live version

live again
- great pounding drum lead..great falsetto and screaming by jimmy. "forgive yourself and then you're gonna heal"..epic feel..not a slow moment in this 1..awesome crescendo
superior arrangements to the live versions

willing
- also came out much different and catchy than expected.guitar riff is much thicker than the live versions
..layered

saint - originally titled saint down the hall. supposedly about jeff buckley.written many years ago. the soaring vocals are great.rich melody.

lost - awesome..powerful live song..the mix didn't quite do it justice. the guitars and drums overpower the huge vocal screams that the song is known for in the climax

get up..beautiful dynamics and feeling..amazing live song, but the studio version does give some of the movingh feeling as an album closer. "Man you should have seen her"..spacey guitar like in Mercy at the beginning..it's like waking up from a bad dream...dreamy..reminds me of peter gabriel or imogen heap almost. the orchestrations in the build.."beautiful like rain"..the chanting chorus that sounds like a kids choir works really well.

There was a ton of thought put into so many of these songs in the arrangements and production is almost to the point of perfection..much like DISTORED LULLABIES was.

Tuesday, January 1, 2008

Aproaching the Top Half: 30-21


30. Blackfield - II
The sophomore release from Steven Wilson and Aviv Geffen's melancholy-pop project. Every track seem to feature at least something about it I like. Although with some of the touching moments of the 1st and the anticipation I thought it would have been overall a bit better. "Christenings" is probably my favorite song; the chorus is awful catchy. "My Gift of Silence" may be the best example of the sad, beautiful elements from the 1st album. The line Wilson sings "Donnnn't Blaaame Yourselffff" for example. The harmonies in the bridge of "Where Is My Love?," and the soaring, sad, epic aspects of "The End of the World" as well. However it didn't demand year-round, or even many months of replay; which I think was due to the fact it didn't have enough songs that blew me away, even like tracks like "Scars" or "Pain" off the 1st record. No matter, it still came out far ahead of the new Porcupine Tree LP; which may or may not mean much over time.


29. Fields - Everything Last Winter
Does Pure Reason Revolution have a sister-band? My attention to PRR the last 2 years probably had as much to do with my interest in this band as anything else. Although Fields don't seem to have quite as many over-the-top climaxes as the Revolution. But I certainly enjoy the layers, and acoustic elements stressed in much of this album. Very folk-y at times, but folk songs that seem to really rock (if that makes sense?). Similar to PRR, the vocal approach being doubled on nearly every cut and the mix of the Male and Female vocal-harmonies as well being signature. The opening single "Song For the Fields" is probably the best and most accessible song on this album; "You're not the only one" recalls a band like Crosby, Stills, Nash and Young especially. However, I found myself enjoying most of this one as a whole. "Feathers" was definitely one as the build is pretty rewarding when it rocks out. "The Death" features this punchy, riff-driven hook that is catchy. "Schoolbooks" is also one that showed how dreamy and synth-driven they can be. I can't say this album demanded a massive amount of headphone-time, but at the same time a lot of it still sounds fresh or *refreshing* since for some reason I always associate blowing a fan in my face to cool off while at work listening to it.



28. The Pax Cecilia - Blessed Are the Bonds
Coming totally out-of-nowhere to myself and many others, this release will probably be known as much for the fact the band sent out hard-copies + artwork with complimentary postage totally free. However, it was for justifiably very good reason as once I noticed the offer, I mentioned it on as many forums as I could and nearly every response about this one was positive. But as far as the music itself, I find about half of of this record to be pretty damn impressive and original. A mixture of songs that dive into classical, emotive, string-driven sections, to shred-heavy Post-Metal, along with a handful of ambient-focused pieces. The minimalistic ambient numbers are what prevent me from putting this one up higher and it receiving start-to-finish more play. But the four or five cuts that work, totally work and are not short in length. Interesting that most songs on here starts with the word "The" which may not be intentional or involving anything in a potential concept. "The Tragedy" has a sad, beautiful melody that the dynamics standout on, and has a delicate, organic quality to much of it's near 10 minutes. "The Tree" is an instrumental that is without any dead-spots and a great, gradual build. "The Progress" is a great almost surf-like Post-Metal mini-epic which the screaming is quite effective and the shredding couldn't be better. The opener "An Aurora" is the last number that I enjoyed more regularly. " "The Water Song," "The Wasteland," "The Hymn," and "The Tomb Song" while they comprise probably half of this album, were more great mood-pieces for me. If they warranted more play, I probably would have gone back to this entire disc more often; but I have high respect for them as much for their approach and for diversity of influences, as this record's entire finished product. Hopefully these guys will deservedly benefit a good amount from that with their future work.


27. Cavil at Rest - Orion Way (EP)
A California-based band I was introduced to at the very start of the year and I never tired of their music. This EP or really a combination of previously released EPs on one disc, is without a bad song. A group which excels at writing happy, poppy, catchy songs. "Who's There" they actually made a video for, but they are as far as I am aware, an unsigned talent. They certainly have the potential to catch-on big if given the right exposure. I love the barbershop type vocal-harmonies they do especially. The track "Let Down Your Guard" has this great echoing chorus There's-no-decide-ing-which-side to-air-on" which gets in your head. "It's Still Not as Bad" has a great upbeat crescendo. repeated phrase "It's alright...Standing next to you."

"Sun Hands" and "We Could Love" are classics. The latter having this gorgeous piano melody with vocal-chanting that is highly goose-bump worthy and maybe their greatest moment. "The Flower of Rhodes" has an awesome melody which reminds me of Happy- Kaddisfly. "Tidal Killer" and "All Is Well and Good" you can notice some great elements of Jeff Buckley and Phish. The closer "House on Stilts" has this warm, fun, happy, like Jellyfish vibe. It's a cliché to say, but they really are greater than the sum of all their parts. Their songwriting is just so strong and positive, I can't say enough good things about this band. Why their 1st full-length LP is quite high on my list of upcoming records. If it's anything like this full-EP, no doubt it'll be something I'll (and hopefully many others) will be into.



