Dream Theater - Dream Theater (2013)

9/16/13 12:35PM

per Facebook
 
Stream it all from Rollingstone.com for (America?) 

Stream it for many other countries (I guess)


9/9/13 11:58PM

Another track "Along for the Ride"

grammy.com link w/ Soundcloud Stream

and at least before this gets reported/pulled:


Grammy.com? lol, I guess getting a nomination allows one to be an Alum for stuff like streaming new songs on their website.

As far as the song itself, it's pretty good. Not incredible, but nice. I like the 80's Kevin(Giraffe)/Keith Emerson keyboard texture Jordan uses towards the back end. It's a bit of a ballad, but one with a little more to it I guess compared to many Dream Theater ballads.

LaBrie and Petrucci give a synopsis of each track:



Slightly OT:

I also just thought of something this evening about Self-Titled albums, that may seem a little over-thinking, but. eh, what the fuck.

Hypothetically, if I were to release a Self-Titled album of some kind, while being in a band (or solo artist for that matter) like Dream Theater, with a pretty sizable catalog from the past.

I might include either a short clip or reference to many if not each album in the discography. Or maybe better, at least try and write a song/songs that in some way, if not totally, are like songs from many if not each of the past records.

Because in 1 way, that would sort of fit the "Self Titled" idea (or as a concept?), as like a micro-cosm of the history of the band's/artist's music.

I wonder if it's been done before. It would hardly be surprising.

8/5/13 12:00PM

I haven't heard it yet, but for those who can stream, here's the new/1st single "The Enemy Inside"..most of the comments are saying it's good but similar to a lot of the stuff from Black Clouds and Systematic Chaos. And there's a very Megadeth-like riff in it.

Also it was pointed out many times how on the last few records, the 1st single and the 1 that is more directed towards the Metal side, ended up being among if not the worst songs on the records, so how good or bad this song is probably doesn't mean a whole lot at this point.


Prog Magazine with a Soundcloud Stream 
Should allow most if not all country's to Stream it


7/18/13 4:25PM

Preview Part 2 (see Parts 1 and 3 below), and some Indonesian Entertainment TV show did a story on them, although I didn't check, but unless there's an accurate subtitling available, I can't understand nearly everything outside of the band's name and "progressive metal" that they say.





7/10/13 6:05PM-7/11/13 5:50AM

Here's "In the Studio Part 3." Part 2? hopefully I'll track that 1 down later. Sounds more or less par for the course from JP's comments. But then again, this is their Self-Titled album anyway.





Roadrunner Records Link 

I'm not really caring a ton about the cover art. The track list as well, although the song titles are sort of prog-metal predictable, sadly. "Sleep Paralysis" I'd love to believe was influenced by dredg (El Cielo), but I'm sure it has absolutely nothing to do with it.

More comments in due time hopefully.



1. False Awakening Suite
   i. Sleep Paralysis
   ii. Night Terrors
   iii. Lucid Dream
2. The Enemy Inside
3. The Looking Glass
4. Enigma Machine
5. The Bigger Picture
6. Behind the Veil
7. Surrender to Reason
8. Along for the Ride
9. Illumination Theory
   i. Paradoxe de la Lumière Noire
   ii. Live, Die, Kill
   iii. The Embracing Circle
   iv. The Pursuit of Truth
   v. Surrender, Trust & Passion

6/9/13 2:00PM
Screen Cap from video with a breakdown of the writing/progress of the songs.



