Saturday, December 9, 2017

The Year 1975 Albums Calendar + Top 20

1975, the year before I was born, and I guess I have thought-of for a long time as the peak or maybe just past the peak of progressive rock and art-rock of the 1st era or original era per say.

And with that, there was a lot of depth from this year, in particular with Classic Rock "classics" and Jazz-Rock especially.

A Night at the Opera for nearly 20 years has been an all-favorite of mine. Stone-Cold landmark record, and my favorite Queen album really since I 1st started checking out their catalog almost 20 years ago. It includes the radio staples of course which I do find still hold up, plus "The Prophet's Song" which I consider Queen's greatest work ever.

But you take that amazing record and then also my #1 records from 2 of my favorite bands ever in Renaissance and Led Zeppelin, and you have a year that is really top heavy. Even just the top 10, man, all ESSENTIALS for me including Born to Run, like A Night at the Opera, includes Bruce's greatest track with "Jungleland."

This year also seemed to include many standout Solo albums, many of which were debut solo records for whatever reason. Maybe by the Mid 70's the *bands* had members who felt it was time to do something outside of their main gigs.

Along with those, there are many debut albums in some cases were some of the artists best work, and others, just a start of bigger and better things to come.

The blurbs below are included because in reviewing the years I still had to post, 1975 I started maybe 2 years ago, not long after I began this whole Albums Calendars project. And I didn't find it necessary to not include the blurbs I had already written up. But why some albums have them and others do not? I never finished some of the others and as my style of doing these, I'm not writing blurbs for every album per how much time it would take.

But the good news is, with 1975 finally up, all the 70's years are finished (until if/when an edit/redux may be warranted).

1. Queen - A Night at the Opera
2. Renaissance - Scheherazade and Other Stories
3. Led Zeppelin - Physical Graffiti
4. Rush - Caress of Steel
5. Pink Floyd - Wish You Were Here
6. Jethro Tull - Minstrel in the Gallery
7. Chris Squire - Fish out of Water
8. Return to Forever featuring Chick Corea - No Mystery
9. Kansas - Song for America
10. Bruce Springsteen - Born to Run
11. Steve Hackett - Voyage of the Acolyte
12. Rush - Fly By Night
13. Styx - Equinox
14. Electromagnets - Electromagnets
15. Kansas - Masque
16. Steve Howe - Beginnings
17. Jack Lancaster / Robin Lumley - Peter and the Wolf
18. David Bowie - Young Americans
19. The Eagles - One of These Nights
20. Hall and Oates - Daryl Hall and John Oates



A drawing of Dylan's face in profile facing a purple stripe with the album's name in white
Bob Dylan - Blood on the Tracks
rel January 20, 1975

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Stackridge - Extravaganza
rel January 1975

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Rush - Fly By Night
rel February 15, 1975

Rush's 2nd album, a record I probably enjoy slightly more than their debut. Of course it is also the 1st album with drummer Neil Peart. It also has one of their most recognizable covers.

Musically, Rush started to experiment with extended song structures and Scifi lyrics.

I guess with this album Rush began a run of consistency that is maybe unmatched, as it's a record I enjoy pretty much every track.

"Anthem" a song I always have loved the energy and Geddy's screaming. When I was in High School, I put it on a mix tape for warmups for my team's basketball games.

"Best I Can" and "Beneath, Between, Behind" also are great energetic blues rock tracks.

"By-Tor and the Snow Dog" has been a fan-favorite since this album came out, and it is really Rush's 1st experience with progressive rock. The story, the suite, the dynamics. I suppose maybe the thing that I often think of this piece most for is Alex Lifeson's guitar *growl* or whatever he used, with the reverb to create the deep, resonant texture.

The front of a brownstone
Led Zeppelin - Physical Graffiti
rel February 24, 1975

While I regard Zeppelin's catalog consistent and pretty much every record they released to be close in quality (sans for Coda, which is more or less a B-sides album anyway), I do consider this my favorite of theirs, I suppose if I had to choose one.