26. The Apples in Stereo - New Magnetic Wonder
This was my introduction to this band and the Elephant 6 record label as a whole. Thus far, they have become my favorite of the bands on that label, and this the best thing overall I've heard from them. They at times have a highly catchy and *sugary* element that with other bands I might not be into, but with them on most of this record it works awfully well. Very analog-sounding, which I can't help but think the songs were recorded in the 1970's. Also a really distinct part of this album is the frequent uses of the vocoder. Its appears over and over, but almost never hurting the flow or writing of the songs surprisingly. There are 25 tracks on here, but to mention some of the best I'd have to say the opening piece "Can You Feel It?" certainly. The single "Energy" is catchy and there is more to it than just the opening chorus. "Same Old Drag" is a great synth-driven pop song with the aforementioned vocoder-harmonies. "Sunndal Song" is my favorite of the female lead-vocal songs, which also features an upfront bass-line melody and tasteful trumpet harmonies. "7 Stars" is another with the analog sounding synths and definitely gives a trippy psychedelic feeling in a power-pop song. "Radiation" is another, and the ending "Beautiful Machine" suite finish a large collection of infectious and inspirational songs.


25. The New Pornographers - Challengers
The first New Porno's album I got into, this album got me more into their band as a whole. I am a pretty big fan of a lot of Power-Pop; especially since discovering many of the so-called *Indie* bands are doing that style of music. And these guys are one-of the best today. What I can say about this release itself is, I like every song, which is pretty much reliable with this band. Although at the same time, I am not floored by that many tracks on this. Many reviews seem to be a bit critical about it's ballad-heavy nature. I guess for me it doesn't matter. It's more just a disc that is a decent collection of that work together well; which is a good way to describe the rest of their catalog as well. Catchy tune, after happy melody. My favorite parts if I had to pinpoint a few would probably be the subtle beauty "Entering White Cecilia" and the bridge in "Adventures in Solitude" which I can't avoid goosebumps with. "Unguided" is inspirational, and the the single "Myriad Harbour" has an enjoyable fuzz-guitar that I never can get out of my head. But really, every song has something I enjoy; Neko Case's voice of course included. They were very fun live band this year as well (as was not avoiding staring at Neko..hehe).



24. Dark Tranquillity - Fiction

I 1st saw this band's name many years ago on some of the forums. But not being into much Death Metal, I never even considered trying to like them. Of course now, I'm becoming a Death Metal fan, so these guys were an obvious group to checkout. And without question this was one of my favorite discs to listen to the last couple of months. It just goes from song-2-song, never losing me. The energy might be fueled by Red-Bulls, but it is all over here. The atmosphere is great. There is nothing excessive. Nearly every song has these synths that are cloudy and fat, but use this perfectly clean tone. "Icipher" is one track that features tham and this tight grinding guitar. The piano also blends into nearly every song on here really well. The transitions are perfect in songs like "Terminus (Where Death Is Alive)" in the part their singer has "This is a Ghost Town" and "This is the only place I know" The vocals are incredibly consistent. Skeletor screams that seem to be pretty much the trademark vocal-style on here (if not the rest of their catalog, which I have yet to hear). The interplay on "Empty Me" is one of my favorite parts. A great disc for Halloween or any gothic themed mood; but also just for a fan of well-crafted, energetic heavy music.


23. Strata - Strata Presents the End of the World
When they were paired up to tour with Kaddisfly this fall I read enough about them to intrigue me more than brief sampling I had done previously. This album was much more impressive than I expected. They blend a lot of guitar textures and soaring, emotional vocals in their songs that make this one work beginning to end. The most outstanding moment on this one, is the over-the-top melody in the bridge in "Poughkeepsie, NY." Singer Eric Victorino's soaring voice kills like only few moments can, in the line "Oh, you've got some good friends waiting for you at the gates....Haaa-lleyy-lu-jahhh! O', Haaa-lleyy-lu-jahhh, Halllllleluuuu-jah-ahh-ah-ah-ah, ah..ah-ah-ah-ah-ahhh!
It is without question the biggest reason I'd go back to this album; to hear that section and song. A *natural high* really and one of the best moments on any song all year. But this disc also featured a lot more. The opening cut "Night Falls (The Weight of It)" is an energetic, melodic song. It features the emotive repeated line "I never left you alone" I always enjoy. "Hot/Cold (Darling, Don't)" features tasteful piano, and a warm, pretty chorus. "The Dotted Line" has a nice back and forth melody, and tight phrasing. "Cocaine" is another track with catchy, poppy chorus. "Stay Young" is a powerful ballad that reminds me a little of Rush. "Love is Life" is one of a handful of songs that feature those rich, wall-of-sound guitar lines, that in it's case has an almost U2-element to it. "The New National Anthem" is a cynical, political piece that the build is very big sounding especially the end. I'm definitely a new Strata fan after going back to this a lot the past few months. My only regret was the fact I wasn't able to catch them on tour with K-Fly, but hopefully sometime in the future I will.


22. Neverending White Lights - Act II: The Blood and the Life Eternal
In a very short and only a handful of times playing this over the last month or so, this album has skyrocketed up my favorite records for 2007. Neverending White Lights is as I understand, the creation of Canadian singer/songwriter Daniel Victor. I had heard "Act I" previously, and maybe it has to do with what I'm listening now as compared to then, but I hear significant jumps in many areas. Maybe the biggest just being the songwriting. It does help for me that like on "Act I," Jimmy Gnecco of Ours is featured here on the song "Dove Coloured Sky." Not surprising as Daniel Victor is a big Ours fan and has even played their music live with NWL. That piece is the biggest highlight of the record for me.. It has this totally gorgeous melody and Jimmy's vocal-control has never sounded better. The line "And I've seen your face, I've seen you change" and the very sad "Please say you knowww that" is totally moving. Later echoing "You won't be there, be there, be there" also I can't avoid the goosebumps and wanting to follow it with some Ours songs admittedly. I would say that this song is almost a microcosm of the entire record's, sad, epic feel. A Rock-Opera of a sort. There is such a wonderful sensitivity in the textures, and sound of the mix. "Bleeds To an End," "Distance," "Last of the Great Lovers" all reflect the mood and human-like messages and emotions which seems to be possibly about relationships. It leaves you with this feeling of losing and needing a hug or connection with someone. Probably one of the best moments occurs in the 2nd half with the track "The Warning." The guitar melody is almost like something David Gilmour would play. The emotion is clearly on the sleeves of the character and music. Aside from a couple of the slower pieces within the 15 tracks or movements in a way, this is a near epic classic. And if not for The Dear Hunter, would probably be my favorite release of it's kind this year. It's certainly one to look forward to going back to more often, and look forward to the next "Act" so-to-speak.