 Studio Video 1:



From the official Facebook Page:

DREAM THEATER UNVEILS MILESTONE NEW ALBUM;
GRAMMY®-NOMINATED ROCK ICONS TO RELEASE
FIRST-EVER SELF-TITLED COLLECTION;
WORLD TOUR TO BE ANNOUNCED SOON;
“DREAM THEATER” ARRIVES ON SEPTEMBER 24TH
Roadrunner Records has announced the eagerly anticipated new album from the legendary Dream Theater. “DREAM THEATER” – the first self-titled collection in the GRAMMY®-nominated band’s nearly three decade career – arrives at last on September 24th.
“DREAM THEATER” was recorded at Cove City Sound Studios in Glen Cove, New York, with founding guitarist John Petrucci producing and studio luminary Richard Chycki (Aerosmith, Rush) engineering and mixing. The album marks a brilliant new chapter for the always adventurous band, their first to have been written and recorded with drummer Mike Mangini wholly integrated into the creative process from the start.
“I see every new album as an opportunity to start over,” says Petrucci. “To either build or improve upon a direction that has been evolving over time or to completely break new ground. This is the first self-titled album of our career and there is nothing I can think of that makes a statement of musical and creative identity stronger than that. We’ve fully explored all of the elements that make us unique, from the epic and intense to the atmospheric and cinematic. We’re incredibly excited about ‘DREAM THEATER’ and can’t wait for everyone to hear it.”
“DREAM THEATER” will be available in a wide range of distinctive versions, including standard and special edition CDs, 180 Gram Vinyl Double LP, and a Limited Edition Box Set. Pre-orders are scheduled to get underway sometime in July at the Roadrunner Records Webstore. 
“DREAM THEATER” follows 2011’s acclaimed “A DRAMATIC TURN OF EVENTS.” That album – highlighted by “On The Backs Of Angels,” which earned the iconic band its first ever GRAMMY® Award nomination (in the “Best Hard Rock/Metal Performance” category) – proved one of Dream Theater’s most successful, making top 10 chart debuts in 14 countries, including our own Billboard 200. “A DRAMATIC TURN OF EVENTS” was hailed for its ambition, complexity, and sheer melodic power, with Japan’s influential BURRN! naming it as the year’s “Best Album.” 
Furthermore, the special edition CD/DVD set of “A DRAMATIC TURN OF EVENTS” included “The Spirit Carries On” – a 60-minute movie documenting Dream Theater’s drummer auditions, which resulted in the addition of the gifted Mangini. The challenge spurred Dream Theater to extraordinary artistic heights on “A DRAMATIC TURN OF EVENTS” and the epic world tour that followed. Long known as one of hard rock’s most powerful live acts, the recalibrated band hit the road hard in celebration of the acclaimed album, a 15-month trek which saw sold out headline shows in 35 countries across North America, Europe, Asia, Central America, and South America.
With total sales exceeding 10 million albums and DVDs worldwide, Dream Theater have long stood among the upper echelon of hard rock giants. Albums such as 1992’s RIAA gold-certified classic “IMAGES & WORDS” (featuring the breakthrough top 10 single, “Pull Me Under”) have earned the Long Island-based band countless accolades for their visionary synthesis of melodic power and virtuosic experimentation, including being named as one of Rolling Stone’s top 10 “Best Prog Rock Bands of All time.”
Since uniting with Roadrunner in 2007, Dream Theater has unleashed a series of remarkable albums, each work revealing stunning new musical facets and creative avenues. 2009’s “BLACK CLOUDS & SILVER LININGS” proved a milestone, debuting at #6 on the Billboard 200 – the band’s highest album chart debut to date. 
Dream Theater will tour in support of “DREAM THEATER” – full details will be announced soon. For up-to-the-minute news and information, please visitwww.dreamtheater.net/tourdates.
Dream Theater is: John Petrucci (guitar), John Myung (bass), James LaBrie (vocals), Jordan Rudess (keyboards and continuum) and Mike Mangini (drums). 
For additional news and information, please visit www.dreamtheater.net,www.facebook.com/dreamtheaterofficial, www.twitter.com/dreamtheaternetwww.myspace.com/dreamtheater, www.youtube.com/dreamtheater, andwww.roadrunnerrecords.com.