I even bought a Tablature book for it, which included more or less every single part.

But why it's my favorite? I guess a lot of it is the fact it is a double album and one that I find myself enjoying more or less every track in some way. Some more than others I guess. My favorites being "In the Light" and the organ and/or mellotron work especially. Such an epic track. "The Rover" I at 1 time considered my favorite Zeppelin tune, although I suppose I wore it out a little, it has such a ballsy riff.

"In My Time of Dying" "The Wanton Song" and "Sick Again" all have incredible heavy blues riffs I fall for every time I hear them.

The bridge on "Down by the Seaside" is gorgeous (and more or less makes that song great).

"Ten Years Gone" may have Jimmy Page's greatest and saddest solo ever. Goosebumps and even tears it brings me to.

"Kashmir" as much as it did get played a ton on Classic Rock radio, and I would probably place Kevin Gilbert's version above it, is still an iconic track that really was one of the songs that made me a fan of Zeppelin and rock music in general. I even quoted it on my Senior page in HS.

"Custard Pie" is another rocker, which along with "The Rover," really jump starts this album out.

"Trampled Under Foot" was a song at 1st I barely liked, but grew to appreciate. Even if it got on the radio, over some others. It has that organ riff that is unforgettable.

The title track I can say the same about with radio. I do enjoy it, even though I have heard it a lot more times than other tracks on this album.

By that same token, "Night Flight" is a song that radio played, that I have never grown sick of.

I once saw a picture of a lady with a baby
Southern lady, had a very, very special smile
We are in the middle of a change in destination
When the train stops, all together we will smile

"Bron Y-Aur" "Boogie With Stu" and "Black Country Woman" I grew to like enough and fall under this album's *sound* as much as anything, and don't overstay their welcome.

Is it the best album from '75, I can say there was at least 1 record later in the year that I prefer, but certainly in the mix and a top 5-10 definitely.

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Ambrosia - Ambrosia
rel February 1975

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Camel - The Snow Goose
rel February 1975

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Kansas - Song for America
rel February 1975

The title track is one of, if not my favorite Kansas song, although it being 10 minutes surprised me, but I suppose I've heard the 3-minute radio edit more than I'd prefer. But this was their 2nd record and showed some evolution from their debut album from the year before.

"Lamplight Symphony" and "Incomudro - Hymn to the Atman" are among the other highlights


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Peter Hamill - Nadir's Big Chance
rel February 1975

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Mahavishnu Orchestra - Visions of the Emerald Beyond
rel February 1975

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David Bowie - Young Americans
rel March 7, 1975

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Soft Machine - Bundles
rel March 22, 1975

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Rick Wakeman - The Myths and Legends of King Arthur and the Knights of the Round Table
rel March 27, 1975

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Jeff Beck - Blow by Blow
rel March 29, 1975

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Steely Dan - Katy Lied
rel March 1975

Another record that I remember best for showing up in the Rolling Stone 67-87 issue. "Black Friday" is the 1 big hit off it. "Bad Sneakers" was the other single from this record, which the guitar work almost sounds like an electric sitar.

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10cc - Original Soundtrack
rel March 1975

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Journey - Journey
rel April 1, 1975

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Pavlov's Dog - Pampered Menial
rel April 4, 1975

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Steve Hillage - Fish Rising
rel April 11, 1975

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Abba - Abba
rel April 21, 1975

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King Crimson - USA
rel May 3, 1975

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Hawkwind - Warrior on the Edge of Time
rel May 9, 1975

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Elton John - Captain Fantastic and the Brown Dirt Cowboy
rel May 19, 1975

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The Eagles - One of These Nights
rel June 10, 1975

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Neil Young - Tonight's the Night
rel June 20, 1975

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Frank Zappa - One Size Fits All
rel June 25, 1975

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Fairport Convention - Rising for the Moon
rel June 1975


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Fleetwood Mac - Fleetwood Mac
rel July 11, 1975

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Caravan - Cunning Stuns
rel July 25, 1975

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Black Sabbath - Sabotage
rel July 28, 1975

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Glen Campbell - Rhinestone Cowboy
rel July 1975

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Renaissance - Scheherazade and Other Stories
rel July 1975

Like Zeppelin, at least the 70's Renaissance albums were consistently good and I often have a hard time ranking them. But over time, this became my favorite of theirs.