>

21. Thurisaz - Circadian Rhythm
In my new found exploration for Technical Death and Black Metal this fall, I was suggested a band called "In Vain" that pretty much floored me (foreshadow an upcoming blog), I was also recommended this album. And while at 1st it didn't pull-me-in as much as In Vain, over a bit of time I have grown to appreciate it a lot more than originally. This is a Belgian band who has multiple vocal styles, some gruff, some like Skeletor, and some clean, but all seem very emotional and fit extremely well with this album's thematic vibe. When playing this I get a feeling of going on a journey, like a Warrior's tale. One-by-one, track-by-track, and section-by-section you experience it. Musically, some of the best elements are how rich and lush the melodies are. The keys, piano, clean guitar and vocal styles contribute really well to it. The flow is without flaw. It really is an album best heard beginning-to-end; since it's not so much "epic" in length, but very much so in theme and feel. They also have their Opeth-like moments, and are technical enough to satisfy a prog-head like myself. A very moving release from this group and one I would say I will continue to enjoy and go back to. Given the later-in-the-year exposure this was for me, it may have deserved an even higher placing.

Sunday, December 16, 2007

Counting down: 40-31..



40. Paulson - All At Once (reissue w/ Bonus tracks)
Another disc that's reissue dropped on March 6th, 2007 (maybe it'll be considered a holiday for me as it was that day? :P), it was one I would go back to sometimes, mainly to listen to the standout cut "I Knew You When." It has one of the catchiest sections I heard all year from any song. And even though it is a reissue, they added a bunch of new songs to this edition, and that I got the sense it received a lot more distribution. Having 14 songs and about an hour in length, I tended to enjoy other parts of this one as well. The whole thing has an upbeat feel and energy to it; which is one of the reasons I went back to it as often as I did. It was definitely one that when I 1st heard I didn't expect to like or play as much as I ended up doing. At 1st it seemed like a alt-rock guilty pleasure, but over time, however bubblegum or pop-ish it came across, the fact was I went back to it a fair amount; and I found a lot to like about the majority of this one.



39. Marillion - Somewhere Else

The good parts of this are a. It is still Marillion, a band I've loved for over a decade. Even their worst work I often find good material in. b. It is different than their last record "Marbles" so it really cannot be accused of being rehash. The best pieces on here to me are a couple of the songs in the middle. The title cut, while sad like this whole disc, does offer an enjoyable atmosphere, a powerful crescendo, and another trademark Steve Rothery guitar solo at the end. The following piece "A Voice from the Past" is effective in a similar way. Well-written and not as lazy as much of the rest of this. "Wound," and I suppose a couple of the others like the closer "Faith," the opener "The Other Half," and "Thank You Whoever You Are" all are decent songs with qualities I enjoy about Marillion. But ultimately, this album doesn't demand me to go back to it right now anymore than say "Radiation" or "Holidays In Eden" ever did. The feel of it is dreary and very slowww, not to mention the intended depressing or melancholy mood it gives. In a way it almost feels like demos or they wanted to go at this one at 1/2-speed. You'd almost not recognize them if you heard this back-to-back with "Marbles." I guess some of these songs do better live; which is a bit of a relief. But with their history, I'm not highly surprised and thus not highly disappointed in it. I know they can and will put out more great music, it's just it wasn't quite there on this one. The next disc may be out in 2008, so maybe pretty soon; although some of that material and reason so soon for a follow-up has to do with the fact they recorded a lot of material that didn't end up on this one. Let's hope a lot of that ends up being better than this. They're still my favorite band, no matter.


38. The End - Elementary
Were to open for Between the Buried And Me this fall, but their guitarist Andrew Hercules departed the band, and they had to drop-out of that tour. That is how I heard about this band. Even though they had to bail on that tour, I still checked them out and got into this one. This is their 3rd full-length release, but the only thing I know by them right now. Sort of progressive/alternative hardcore if that's a style (aren't "styles" only a necessarily evil in the 1st place?). A couple of the songs have a decent Tool-slant. I guess I just dig how I can put this on and hear little things in each song to notice each time around. Having a new interest in more kinds of Metal, these guys fit right-into what I was digging this fall. The vocals for some will kill this for them, but for me, they only add to it. I like screaming in fact now. Ironically, maybe the finest part of this is the entirely clean-vocalled 9 minute epic "And Always." The piano, and build on that one closes out a for the most part, flawless record. Their future may or may not be certain (it appears they are doing some concerts this month at least, so the guitarist issue may be remedied for now), but at least they have left us with something to enjoy in the mean time.


37. Porcupine Tree - Nil Recurring (EP)
With the highly disappointing "Fear of a Blank Planet" dropping in April, it was uncertain what to expect on this EP which the material was written and recorded in the same time period. As it turned out, this release ended up being better all-together. Sort of less-is-more in a way, which often can happen with EPs. A band teases you, or just includes some individual pieces that didn't seem to fit with the majority of the writing they do. "Normal" is the best thing I heard from Porcupine Tree in 2007, and it's not even close. It takes a melody from "Sentimental" and blows it up. The fast, intricate drumming from Gavin Harrison is perfect for the Meshuggah- like section in the middle. Almost a tease since we only get to hear that briefly from this band. The other 3 cuts are worth hearing in-the-flow and feel of this. "Nil Recurring" is a heavier, spacey instrumental which I remember being reminded of "Wedding Nails" initially. "Cheating the Polygraph" and "What Happens Now?" has this great spacey-groove that reminds me of Signify-era Tree, that later builds. I couldn't help but listen to it and *love* it as much for what it is, as how much better it seemed to be than FoaBP.


