Showing posts with label The Bewitched. Show all posts
Showing posts with label The Bewitched. Show all posts

Friday, September 7, 2012

Media Addicts - Autonomy (2012)

9/7/12 1:05AM

Media Addicts on Facebook
CD Baby link for Autonomy: with samples



1 Seven 7:58
2 Pocket Snake 6:37
3 How the World Ends 0:56
4 Whimper 5:56
5 Mr. Nice Guy 6:12
6 Someday We'll Tell It About You 5:57
7 Intuition Pump 7:39
8 Legend 3.0 5:31
9 Old Hat 5:39
10 Zeitgeist 15:15

I want to bump this entry, as I have finally been able to hear this album, since I picked it up a few weeks ago at the CD release show.

It is terrific. Very much, like Elsewhere, the more I play it, the more each track seems better. The closing epic of sorts "Zeitgeist," while seems soft and quiet, has this nice repeated theme, that goes in and out, and then strays only to eventually be reprised in a coda.

I spoke to their saxophone player David Hirsch at that show about this album, and he remarked how it was heavier than Elsewhere, and I might agree to a small extent. Billy Graczyk their guitarist, does use some dark, heavy riffs, that almost border on a Doom Metal-side.

But this band is outstanding using dynamics and crescendos. "Seven," "How the World Ends," "Intuition Pump," etc all include them. And the new version of "Mr. Nice Guy" might be even better than the original from Elsewhere.

I really enjoy their layering, and the busy drum work from Eric Miller. David's sax of course works well as a lead melody and counter melody to Billy's guitar. While bassist Brent Wallace stands out frequently, namely some of his upright bass parts which act as lead-ins or lead parts.

Like most jazz/jazz-related music, they are even better live. But this album is rather mesmerizing at times, so much so, I likely will continue to back a lot before the end of the year.

The cover art even almost reminds me of The Galactic Cowboy Orchestra's All Out of Peaches in a way with a crazy head piece on a body (see here).

What is a bit sad and ironic, is the fact I finally got to see them live after wanting for a couple of years, and their drummer Eric Miller is apparently moving away soon. I'm not sure how that will effect his and the band's future, but in the short term, they may not have many shows to support this album for awhile. It makes me glad I didn't miss that cd release show even more too. Also Eric's a really good drummer, whose very busy and precise (which you kind of have to be to play this kind of music), who I wonder how easy it may be to find someone good enough to fill-in or replace him.


Also, they played a couple of new tunes live that were not on either of their records. 1 being this extremely cool, almost Pink Floyd or Space Rock-like echoing sections from Billy's guitar effects specifically, that had my jaw dropping. I really hope that song gets recorded, as it would be a shame to never get to hear it again.

7/17/12 2:38PM
This is the 2nd full-length record from this Twin Cities-based Jazz-Rock group. I honestly can't trace where I 1st saw their name, but I know I picked up a copy of Elsewhere their 2008 debut record, in June of 2010. I may have even mentioned them in this blog then, but my memory escapes me right now.

As far as Jazz and Jazz-Rock/Jazz-Fusion or even progressive rock-related artists in Minnesota, these guys are definitely in there. Although I'll confess, I haven't grown attached to their debut album, and maybe more importantly, I still have yet to see them live.

But they have a CD-release show scheduled for Friday August 24th at The Artist Quarter in downtown St.Paul. So, hopefully that'll finally give me a chance to see them in person, and pick up a copy of this new album of theirs.

Could this be one of, if not the best local record of 2012? Lehto & Wright, The Bewitched, The Royal Veil, Brice Plays Drums and The Book of Right On of course will likely factor in there, among others. But I'm pretty excited to finally hear this next month.





Thursday, March 29, 2012

The Bewitched - Without a Net (2012)

Here this album is available on their Bancamp page where it's "pay what you want"

Without a Net Cover Art

1. another day, another life 03:10
2. small world 04:25
3. things like that 04:22
4. the boulevard of broken dreams 05:19
5. olde lullaby 03:44
6. violet hour 05:58
7. late night creature feature 02:52
8. when all the freaks come out and play 03:20
9. watching the stars go out 05:03
10. without a net 03:56


As always, I don't have much time to write something in here, but I just have to post what I can for now (and likely not much later, even until the end of the year, sadly).

I met Mary and Eric at an Amanda Palmer concert I recall in late 2008. They are fans of course of Amanda and the Dresden Dolls like myself. Their music is influenced, but not entirely like the Dolls/Amanda's.

They do this interesting style of what I'd call Psychedelic acoustic-mostly Cabaret Pop/Rock/Folk. Rather lyrical, ironic, dark, humorous, theatrical, and especially on this album, there's a great dreamy element. Some parts sounding almost middle eastern. I think a lot of that is Mary's use of dulcimer, which for The Bewitched, is a primary instrument. That among other things, does distinguish them.

My favorites from this album, I'll confess, are the 1st 2 tracks "another day, another life" and "small world" which I recall them playing live when I saw them, which was sadly maybe 2 or more years ago last.

I know they spent a great deal of time writing and recording this record, and among other things, the production seems to show that. Am I blown away by it? no, not really. But it has a really nice mood and flow to it. And I'm not just saying that due to the fact I know them and consider them friends, nor that they are from Minnesota. I think the extensive time they spent writing and making this album shows.

Best Minnesota record of 2012? unlikely, but probably will be among my top 5-10 at least, and 1 I will revisit, especially since Mary said the other day on facebook they plan to have hardcopies at a show this coming Summer. Maybe The Bryant Lake Bowl again? or maybe even a place like The Ritz Theater.

And I still think they should try and play a gig with Jenny Dalton or maybe even Cloud Cult at some point. We'll see, but in the mean time, i'm enjoying this album and am very happy for them to finally see it come out. This week though, ironically, among the 8 or so other records just on my radar alone.
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