It consists of 4 pieces, including the 24+minute epic/multi-part suite in ""Song of Scheherazade," which I'll admit to not hearing before hearing this record. And it immediately grabbed me and came to become a Renaissance and progressive rock favorite. It's really a journey piece, that features their string arrangements, lead bass lines, Annie's emotive falsetto vocals, and even some middle eastern elements from memory.

But that isn't even my favorite part of this record. My 1st and still probably my favorite Renaissance track is the nearly 11-minute opening cut "Trip to the Fair."

A trip the faiiiiiiiiiir, but nobody was theiiiiiiiiiii-re!

I close my eyes to disguise the fear from inside
Trembling within my own mind I find no place to hide
Stars of tomorrow shine through the grey mist that has gone
I wish that this trip to the fair had never beguhhhhhhhhhhhhhhhhhhhhhhhn

Suddenly thousands of faces I see
Everyone seemed to be staring at me
Clowns laughed in the penny arcade
What was this game my mind played?

I often think of an episode of The Twilight Zone or something with this, or even going to a fair, the MN State Fair or otherwise, and having this experience of it being a nice day to go to a/;the fair, and then getting there and it being empty. Or at least everyone was hiding and playing a practical joke on me or something (or just trying to surprise me), as they all could see me, but I couldn't see them.

But this song made me love Annie Haslam's voice. It is so emotive and gorgeous at times. Powerful, gentle, clean and pretty, and yet very almost crazy at times with some of the laughing and effects.

Also the piano work is brilliant on it. Both the playing and arrangement in the song. Along with some of the bells or xylophone, etc. The crescendos work superbly. I honestly get goosebumps every time I hear it, and from memory, I think when I saw Renaissance, they played it.

"Ocean Gypsy" is another favorite. Very mystical and dreamy. I think of Annie or some gypsy woman, or psychic woman who wears gypsy robes and Shalls, and is very exotic and pretty. The lyrics

Silken threads like wings still shine
Winds take pleasure still make patterns
In her lovely hair
So dark and fine

Stands on high beneath the seas
Cries no more
Her tears have dried
Oceans weep for her the ocean sighs

The lyrics are kind of sad, as they tell of a gypsy woman who dies in some event at sea. Annie's voice does capture that well. Also the piano is quite sad, namely towards the end.

"The Vultures Fly High" is poppy and another track I've always enjoyed on this album, even if it's the weakest song. But like "Northern Lights" and some others, it is a song I've always liked and appreciated.

Scheherazade, like Physical Graffiti, is a favorite and maybe Renaissance most epic/grand-scale album in their catalog, and certainly among my top records for '75.

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Gentle Giant - Free Hand
rel July 1975

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Hall and Oates - Daryl Hall and John Oates
rel August 18, 1975


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Bruce Springsteen - Born to Run
rel August 25,1975

As much as I enjoy a lot of his 1st 2 records, and the follow-up, I can't deny, this is my favorite Springsteen record. First and foremost for my favorite Springsteen song in the closing progressive rock  9+minute"Jungleland"

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Donna Summer - Love to Love You Baby
rel August 27, 1975

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Miles Davis - Agharta
rel August 1975

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Kool and the Gang - Spirit of the Boogie
rel August 1975

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Jethro Tull - Minstrel in the Gallery
rel September 5, 1975

I don't liken this to quite the level of Thick as a Brick and A Passion Play, but it's only 1 level below. "Baker St. Muse"  "Cold Wind to Valhalla" and the title track are among the best pieces Tull ever recorded.