1st source I've seen
http://www.rocking.gr/news/Titlos-kai-imerominia-kukloforias-gia-to-neo-album-twn-Dream-Theater/16408/

roughly translated I guess:

"Dream Theater" was recorded at Cove City Studios in New York, produced by the guitarist and founding member of the group John Petrucci, and engineered by the famous Richard Chycki (Aerosmith, Rush). Τhis album marks a new chapter in the band's history, since it is the first where drummer Mike Mangini was involved completely and from the beginning in the creative process.

«I see each album as an opportunity for a new beginning» says Petrucci. «Building or improving in a direction that has evolved over time, or enter in completely new territory. This is the first self-titled album of our career and i can't think of something that states a musical and creative identity in a better way than this. We have completely explored all those elements that makes us unique, like the intensity and the cinematic atmosphere. We are excited with “Dream Theater” and can't wait for everyone to hear it.»

"Dream Theater" will be available in many different editions, including a regular and special 2CD edition, 180gram double vinyl and a limited box set. Preorders will start in the next month via the  Webstore of Roadrunner Records.

September 24th, Road Runner Records. They are also releasing a new live record in November I guess, which for some reason releasing a new live album after a new studio album, knowing none of the music from the new studio will be inlcuded on the live album seems weird.

And of course the band did no demo-ing or even testing of this music live, which is status quo I suppose, but I've felt for over a decade, is at least part of the reason their albums have come out at the quality they have.

But so be it, I am still rather curious.

When more info comes, it'll be edited in (maybe later today even).

Dream Theater's - New Drummer Documentary: The Spirit Carries On

4/29/11 11:28AM

Episode 3



uh-huh. I'll have to watch this later, but I already fast-fwded to see the outcome.

4/27/11 11:40AM

Episode 2


4/26/11 11:46AM
Road Runner Records Youtube Channel will have all 3 episodes this week

Episode 1:


Okay okay. I didn't post this yesterday due to time. And for now, my opinions will be delayed given the time I have right now. But if not today/tonight, after seeing the whole 3-part series and who it is (Mike Mangini likely), my take on it and the whole process shall come out hopefully.

I will briefly add now tho, I do like how they're doing it. But was it worth the delay?..meh.

Related - Mike Mangini the new drummer of Dream Theater?

Between the Buried and Me - The Parallax: Hypersleep Dialogues Mini-Album (2011) (2.0)

3/31/11 11:29PM

I know this a number of hours old as it was uploaded earlier today. But I didn't get home until a little while ago to see. I have no real take on it right now given I haven't listened to it, namely with headphones. But in due time hopefully.

one streaming option, or another of course:










2/28/11 5:11PM



1.) Specular Reflection
2.) Augment of Rebirth
3.) Lunar Wilderness

a 6+ minute sample is linked from the 1st track.

myspace blog

            BTBAM TO RELEASE “THE PARALLAX: HYPERSLEEP DIALOGUES” ON APRIL 12

BETWEEN THE BURIED AND ME TO RELEASE “THE PARALLAX: HYPERSLEEP DIALOGUES” ON APRIL 12


CRITICALLY REVERED NORTH CAROLINA BAND ANNOUNCES NORTH AMERICAN HEADLINING TOUR


Globally celebrated progressive rock / cutting-edge metal innovators BETWEEN THE BURIED AND ME (aka BTBAM) will release its new album The Parallax: Hypersleep Dialogues on April 12, 2011 via Metal Blade Records. The three-song strong, 30 minute tour de force was recorded at Canada's Metalworks Studios and Rattlebox Studios and produced / engineered by the Grammy award–winning David Bottrill (Tool, Muse, King Crimson, Dream Theater, etc.) with BTBAM.