36. One Republic - Dreaming Out Loud
A bit of a wait for this thing to be released, it surprised me as there aren't any songs here I'd skip. "Someone To Save You" and "Mercy" are maybe my two favorites among the tracks I had yet to hear, not from their myspace going back to the Spring of 2006. STSY is a highly catchy, poppy track with a melody I couldn't help but love and think of a band like Jellyfish. "Apologize" is a good song, without the Timbaland exposure and factoring what the remix did, which I honestly don't think is as good. "Sleep" was a track that got me into these guys. "Stop And Stare" is rather poppy and adult-contemporary sounding but for what it is, I'd rather hear it from these guys than someone else. Their singer has a lot of similar elements to Jeff Buckley or even Bono, yet still has enough of his own voice for these songs to work. To go along with that, the songwriting, even with a lot of it's poppy nature, is one of this band's strengths. I just wish the whole Timbaland thing hadn't done the opposite of what it could have done. Getting the band exposure, and then leading them to being Timbaland's little pet project to get overplayed by Radio stations to death. In the process, many folks who might have picked up their disc, may not have; and maybe worst, they have been evaluated soley on that one (remixed) song and video, while it doesn't do the quality of this album justice.



35. Omar Rodriguez-Lopez - Se Dice Bisonte, No Bufalo
We didn't see The Mars Volta release a full-length in 2007 for the 1st time in 3 years, but this solo-offering from their guitarist is more or less on par with much of their work. And possibly his best solo work having only heard and read about his other material. "Please Heat This Eventually" is a classic Latin jazz-rock mini-epic at 11 minutes. The hook is one you don't get out of your head easily. The bits of psych-noodling on it and the rest of this record don't hurt this album. "Rapid Fire Toolbooth" is really the blueprint for "Goliath," a track on the upcoming Volta LP. The title track and really the whole record works beginning to end. Some great elements of Jazz-Rock, specifically with a Latin or *Salsa* approach which reminded me as much of Return To Forever, Chick Corea and Al Di Meola as anything else. I wonder how big a fan of Al's Omar is. Santana I'm sure, but Di Meola I'm sure as well.

Woven - Aftermath EP
34. Woven - Aftermath (EP)
Saw a bit of buzz about this band the past couple of months which led me to check them out and become a fan. I guess they have toured with dredg even. They released a debut EP and a full-length prior to this, which the brief amounts I've listened to those I've liked a lot of their electronic style rock. But at least for now, their new stuff seems to be having them go further for me. Layers, textures, mood. A bit of a Deftones-like style to the singer in spots. Only the last 15 minute minimalistic 6th track "Untitled" I can find flaw with as the 1st 5 numbers totally work in a big way. I got into the band Stateless this year as well, and these guys have a lot of the same kinds of elements I love about Stateless. The 1st song "Inhale" has a great build and vibe that I can't help but rock-out to. "Cosmonaut" as well. The chorus is strong on that one; the rhythm almost reminds me of "Free" by the band VAST. The 5th track "Abort Instruction" has audio for about four and half minutes, the last section with a whispering "Again" that leads to a "I never feel this againnnn!" that in turns segues into a brief, but still soothing dreamy section. Maybe the only thing that hurts my feeling about this is the fact some of the tracks on their myspace weren't included; notably "Where We Going" which was the 1st song I got into from them. However, they have an LP expected to drop in 2008 already titled "Designer Codes" which that and a lot more moody-greatness may be on.


33. Bend Sinister - Bend Sinister (EP)
Last year in finding out of this Vancouver, BC based group, a few of the tracks they made stream-able on their myspace page were not coming from their excellent debut "Through the Broken City." "Time Breaks Down," "Yours Truly" and "Julianna" all are included on this along with their two newest gems "TV War" and "High Horses." My hopes and admiration for this group may be a reflection to an extent on the placing/ranking of this release. Why I say that is partly due to one difficult thing to not mention. Those three songs and more specifically the *recordings* I have only one big beef about. The cymbals and/or specifically Crash/Splash triggers seem in my multiple experiences to *clip* noticeably to the point of almost nails-on-a-chalkboard like way. Whether it's just me, the mp3's, or the headphones and speakers I've listened to them from I can't be certain as the limited other writings I've come across about them (and this band sadly still) fails to mention this. The songs other than that part are great, classic Bend Sinister and seem to be a reasonable progression from the material on the debut. What is probably most encouraging is the two newer tracks are possibly better and this clipping issue doesn't seem to be evident with. I love the crescendo in "TV War" and breakdown in "High Horses" especially. Money, exposure, possibly being in Canada and in the Pacific NW could be their biggest reasons for obscurity. But if even a fraction of the folks who've caught onto Portugal the Man among some others knew of these guys, I still think they could blow up. But then again, how often do I and many others say that? What sucked maybe even more for me this year is they did finally get to tour, but only in their native Canada (thanks to a grant I recall), and I failed to be able to travel across the border to catch them due mainly to the financial hit that I would have faced (I don't earn a 6-figure salary just yet of course!).


32. Andre Matos - Time To Be Free
Ever since the split of Angra in the late 90's, it's very clear to me this guy was the bulk of the talent in that Brazilian outfit. The group he formed with two of the other members from Angra, in Shaman, put out a highly memorable debut in 2002's "Ritual." A couple years later a somewhat less discussed follow-up in 2005's "Reason" was released. Since then, for whatever reason, Andre's musical path led him and the two Mariutti brothers to continue somewhat in the same direction with his 1st solo-band release. I suppose I have come to the conclusion about this album, as I have also got with some other '07 heavier and symphonic releases like Alter Bridge and even Inme. A flow beginning to end, many hooks and sections on most of the songs you want to bang your head to. And it does have a lot of the *big sound* many of the Angra and Shaman material had. "Endeavour" is a bit of an epic and probably my favorite cut, even if it's the final original song on this one (the last track is a respectable cover of the Journey song "Separate Ways"). Other songs that I enjoy include the title track and "Letting Go." There are even some hints of a death growl in "Rescue Me." This one is probably one of those albums that I'll never regard as a classic, but I can't say anything bad about it as I enjoy it all beginning to end. Being the Matos fan I am could be partly biased about that, as he's still at least in the studio, one of my favorite singers with as good of vocal chops as any singer today. His compositional skill and desire to progress also seem evident here.