An image of two men dressed in dark grey business attire standing in the grounds of a Hollywood film studio, facing each other and shaking hands. The man on the right's hair and clothes are on fire, but he seems oblivious to the fact. The upper right edge of the photograph appears singed.
Pink Floyd - Wish You Were Here
rel September 12, 1975

A fan-favorite, and while I put others like AnimalsObscured By Clouds and Atom Heart Mother above it, I still find it has more to it than the over-mentioned The Wall and even Dark Side.

And while I do love much of the "Shine On" suite, I have always felt "Welcome to the Machine" to be this album's biggest highlight. It's so trippie and mesmerizing.

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Supertramp - Crisis? What Crisis?
rel September 14, 1975

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Foghat - Fool for the City
rel September 15, 1975

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Rush - Caress of Steel
rel September 24, 1975

An underrated Rush album certainly. I love the epics on this record at times as much as any of their other epics. "The Necromancer" has always stuck with me as brilliant, and "Fountain of Lamneth" despite the band and some fans and critics issues with, I find still really works, in some ways like "Supper's Ready" or other extended suites. "Bacchus Plateau" oddly has a part that I always think with a Springsteen's "Jungleland" from Born to Run. Why I have always wondered if Alex Lifeson had been listening to that when they wrote it, but as the dates show, the timing would have been unlikely (Perhaps Steve Van Zandt and Lifeson had been listening something else that was the same piece when both were written? lol).

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The Brecker Brothers - The Brecker Bros.
rel September 1975

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Electric Light Orchestra - Face the Music
rel September 1975

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Kansas - Masque
rel September 1975


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The Who - The Who By Numbers
rel October 3, 1975

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Roxy Music - Siren
rel October 24, 1975


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Steve Howe - Beginnings
rel October 31, 1975

Steve Howe's debut solo record and what I still consider his best. Some great classical-guitar work,

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Steve Hackett - Voyage of the Acolyte
rel October 1975

Hackett's debut album that came out while he was still a member of Genesis. Phil Collins  and Mike Rutherford are even is included on much of it. Very much fits the "Lost Genesis Album" as it sounds like something the band would have made around this time fittingly. "Ace of Wands" and "Star of Sirius" are among my favorites.

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Nektar - Recycled
rel October 1975

One of Nektar's best for sure.

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Sparks - Indiscreet
rel October 1975

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Van der Graaf Generator - Godbluff
rel October 1975

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Tony Williams Lifetime - Believe It
rel October 1975

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Chris de Burgh - Spanish Train and Other Stories
rel November 1, 1975

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Chris Squire - Fish Out of Water
rel November 7, 1975

Chris Squire's only solo record, which much like Voyage of the Acolyte, sounds much like an album Yes would have made around that time. "Hold Out Your Hand" and "Silently Falling" are maybe the 2 pieces I think of most for it.

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Earth Wind and Fire - Gratitude
rel November 11, 1975


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Queen - A Night at the Opera
rel November 12, 1975

One of my all-time favorites. 5-stars without question. Love the radio staples "You're My Best Friend" "Bohemian Rhapsody" and when they do air occasionally "I'm in Love with My Car" and "Death on Two Legs."..Even "'39" as much as it sounds like The Moody Blues, totally works. Brian May even on lead vocals.

And of course "The Prophet's Song" is so bloody good. The vocal layers are an amazing studio technique which has been attempted but I'm not sure ever fully matched (Savatage's "Chance" is 1 that comes to mind though). The flow and momentum on it just gets me to sing-along every time.

ah ah people of the earth...

And I now I know, And I now I know, And I now I know

now I know. now I know. now I know.



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Eric Carmen - Eric Carmen
rel November 1975

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Joni Mitchell - The Hissing of Summer Lawns
rel November 1975

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Robert Palmer - Pressure Drop
rel November 1975

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Lenny White - Venusian Summer
rel November 1975

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Styx - Equinox
rel December 1, 1975

This is a favorite if for nothing else, an all-time Styx favorite of mine "Suite Madame Blue."