The Parallax: Hypersleep Dialogues represents BTBAM’s musical and conceptual masterwork; the record showcases both the quintet’s vivid execution and ambitious vision. The otherworldly conceptual thread linking each of the songs is mobilized around two human characters that live in different planes of existence and are separated by millions of light years, each confronted with similar personal issues. Subsequently, both characters make decisions that will change their lives, and perhaps the course of the universe, forever. Musically, the release presents aura-rich atmospheres rife with roaring volumes, corrugated rhythms and trance-inducing intricacies. Cerebral and visceral, soft and heavy, melodic and abrasive, tender and brutal, familiar and strange and taut yet sprawling and epic, BETWEEN THE BURIED AND ME has crafted a sound that is musically sophisticated yet primal and a disc where every new passage leads to the culmination of an epic adventure.


Track listing:


1.) Specular Reflection
2.) Augment of Rebirth
3.) Lunar Wilderness


The Parallax: Hypersleep Dialogues’ celestial cover art can be viewed at at this location.


A special landing page for the release has been designed and hosts a six minute edit of the new BTBAM song “Specular Reflection”. The hub, which also allows fans to pre-order The Parallax: Hypersleep Dialogues is now live at this location.


Immediately upon the release of The Parallax: Hypersleep Dialogues, BETWEEN THE BURIED AND ME will kick off a full-scale North American headlining tour. Presented by Peter Says Denim in association with Guitar World and MetalSucks.net, the tour will launch on April 15 and feature support from special guests Job For A Cowboy, The Ocean and Cephalic Carnage (on select dates). Tickets are on sale now at this location. The official BTBAM spring tour admat is available for viewing at this location. and will feature the following live dates:


Peter Says Denim Presents BETWEEN THE BURIED AND ME In association with Guitar World & MetalSucks.net
With Job For A Cowboy, The Ocean & Cephalic Carnage (*on select dates)
Brought to you by PRS Guitars, Metal Blade Records, Good Fight Entertainment & ACTION! PR


* = support from Job For A Cowboy and The Ocean
+ = support from Job For A Cowboy, The Ocean and Cephalic Carnage


April 15 Farmingdale, NY The Crazy Donkey *
April 16 Worcester, MA The Palladium (as part of New England Metal & Hardcore Fest)
April 17 Lancaster, PA Chameleon Club *
April 18 Pittsburgh, PA Altar Bar *
April 19 Williamsville, NY Club Infinity *
April 20 Montreal, QC Le National *
April 21 Toronto, ONT Opera House *
April 22 Toledo, OH Headliner’s *
April 23 Pontiac, MI The Crofoot Ballroom *
April 25 Milwaukee, WI Eagles Ballroom *
April 26 Lawrence, KS Granada Theatre *
April 27 Denver, CO Summit Music Hall +
April 29 Vancouver, BC Rickshaw Theatre *
April 30 Seattle, WA El Corazon +
May 1 Portland, OR Hawthorne Theatre +
May 3 Sacramento, CA Ace of Spades +
May 4 San Francisco, CA Slim’s +
May 5 Pomona, CA Glasshouse Music Hall +
May 6 San Diego, CA Soma +
May 7 Mesa, AZ Nile Theatre +
May 9 Dallas, TX The Door *
May 10 Tulsa, OK The Marquee *
May 11 Memphis, TN New Daisy Theatre *
May 12 Atlanta, GA The Masquerade *
May 13 Nashville, TN Rocketown *
May 14 Asheville, NC The Orange Peel *

2/21/11 2:01PM


some stuff was posted here hence the "2.0."

I have no clue what this video has/sounds like since I'm at work right now. But I'm sure some edits/bumps could happen soon and of course when the details of this thing are posted. But as the video says, it's being released on April 12th, 2011. An early 2nd quarter release.

Interesting title fwiw.

edit: here's a few write ups. Both announcing them signing to Metal Blade Records.

Metal Blade Bio

Between the Buried and Me's storied career began back in the year 2000. Since their inception, they've released six full length albums and one live album: Between the Buried and Me (2002, Lifeforce), The Silent Circus (2003, Victory), Alaska (2005, Victory), The Anatomy Of (2006, Victory), Colors (2007, Victory), Colors Live (2008, Victory), The Great Misdirect (2009, Victory). Between the Buried and Me (BTBAM) has thrived both with their albums and through their engaging and unparalleled live show. BTBAM challenges listeners with their ever-evolving musical style, juxtaposed compositions, ultra-long songs, and deep lyrical concepts, as opposed to giving in to the lowest common denominator to try and expand their fan base. This has resulted in a fanatically loyal following and albums that consistently make it onto the myriad of top 10 lists in any year BTBAM releases an album.