31. Battles - Mirrored
Catchy, fun, dance-able, a grower, and more accessible than you'd think on paper. The 1st half of this debut LP from this *math-rock* of a sort group, seems to really work. Tracks like the single "Atlas," "Tonto" "Ddiamandd," and the opener "Race:In" were among my favorites. Percussive, time-changing, and rhythm being a large focus of the sound here. The quirky edge I think of 80's King Crimson, and the vocal chanting reminds me of as non-traditional music like The Residents, but at the same time recalls similarities to even Yes. Yeah, this was certainly an album once given some repeated attention, I recognized where and why some of the buzz happened with them. Unfortunately, I can't entirely say they floored me live mainly due to wondering if they would add more improvisation than it seemed they did. Although I wouldn't say the concert I caught them was unsatisfying at the same time. I may find myself discovering more about this one down-the-line even as the 2nd half of it I remember enjoying but not frequently making it through to for various reasons not involving the music itself.

The Cusp of 50: Favorite CDs of 2007 Numbers 50-41


50. Coheed and Cambria - Good Apollo I'm Burning Star IV: Volume II: No World For Tomorrow
The follow up to what was a classic and my favorite Coheed record GOOD APOLLO VOLUME I, this album sadly didn't come close to measuring up to that. Why exactly? This one has about half a dozen songs that sound very much in the 80's Hard Rock and Arena style which in a way is cool, but ultimately isn't like their past work or even that effective for this band. It also doesn't have the flow and unavoidable catchiness that was all over the hooks on their last 2 records. A bunch of the songs I do like still. "The Reaping," "Mother Superior" the title track and probably my favorite cut "The Hound (Of Blood And Rank)" along with the closing Pink Floydy "On the Brink"which reprises the guitar solo from "The Final Cut" off GA 1. By many standards, this album has a good amount to offer, but by Coheed's it fell very flat. Maybe over some time it'll warrant more playability, but for now I can't claim to be nothing short of disappointed as it was one of the most highly anticipated releases for 2007 and unlike some, a band who was coming off brilliance. Maybe on LP #5 we'll see them get that back.


49. Dream Theater - Systematic Chaos
The 9th studio record from probably the most important band I've discovered since getting into music. Sadly, this one was not the big return to greatness I was hoping. it to be. "In the Presence of Enemies - Part 1" is well-written and a great start to this album. Great crescendo and very much worthy of how long it goes. "Forsaken" is also a catchy, melodic ballad that I can appreciate. "Prophets of War" I don't care how much it sounds like Muse, I still actually like, if for no other reason, but the hook is impossible for me to not like. "Constant Motion" while not an amazing single, still is a song that grew on me, mainly because the bridge rocks out like only Dream Theater tends to do. But beyond that, I can't say I look at this album offering much of any other value. "The Ministry of Lost Souls" is a lengthly piece that seems far too sleepy and that drags on far too much for me to want to hear again. "The Dark Eternal Night" is highly cringe-worthy. The best part of that was seeing the live Video. I don't follow how this song has received the praise it has so often; it's one of the worst things they've ever done. "Repentance" while a nice idea, doesn't really have the beauty that a heartfelt song could have, but at least I would say it's not bad for what it is, I just don't really find the desire to play it regularly even *within* the flow of this record. "In the Presence of Enemies - Part 2" has a couple of fun, melodic sections, but what kills it is the Dracula/preachy lyrics. Another band can and has done songs like this, it's just it's not Dream Theater's game and the extended wanking sections that don't dismiss Jordan Rudess's need to use that plasticy synth-patch found on so many Walmart-bought Casio's kills the best parts of this song from desire to hear often. It's really too bad, Dream Theater seem to be a band who have some great ideas, but also a lot of being in their *comfort zone* with songwriting especially. Maybe the 10th record will see them change again, because this is a band with more than enough talent to produce classic records still, it's just not at the clip many (including myself) have come to want/expect.


48. Porcupine Tree - Fear of a Blank Planet
Another highly anticipated disc that barely made the Top 50 due to it falling far short of expectation. I popped this one on again today and I guess my initial thoughts about it might have been slightly exaggerated about the depressing nature of it. Yeah, PT are known for writing sad songs, but the issue here wasn't feeling sad hearing this (or lack their of). No, this guy just doesn't have anything mind-blowing or classic on it. Really, what on here says "oh what an amazing part!" or "That song I can't get enough of." Where's the "Lazarus" or "Trains"? or even "Arriving Somewhere But Not Here"? No where. "Anesthetize" has a cool section that lasts about 8 minutes, especially the Meshuggah part that is hard to avoid raising the horns and banging your head to. "Sentimental" I still like, but having heard "Normal" later in the year I realized how it's inferior to that. And maybe the thing that comes across is even at 50 minutes or so, you finish the record without that experience of "wow, that was something." It's more like "That was it?..there's gotta be more right?" At least in their case "Nil Recurring" redeemed some of my faith in these guys, a band who seemed to be on a good roll with their last 3 discs. Hopefully a comeback will be in store for the next one.


47. People For Audio - The New Ancients
2nd release from the Montreal Art-Rock group. I stumbled upon this disc one day at Cheapo this fall when it read "RIYL: The Besnard Lakes, Do Make Say Think, Pink Floyd." While I haven't honestly played it that many times, I recall liking it the 1st time I heard it; and then last week revisiting it again I was more impressed than I remembered. The whole thing flows well beginning to end. The spacey, dreamy, psychadelic sections reminiscent of Hawkwind and the aforementioned Pink Floyd are included throughout. On the sticker I jotted down the following: 1,2,5,10,12 for the highlight tracks, but actually I think the composition of the entire album it's it's biggest strength. I should be playing it a lot more in years to come, but a fine work from this new Canadian outfit who barely anybody knows as far as I can tell. Maybe I won't be saying that a year from now.