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AC/DC - T.N.T.
rel December 1, 1975


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Bob Marley and the Wailers - Live!
rel December 5, 1975

Untitled
Kaipa - Kaipa
rel December 1975

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Area - Crac!
rel 1975

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John Abercrombie - Timeless
rel 1975

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Carmen - Dancing on a Cold Wind
rel 1975

Related image
Philip Catherine - Guitars
rel 1975

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Crack the Sky - Crack the Sky
rel 1975

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The Dixie Dregs - The Great Spectacular
rel 1975

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Electromagnets - Electromagnets
rel 1975

Eric Johnson's 1st? band. Doing jazz-rock, and rather well.

Profondo Rosso
Goblin - Profondo rosso
rel 1975

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Jan Hammer - The First Seven Days
rel 1975

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Kraan - Let It Out
rel 1975

Untitled
Jack Lancaster / Robin Lumley - Peter and the Wolf
rel 1975

Marscape they did even better, but still a worthy 1st effort in adapting and composing a concept record in their (and later Brand X's) style.

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Mother Superior - Lady Madonna
rel 1975

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Alphonse Mouzon - Mind Transplant
rel 1975

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Premiata Forneria Marconi - Chocolate Kings
rel 1975

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Return to Forever - No Mystery
rel 1975

Underrated among the RTF and Fusion fans. I sometimes feel I like this album more than Romantic Warrior. "Celebration Suite" is so bloody good, even if I hear moments of Yes/Kansas in it.

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David Sancious - Forest of Feelings
rel 1975

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Triumvirat - Spartacus
rel 1975

Friday, December 8, 2017

The Gloomcatcher - Blade in the Belfry [EP] (2017-2018)

12/8/17

it's released today and it;s totally sublime. Could be my top record in the early season already, even for an EP.




1. The Night 03:42
2. Four
3. Kai
4. Heather
5. The Host
6. Marin

11/23/17
Wow, this was not expected, but this new EP from The Gloomcatcher is being released on December 8th, 2017.

The 1st track "Night" is streaming.

Very excited to hear this, and pretty much any music from Jessy Ribordy. I suppose 1 reason why this could be a project to see more from sooner rather than The River Empires is The Gloomcatcher of course is an offshoot of TRE; music that was originally written for TRE but didn't quite fit with the aesthetic and concept? of TRE at the time, so The Gloomcatcher was created.

But it has been more acoustic and more of Jessy doing mostly everything.

At any case, this is the 1st release from The Gloomcatcher or TRE since 2011. Starla Over the Fences was their last release which I recall liking a lot back in 2011 and I should revisit.

Also the cover art? it says it's temporary on bandcamp, but who knows.

edit: LOVE this new track. Man, I'm stoked for this!




1. The Night 03:42
2. Four
3. Kai
4. Heather
5. The Host
6. Marin

The Sea Within: New Project ft Gildenlow, Minnemnann, Stolt

http://www.insideoutmusic.com/newsdetailed.aspx?IdNews=22127&IdCompany=8

Project release date of the yet untitled debut album from The Sea Within is Spring 2018 as the writeup there/shared below.

New project or "Super Group" of sorts that includes Daniel Gildenlow from Pain of Salvation, Roine Stolt and Jonas Reingold from The Flower Kings, Marco Minneman (Steven Wilson, The Aristocrats among many others), Tom Brislin (Yes, Renaissance, Spiraling)..

I will certainly check this album out, but with a little bit of caution per Daniel Gildenlow worked with The Flower Kings in the past and while it wasn't bad, it wasn't something I have returned to much, even among TFK's work.

I really hope this album doesn't sound much like The Flower Kings, but if it does, well, I won't be surprised. Why I am not highly anticipating it at this point. Maybe once a clip or 2 or single/video comes, my mind may change. I do hope Daniel does a lot of the lead vocals, which could make a different potentially for me.