The next step in BTBAM's musical journey involves a new label home in Metal Blade Records and another trek into boundary and genre defying song-writing that is their new album, The Parallax: Hypersleep Dialogues.

The Parallax: Hypersleep Dialogues serves as the first installment of a two-part story. Hypersleep introduces two human characters who live in different planes of existence, separated by millions of light years. We find that each of them is confronted with similar personal issues that they need to reckon with. Both characters make decisions that will change their lives, and perhaps the course of the universe, forever. The follow up album will pick up the story with our two main characters, with the help of near light speed travel, meeting each other and realizing together their purpose in the universe.

Musically, it sounds like Between the Buried and Me. Hypersleep has elements of aggression, beauty, quirkiness, and pure cacophony. Vocalist Tommy Rogers adds, "For Hypersleep, we establish several themes which I'm sure will be revisited in the next album, which is something we really look forward to. We love to expand on simple ideas and see where they take us."

Between the Buried and Me will support The Parallax: Hypersleep Dialogues with headlining North American tour dates in the Spring of 2011.

press release they posted on facebook

NEXT CHAPTER IN AWARD-WINNING BAND's STORIED CAREER SET TO UNFOLD

Celebrated progressive rock / cutting-edge metal band BETWEEN THE BURIED AN ME (also BTBAM) has inked a worldwide recording deal with Metal Blade Records. The award-winning North Carolina quintet will kick off the partnership with the April release of its new album The Parallax: Hypersleep Dialogues.

"We are delighted in the opportunity to join the Metal Blade family," commented BTBAM guitarist Paul Waggoner. "Their commitment to heavy music over the years is inspiring and we look forward to becoming a part of the ever-growing legacy of the label. Our new release, titled "The Parallax: Hypersleep Dialogues" will hit the streets in April. We are confident that our dedicated fans will appreciate it and hopeful that we will gain the attention of some new ears as well. In closing, I'd like to reference a quote from the illustrious Joe Dirt: "Life's a garden, dig it."

Further details on The Parallax: Hypersleep Dialogues will be made available soon. The LP will contain the first new music from BETWEEN THE BURIED AND ME since the release of 2009's The Great Misdirect, which landed at #36 on the Billboard Top 200 in its first week of release. BTBAM supported the album with a full scale North American headlining tourand live dates across Europe, Australia and Japan as well as a U.S. tour as hand-picked support for like-minded rockers Mastodon.

Check out a teaser HERE.

About BETWEEN THE BURIED AND ME:

Merging unparalleled musical bravery, prodigious musicianship, flawless execution and an angular landscape of forward thinking ideas, BETWEEN THE BURIED AND ME reinvent the rock 'n roll idiom while pleasing their harshest critics: themselves. Joining metal's dexterity and progressive rock's psychedelic, multi-layered experimentation, BTBAM (whose name was inspired by a line of lyrics from the Counting Crows song "Ghost Train") create spine-tingling sound that contains visceral power, labyrinthine arrangement, mind-boggling melody and majestic beauty. The band has released five full-length LPs since its formation in 2000 including Between the Buried and Me (2002), The Silent Circus (2003), Alaska (2005), The Anatomy Of (2006), Colors (2007) and 2009's critically acclaimed The Great Misdirect. The group has showcased its live prowess via a slew of world headlining tours and has participated in major touring festivals including Ozzfest and the Radio Rebellion and Progressive Nation tours. Since its inception, BETWEEN THE BURIED AND ME has sold nearly one half million records and proven itself as a progressive rock pacesetter whose modernist clang pegs it as a paradigm to be followed and a yardstick by which other bands are measured.