46. Inme - Daydream Anonymous
Coming somewhat out of nowhere to me, and slipping my mind the fact this was to come out this fall. Like the People For Audio disc, I heard this once, and liked it but sort of forgot about it. Well in going back to it in recent weeks a few times, I was a lot more won-over the 2nd time around. What is the best way to describe this one? An album that never loses you because it has track-after-track with this lovable energy. Electronic touches and different sounding guitar riffs all are well put together throughout pretty much every song. There's one piece toward the end "Soldier" almost sounds like something Coheed And Cambria wrote a few years ago. The singer does sing with what sounds almost like a Scottish accent; a bit like Biffy Clyro's singer in fact, but it doesn't really hurt the quality of the songs at all. A great flowing, infectious record for me, and one I'll probably go back to a lot more soon and possibly their back catalog as I understand they formed over 10 years ago. However, finding their cds at an affordable price is whole nother story, which may be one reason this one has had such little mention.

45. Alter Bridge - Blackbird
Big sound, epic in some ways, grandiose and heavy. This is Metal, but also poppy. I guess their past work was more in the Creed-school, but this one doesn't have much evidence of that. I guess my impressions on this is they do some of what I loved about Queensryche and Extreme, but with a modern writing approach. Not highly original, but at the same time, I can't say I know or listen to many bands who are doing what's on here (or as well). The whole record is good. Tight songwriting, hooks, some ballads, some rockers. Probably the title track and the opening cut "Ties That Bind" are the songs that grabbed me the most right away. However there's no question this one surprised me as much as any others, the production work included.


44. Serj Tankian - Elect the Dead
Many good tracks on here, the biggest thing, well two biggest actually that stick out about it though are. 1. This sounds *highly* like System of a Down. Some feel that's fine since SOAD may be no more, or are at least on a lengthly hiatus. 2. The themes and lyrics are so overtly political, they're right in your face. As a result it ends up hurting the best parts, being the music itself. Putting that aside, it still has many well-written songs with some nice hooks and layers. String parts and whatnot. The two singles that made radio, "Empty Walls" and "Unthinking Majority" I suppose are among the best. I guess if we don't see a SOAD reunion down-the-line this may be traced back to be a decent to bordering on impressive debut disc, but right now it doesn't go quite that far.


43. Menomena - Friend and Foe
This Seattle-based chamber-rock group of a sort, I 1st heard on the local Indie radio station. I really dug the subtle piano parts especially. I later came to learn much of the material I liked was from a previous record "I Am the Fun Blame Monster!" which I've come to enjoy immensely. But in getting into that one, I was still wanting to dig their most recent release. And what it amounted to is a record that grew on me some, but still doesn't measure up to that other one (I have yet to hear the one the preceded this one). The 1st 1/2 of this album is quite good, and then a few of the cuts toward the end I found to myself liking. The best probably being the single "Wet And Rusting" and opening cut "Muscle and Flo." At this stage it's not a classic, but hardly without value. I guess when this band hits the pretty nail on the head melodically with a piano melody or the use of horns for example, it *really* works well, thus I still find myself going back to this one often. Fans of groups like Margot and the Nuclear So and So's, Anathallo, or Sufjan Stevens who don't know these guys, may want to check them out.


42. The Polyphonic Spree - The Fragile Army
Some have said this was a bit of breakthrough or just their finest work. I'm not as versed in this Texas based Rock ensemble, enough to say necessarily as I only have heard their debut as well this one. No question this group are a totally different animal live, but this cd is pretty solid beginning to end. My favorite track remains the title cut which I just can't help but love the choir-vocals "We all wanna know"..and maybe some of that is the unavoidable cuteness of those female singers on the risers doing the dance. The album does bring me back to the show I saw, or even witnessing them on Austin City Limits. They have a special quality about them that when bought into, you can't avoid getting a *natural high*. Not to mention all the stuff going on with their music, all 21+ members, 2 drummers, trumpet, trombone, 2 keyboardists, 2 or 3 guitarists, etc..including Annie Clark aka St.Vincent even, and of course their leader Tim DeLaughter who reminds me a bit of Peter Gabriel vocally at times. Some other highlights here would be "Running Away" and the ballad "We Crawl" which reminds me of a bit of what they were doing on "It's the Sun" and "Reach the Sun" on the debut. Solid studio band, and even more enjoyable to hear this material live.

41. Deas Vail - All the Houses Look the Same
A record I went back to somewhat often as this group reminded me of one of my biggest discoveres last year in Mew. And rightfully so, Mew fans could and I have seen do dig this band. The only thing that has dropped this down the list some is the fact they do have a bit of a Christian-Rock slant lyrically; comparisons to Mae among others. And the fact what I dig about them, is also what doesn't seem as much their own sound I guess. This being a debut cd, I give them a pass, a bit like Portugal the Man last year. The pieces that are worth mentioning for fans of bands like Mew or even Fields to an extent. "Surface," "Shoreline," and "Shadow and City Lights" at least do capture the beauty and melodic sense I tend to enjoy and go back to often. Uplifting songs, which can demand repeated play. The rest of this album flows well and I found myself listening off an on throughout the year, afterall, this did drop onto shelves on March 6th, 2007.

Saturday, December 15, 2007

2007 Discs: The Outside Looking In

Note: this is the 1st Entry of a few to come this weekend/coming days. There are many albums not on here, and many here I have only heard a few times. Why this is not the "Top Albums" of the year, but could be or might have been given more time.