The Sea Within – a new art-rock group formed by Roine Stolt (Transatlantic, The Flower Kings), Daniel Gildenlöw (Pain of Salvation), Jonas Reingold (The Flower Kings, Karmakanic, The Tangent), Tom Brislin (Renaissance, Spiraling, Yes Symphonic, Deborah Harry) & Marco Minnemann (The Aristocrats, Steven Wilson, UK, Joe Satriani) – have announced they will release their as-yet-untitled debut album in Spring 2018.


Roine Stolt comments on how the project came together: “I think all it started as a suggestion from the record company - putting together a new band, starting fresh, seeing if collective writing could spawn a unique style. Call it a supergroup if you want - I think we can handle that.”


The members recently entered Livingston Studios in London to begin recording the basic tracks, and found an instant chemistry in the way they worked together. “Going into the studio in London was taking a great risk as we had not been in the same room together beforehand.” Roine continues: “We had just sent demos around and didn’t really know if we could make great music together, but we managed to track almost 2 hours of new music, a mix of collective ideas. We also had a lot of great ‘off-time’, sharing laughs and stories in local pubs – that part is important.” 


Currently the members are putting the finishing touches on their debut album, and of the music’s direction Roine says: “There are elements of prog, pop, art-rock and many cinematic elements. I suppose the music comes from within our collective memories of all that we love as far as sounds, visions and poetry. We hope that discovering the music will be a journey for the open-minded fan - something as fresh and uncertain and unfolding as it is for us.”


The Sea Within has also announced their first confirmed live date, taking to the stage at Night of the Prog Festival 2018 at Loreley, Germany on the weekend of 13-15th July 2018 alongside Camel, Big Big Train, Riverside & more. Tickets are available now here:
http://www.nightoftheprogfestival.com/en/home-2/ 


Drawing on their collective experience from across the rock and prog spectrum, The Sea Within sees them coming together to craft new music that sees them all leaving their respective comfort zones and challenging themselves.



Gleb Kolyadin - Gleb Kolyadin (2017-2018)

This is the Self-Titled debut album from Gleb Kolyadin of iamthemorning. It features Steve Hogarth of Marillion, Gavin Harrison, and Jordan Rudess among other guests.

I'll say, a lot of albums "feature" guests and are often side or solo projects from bands I often find are better than the side or solo projects. But with some of the names and trailer, I am pretty curious about this. It's kind of a win-win in that if it's great, like better than I'd expect, it'll be something I will be into this current year. And if it's not, I am still looking forward to the next iamthemorning album, etc.

Release date is February 23rd, the preorder links are found in the description from KScope below.








The debut self titled solo album from the virtuoso Iamthemorning pianist, feat. Steve Hogarth (Marillion), Gavin Harrison (King Crimson), Nick Beggs (Steven Wilson), Mick Moss (Antimatter) and Jordan Rudess (Dream Theater). Pre-order your copy for 23rd Feb - http://found.ee/GLEB_KOLYADIN_ALBUM "The Best of Days" features the instantly recognisable vocals from Marillion’s Steve Hogarth, on the collaboration Steve comments "Gleb is a beautiful pianist and a great musician. I was invited to collaborate on his new solo album and my mind was made up as soon as I heard the music." Gleb Kolyadin is an emotive exploration of self-identity; a story of two parts with interweaving leitmotifs. The album's central concept weaves through an elaborate tonal and thematic structure, built around the extraordinary rhythm section of Gavin Harrison and Nick Beggs, which is accented at its focal points by guest appearances from Steve Hogarth, Jordan Rudess, Mick Moss and Theo Travis. “Gleb is an extremely rare talent as a pianist and as a composer. His compositions are very inspiring as he breaks new ground on the instrument." Gavin Harrison (King Crimson / Porcupine Tree) The album is a collaborative piece with each musician recording their own parts separately, starting with Gleb recording himself on grand piano in Moscow Winter-Spring 2017 at the famed Mosfilm studio. The album was mixed and engineered by Vlad Avy, who also previously worked on the two Iamthemorning records. Pre-order the album here http://found.ee/GLEB_KOLYADIN_ALBUM Learn more here - http://www.kscopemusic.com/artists/gleb-kolyadin/

Wednesday, December 6, 2017

VINYL VIDEO: The Dear Hunter, Steven Wilson, Queensryche



So I made and shared this one, only 3 new Vinyl.