In addition to Waggoner, BETWEEN THE BURIED AND ME features Tommy Rogers (vocals / keyboards), Dustie Waring (guitar), Blake Richardson (drums / percussion) and Dan Briggs (bass).

"daring, eclectic, and dizzying…serpentine guitar heroics…brilliance" - THE ONION

"Inspired equaly by Yes, Dream Theater and Dillinger Escape Plan, the North Carolina extreme-prog band Between the Buried and Me think nothing of combining furious death metal rhythms and complex math metal licks with neoclassical leads and airy, atmospheric interludes." – GUITAR WORLD

"This North Carolina quintet has made a career out of stirring prog, emo, jazz, electronics, and what-have-you into the metal pot...diverse would be an understatement" - STYLUS

"Between the Buried and Me have evolved into a progressive band in the truest sense of the word, an alchemic group who concoct innovative, multi-genre fusions rather than a metal outfit with experimental pretensions." – ALTERNATIVE PRESS

"Nearly 10 years and six albums in, these guys are still at the forefront…the main reason: their sheer musical talent. If you ever wondered what Dream Theater's prog-metal might sound like if they had been raised on Dillinger Escape Plan and Metallica rather than Deep Purple and Iron Butterfly, Between the Buried and Me have the answer…a jaw-dropping and cathartic sound that few bands can even manage." - CLEVELAND SCENE

http://www.myspace.com/betweentheburiedandme
http://www.facebook.com/BTBAMofficial
http://twitter.com/btbamofficial
http://www.youtube.com/btbamofficial

"It's a half hour of music...call it what you like! glad people are as stoked about this signing as we are." 

another quote from the band about it.

Okay, well I just am going to go with a couple of things. It's 30 minutes of music. Sometimes that length, or shorter is regarded as a full-length. But as evidenced by that previous entry with many videos and a few interviews, they were working on AN EXTENDED PLAY RELEASE aka an "EP."

Typically a shorter length record. And for these guys, a 30 minute album frankly, is MUCH shorter than they typically make.

It's really just semantics I suppose, but I and this blog, until it's truthfully put into stone, am still going with this being an EP, and not a full-length. Maybe the ole "Mini-album" category makes the most sense as a compromise.

And the fact is, one of the more recent quotes mentioned the band also working on another release for later in the year. So unless they are doing a System of a Down's Mesmerize/Hypnotize, Devin Townsend or Omar Rodriguez-Lopez kind of multiple-albums-the-same-year kind of thing (although back in the 60's and early 70's, bands might release an album every 6 months, but most of those albums only were 25-40 minutes long), odds are the next one will be longer and actually be considered a full-length and closer to the length LP they have released in the past.

But another thing about this news, with Metal Blade. I don't hate them, and they've been the label for many bands I enjoy/have enjoyed over the years. But the folks cheering hooray for the fact BTBAM signed with them might want to be aware of what kind of label they are. I just consider what so many of the bands on their label ended up doing. Most recently with 3. Sure, they did resign 3, but I can't forget how little promotion 3's last album received from Metal Blade.

Maybe some of that had to do with the fact Metal Blade knew 3 had signed with Road Runner even before it came out, but I was not all that impressed by their promotion of Revisions. 3 had that great momentum off the 2 Porcupine Tree tours and Progressive Nation, you'd think they would have reaped more benefits from that, but I look at the lack of help from Metal Blade as part of why they didn't entirely. But I suppose how much and how well their next album does, again via Metal Blade, may get a more accurate idea of how good of a job Metal Blade is doing for them and other artists.

And for BTBAM, Victory Records was pretty terrible. So, comparably, Metal Blade won't have to do a lot to improve upon their work. At least they likely won't get lumped in with so many of those scenester/'core bands on that label anymore. I guess we'll see. And it should be interesting to hear this record along with the next part of it that Tommy mentions in that bio.