85. Super Furry Animals - Hey Venus! ..I really liked the latter 1/3 of this one. It and the band needs more time.
84. Thrice - Alchemy Index Volume I + II - Fire And Water. I listened to the "Fire" disc a couple of times and while there were a couple of songs I liked, I haven't found enough reason to go back to it. Still, maybe the best thing I've ever heard from this band (which honestly isn't a lot).
83. Arch Enemy - Rise of the Tyrant Not having heard a ton from this band, but with my newly found interest in Death Metal, I found myself more impressed than many by this. Still it requires a lot more time to move higher
up.
82. Animal Collective - Strawberry Jam My impressions of this band were they were quite odd and avant-garde; however on this new one I would say they may have found a niche for new fans, and outsiders to their style. I still can't get past the whole Pink Floyd-UMMA GUMMA idea with them and that band "The Sounds of Animals Fighting." No matter, this record on early impressions would fit well with many of the Elephant 6 bands. I may be diving more into them in the near future after fully digesting this one more.
81. The Stars of Track and Field - Centuries Before Love and War A myspace sign-in exposure band. Not blown away, but especially the 2nd of this album was fun and catchy.
80. Jason Falkner - I'm Ok, You're Ok I didn't find desire to go back to this from memories of the songs just not quite doing it. Maybe next year, but it certainly didn't measure up to much of his past work. I'm still a fan of his no matter.
79. The Cinematic Orchestra - Ma Fleur Probably will receive more appreciation in the coming times, but as a 1st intro to the band, I am liking some of this. Reminds me of Sufjan Stevens among some others and much of it does live up to their name as music very use-able for the Cinema.
78. Sylvan - Presets I am pretty sure I liked a previous sampling more from this band where the recipe/euro/prog-cheese factor didn't come into play. However, I can't deny a couple of tracks worked well. The 2nd track "Signed Away" and the 12+ minute closing title piece mainly were memorable.
77. Anekdoten - A Time of Day
Swedish band I go back a few years hearing, 1st in 2000 at NEARFEST. Their style doesn't seem vastly different on this one, with King Crimson elements still evident. But "In For a Ride" is probably as good a song I've ever heard from them.
76. Ulver - Shadows Of the Sun Having revisited this one again recently, it's effective on what it is, a very depressing and melancholy recording. Which ultimately didn't warrant it to be heard too much, but doesn't detract my respect for this group. I will always remember hearing this right after hearing of longtime Mike Portnoy forumer Keith Kitchens passing.
75. Dethklok - The Dethalbum A new spin on parodied music in the vein of This Is Spinal Tap. Soundtrack/band for the Cartoon Network program "Metalocylpse," when I was given the chance to see and meet Mike Keneally this fall, and among my big Metal exploration ironically, I can't deny getting into their music and the show was a lot of fun. The visuals especially. Hey, I missed out on seeing Annuals for it, and don't regret that still.
74. The Graduate - Anhedonia Another group traced to the front-page of myspace. Partly a guilty-pleasure in their Taking Back Sunday stylings, but I'd be lying to say I don't enjoy more than 1/2 of this record. Some fun, catchy hooks and a bit of electronica makes this an underated album since I rarely see anyone mention it or them. Fans of Paulson probably like or could get into this.
73.Dug (Doug) Pinnick - Strum Sum Up. Trying to digest a lot of this at the last hour here, I can conclude this is some of his best work outside of King's X. But that doesn't mean a ton really. Maybe a couple of these pieces could have, or some of the idea will carry-on over to KX's next soon-to-come disc. In the mean time, my early favorites: "Perfect World" and "All I Want" which features a funky jam, are to keep in mind. The fact it's on Magna Carta may not be however.
72. Chick Corea and Bela Fleck - The Enchanment Not a ton to say about this other than my recollection from the 1st half. Cool the two worked together, but the pieces were not mind-blowing. More of something I'd go back to if in a *Jazz* mood or anticipating a concert from either of them.
71. Miracle Fortress - Five Roses. Brian Wilson stylings, although the vocals seem to be about the tone rather wording as I can't claim to have understood much. Vocals-as-an-instrument if you will. But maybe the best overt recapturing of that style in recent years. You could swear some of this was taken from the *Smile-Sessions*. The last 1/3 of this album I liked the most.
70. Yeah Yeah Yeah's - Is Is
This EP for the most part worked. One or two of the songs made Indie radio, and it got me more motivated to check them out. The riffs and melodies worked for the most part, and maybe will inspire my exploration more into them now having heard this. "Kiss Kiss" is not only a great band, but song from this group.
69. Dean Magraw - Unseen Rain. Longtime Minnesota-based guitarist put out a record with his trio-lineup with Jim Anton and JT Bates. I especially enjoy some of the Pat Metheny-like pieces "Eva Arriving" and "Mali" along with "Isabella." Still likely a *Jazz-mood* album for me, but one of Dean's better works.
68. Bockman - Chasing Dragons having currently misplaced this, I can only go buy revisiting the tracks on myspace and memory. A fun, happy, catchy melodic record for the most part. The XTC comparison probably fits most, but also bands like The Polyphonic Spree and Jellyfish of course can be heard in hints on it. For a debut, they show some promise at a minimum.
67. Liquid Trio Experiment - Spontaneous Combustion. Fort what it is, it's about as good as expected and still worth hearing. Petrucci's absence does affect the level of enjoyment that I normally get from LTE. Also since these are so much of loose jams, it's nothing I can play everyday. No matter, it has it's value and moments to not forget, most notably on "Firedance."
66. Dial - Synchronized New project from the recently departed bassist of Pain of Salvation, Kristoffer Gildenlow. Probably 2/3 of this record have songs I liked, but not overwhelmed by. More folk and pop than his work with PoS, his dutch girlfriend has a nice voice and is featured here on some of them. As well, Kris himself can be mistaken for his brother vocally at times, which for the most part is a good thing. "Jewel" and "Childhood Dreams" are probably two of best parts of this one.
65. Behemoth - The Apostasy. One of my newest favorites in discovering Death Metal. I was floored by their live show, and hearing this, some of the criticism I have seen either can be explained one of 2 ways. Their past work was so damn good, this record's inconsistency is it's only flaw. Or that it was simply overlooked. Not everything on here slays, but a few of them brought me back to that show again. "Kriegsphilosophie" and "Libertheme" I can say have added to my interest in them even more. The grooves, riffs, phrasing, and tightness just works incredibly well when they're on. I cannot wait to become more familiar with them, as these guys are *teh shit* when they're on their game.