I made 3 other videos from like 2 weeks ago that I never uploaded, with my head getting cutoff, lol. Which happens in this one as well.

I guess I need to try and setup the camera higher so it doesn't cutoff my head but still includes me (maybe I need a new Camera?).

but those videos had like 10-15 records and cds.

I guess I'll see.

this video includes

The Dear Hunter - All Is as All Should Be [EP]
Steven Wilson- To the Bone
Queensryche - Promised Land

I have also quite a lot of vinyl coming in the mail soon, so obviously if I want to show that, I'll have to try this again, and hopefully avoid my head being cutoff. I have a lot of  boxed and stuff in there to be able to potentially set the camera up high enough and at the right height to capture myself and the records.

Then again, I may just go there to make videos not showing music instead of making a podcast. Not sure. Namely for those Calendar videos or podcasts. Or even that list of Songwriters perhaps?

All Media Reviews Podcast #4: Albums of the Year Part 3



10. Steven Wilson - To the Bone 9. Anakdota - Overloading 8. Godspeed You Black Emperor - Luciferian Towers 7. Anathema - The Optimist 6. Pain of Salvation - In the Passing Light of Day 5. 22 - You Are Creating: Limb 1 4. Bent Knee - Land Animal 3. Everything Everything - A Fever Dream 2. Small Leaks Sink Ships - Golden Calf 1. Mutemath - Play Dead


came out okay. I forgot to suggest in the comments to include your aoty, but I changed the subject on Youtube at least.

I guess as I stressed at the end, I am excited to make the 2017-2018 preview/anticipation podcast soon. With this done now, probably in the next few days, although as I've mentioned in past videos and in here, I probably should just do it by QUARTER so call it 1st-Quarter and Beyond or something.

Future Castle - FutureCastle EP (2016-2017)



I recall hearing about this when I finally got to meet Gavin Castleton after The Dear Hunter/Coheed and Cambria concert in May.

4 tracks, all covers. Sade, Hall and Oates, Chicago and Roland Orzabal (of Tears for Fears),

It was released back in August, which I may recall seeing an email or something on twitter, but ultimately missed it.

But these are pretty sweet and fitting for Rare Futures and Gavin Castleton.

Tuesday, December 5, 2017

Long Distance Calling - BOUNDLESS (2017-2018)

Release date for this new album from Long Distance Calling, Boundless, is February 2nd, 2018.

Really loved their last album Trips from 2016, including the singer. I haven't checked out the teaser, but many of their fans are saying they are happy they don't hear vocals.

I guess I won't care if the music is still good, but I found their use of vocals on their last album refereshing and surprising how well they worked.

Also to note, seeing it on their Facebook, they have some shows they are supporting Fates Warning of all bands (although they are kind of labelmates anyway, so go figure). Wish I could see one of those, but they're in Europe, nuff said.