64. Rush - Snakes And Arrows. The result of another Rush record has led me to not have faith in their genius again. They're like a veteran DH hanging around as much for his name as for trying to reach statistical milestones. "The Main Monkey Business" was the needle in the haystack, and a couple of the other songs had some moments. But it was for the most part rehash of the last few albums; which I and I imagine now even more of their fans have come accept. We can at least get much out of their concerts still.
63. Nile - Ithyphallic Only a brief amount of time I've given this one, their earlier stuff I was impressed by. This was more spotty, especially some the rituals the song titles conjure up. However, the rituals are part of their charm at the same time, just a song like "Eat of the Dead" is probably not one I'm gonna go back to. Thankfully the whole thing didn't give me that reaction.
62. Opeth - The Roundhouse Tapes Soncially good, tracklist is ok I suppose, performance not lacking really, except for the fact they don't seem like amazing *live versions* really. Had some other bands made a recording like this in 2007, they may warrant a higher spot. But at least it's in their catalog now and for me having not seen one of the Ghost Reveries-Tour shows. The forthcoming DVD may have more to get up about next year.
61. Laura Veirs - Saltbreakers Fun, cute, cheery, and clever-pop record from this woman who I only had known from her experience with The Decemberists. Every piece is good here, but not highly addictive to make it higher on my list. Still, I'd say she's somewhat underated as I don't see her name that often.
60. Editors - An End Has a Start One that definitely I got into at 1st, but especially after seeing their show, I realized how much of this record is samey. Still, it's not without songs I still like to an extent. Just not as much as I did at 1st. The riffs and catchy hooks can be found on the 1st 3 tracks especially. Fans of this record and them, may want to check out Bloc Party for a more complete record from 2007.
59. Broken Social Scene Presents Kevin Drew - Spirit If. In such a short time this record went from optimism to falling short. My new found love of BSS got me excited here, and the 1st impression made me think it belongs in there with their best work. Not quite. The 2nd half did work moreso, "Frightening Lives' may end up being the 1 classic track on it; although who knows, maybe this one will grow on me with some time.
58. Canon - Wide Awake I found a copy of this for next to nothing and the prog word was tagged on the sticker on the jewel-case. Over a few plays I got to liking this more, despite production quality and some hints of Thom Yorke vocals I tend to loathe. Although at times I hear a Jeff Buckley voice in their singer too (funny how that is for me, but it's more in the writing approach and annunciation where Buckley is vastly more for me than Yorke). But not quite enough to consider it a classic, but more of certainly a band to watch. The title track, "Renaissance" and "Don't Trust the Teachers" are some of the best parts of it.
57. Alcest - Souvenirs d’un autre monde. A 2nd assessment has given me much more appreciation for this band doing their own brand of Post-Metal if you want to call it that. As it goes along, the builds and melodies become more evident, which doesn't force this one into dragging or boring sections that often can happen with this style.
56. Hiromi Uehara - Time Control Being new to her but reading mention and comparisons to Return to Forever, I appreciate much of this album. But it didn't quite blow me away beginning to end, as I hoped. Still the Metheny-like piece "Deep Into the Night" is in fact a classic, and the pieces with *Time* in the title seem to have some nice sections (especially piano) that are worth going back to. I may owe it myself to seek out her earlier stuff as there is no question she is one of the newer artists bringing the classic elements of Jazz-Rock. Having David Fiuczynski of Screaming Headless Torsos on here is an added bonus.
55. Between Two Skies - A Thousand Conscious Moments. This debut EP has some of this young group's best material on it. "Walker Floater" and especially "Hand Over Heart" are dramatic yet create a mood I appreciate. The people who dig dredg and Tool I wish knew more about this band. Maybe with more time. They are one of my favorite local groups, maybe it won't just be *local* in the next few years.
54. Animosity - Animal As technical and tight a Tech/Death band I checked out this fall, the biggest issue I have recently found with this is the samey-ness of their sound/these songs. I did get into their live show as well. I'm not familiar with their back-catalog, but for what they do, they do well. One of the better new bands in this style no matter.
53. Gogol Bordello - Super Taranta! Having just heard this for the 1st time, it may be unwarranted to put it ahead of some of these post-Top 50's. But I was pretty floored by a lot of this, some really technical playing here. But still the fun, energy, and spontaneity that I'd expect from a Punk-type band with horns and other non-traditional rock elements. Probably even better live, this album at 14 tracks might be not without added fat. No matter, when you got half a dozen or more songs that are crazy-ass shit, they become progressive to me. I'm not sure their previous record did that much, as I recall being bored by it. Maybe time has changed my take on them and this style. I'm not into punk rock, but this may be one exception so-to-speak.
52. Chase Pagan - Oh Musica Singer/Songwriter debut record that I find can and should appeal to fans of Ben Folds, Ours (a few tracks reminds me totally of them "Time to Myself" for one), The Dresden Dolls, and Murder By Death among others. A lot of it Piano-driven. Some layering and emotional vocals included, this album does not include any bad songs on it, just not quite enough moving songs to crack the top 50 (although in other years it may have). "Walzting in the Sky" still may be the best cut on here as it's been on the myspace for many months, but it's hardly the only highlight.
51. Born of Osiris - The New Reign. Less is more. Clocking in at 21 minutes, it's funny how this one seems short, but at the same time seems much longer or at least much more than just that. The length of a sitcom episode, yet these guys give a lot more to offer than you would think on paper. Sort of like Between the Buried and Me sans for the clean vocals and dreamy sections. The songs flow into each-other and phrases are tight. As I wrote earlier in the year, the thing is over before it starts, there's no way to say anything on here is excessive.

expected next: No's 50-26....

Wednesday, November 28, 2007

Albums of the year coming

ok I'm to the point where I need to start using this more for everyday banter. So the hell with the long exhaustive posts for the most part. This is beyond just MEDIA I guess.

Anyway, I *hope* to write some possibly stream-of-consciousness topics this weekend..but lists may be what they are in fact. Kinda rough drafts for the lists I've meant to do for awhile and also upcoming lists in the Albums of the Year..movies and tv shows of course.

Say hello to change..on here (I really should be saying that in REAL life, lol. No gf or career maybe? :P