Preorder 1
https://longdistancecalling.merchcowboy.com/
Preorder Links

Image may contain: text

1 Out There
2 Ascending
3 In the Clouds
4 Like a River
5 The Far Side
6 On the Verge
7 Weightless
8 Skydivers 


We are happy to announce our new album ‘BOUNDLESS’ which will see the light of day on February 2nd 2018. This time around the four of us locked ourselves in a room over a couple of months and pretty much got back to where we started as a band to catch this “go with the flow” feeling. This is probably the purest LDC album ever, no guests, no vocals, purely instrumental. We´re stoked how it turned out and this album got a lot of energy, heaviness, melodies and twists, we hope you will enjoy it as much as we do.
Watch a teaser for the album, revealing the artwork and a snippet of new music here: https://youtu.be/FBEYuMTheGo
Artwork by www.martingrossmann.com
“Boundless” will be released as a special edition digipak CD, Gatefold 2LP + CD (incl. etching on side D) & as digital download.
PRE-ORDER now here: https://longdistancecalling.lnk.to/Boundless
Special bundles are available in our official band store (first button in the link above), featuring strictly limited vinyl colour (200 copies, sun yellow) as well as an exclusive shirt, hardtickets, etc.
The track-listing of “Boundless” is as follows:
1. Out There
2. Ascending
3. In The Clouds
4. Like A River
5. The Far Side
6. On The Verge
7. Weightless
8. Skydivers

We will also hit the road to support the release, here are the dates:
Presented by VISIONS, GITARRE & BASS, METAL.DE, ECLIPSED, METAL HAMMER, GUITAR
02/02 Dortmund (D) FZW (“Boundless” Release Show / followed by Visions Party)
28/02 Hannover (D) Lux
01/03 Berlin (D) Musik & Frieden
02/03 Hamburg (D) Indra
03/03 Kiel (D) Die Pumpe
04/03 Bremen (D) Tower
05/03 Köln (D) Gebäude 9
06/03 Wiesbaden (D) Schlachthof (Kesselhaus)
07/03 Stuttgart (D) ClubCann
08/03 München (D) Kranhalle
09/03 Wien (AT) B72
10/03 Prag (CZ) Nova Chmelnice
11/03 Dresden (D) Beatpol
12/03 Nürnberg (D) Club Stereo

Hardtickets: https://goo.gl/6oZp7f
Regular tickets: https://goo.gl/1xtdxx

Prior to our headlining dates in February, we will support progressive metal veterans Fates Warning for two shows in Germany in January 2018. You can find those dates below:
Jan 18th 2018 – Turock, Essen, Germany
Jan 19th 2018 – Colos-Saal, Aschaffenburg, Germany

LOVE LDC








Monday, December 4, 2017

All Media Reviews Podcast #3 2016-2017 AOTY Part 2



32 minutes. Went okay; maybe a little better than I expected. I do think I will try and put some music in the background on 1 of these soon.

10-1 coming soon, although not sure if this week or not. This week is...well, let's say I will be happy once it's over. I have a job interview on Thursday which the prep is tormenting me every waking hour.

29. Bubblemath - Edit Peptide 28. Childish Japes - After You're Born [EP] 27. The Family Crest - Prelude to War [EP] 26. The Contortionist - Clairvoyant 25. Hotel of the Laughing Tree - Hotel Junk Box 24. Red Planet with Bill Carothers - Red Planet with Bill Carothers 23. Ramona Falls - Coils 22. Mew - Visuals 21. Timmy Sean - Weeks 20. Persefone - Aathma 19. Moonloop - Devocean 18. Umi - World of Color [EP] 17. Bend Sinister - The Other Way [EP] 16. Ulver - The Assassination of Julius Caesar 15. Beck - Colors 14. Subterranean Masquerade - Vagabond 13. Major Parkinson - Blackbox 12. Nordic Giants - Amplify Human Vibration (Soundtrack) 11. SikTh - The Future in Whose Eyes?

Sunday, December 3, 2017

REACT TO: Top 10 Bands to Listen to IYL Led Zeppelin



So this is not intended, but could almost by default be considered a RIYL/FFO Led Zeppelin entry. Except obviously the point of this is to REACT TO and point the many issues/flaws with another WatchMojo.com list.

So 1st off, I wanted to look at the Voting results, which the Voting Link I found after spending far too long on the watchmojo site, is here.

That Voting link shows only 4 VOTES?..4 bleeping votes. And assuming that was the Voting page for this list, that does speak to some of the people at Watchmojo just arbitrarily picking lists to make regardless of how many votes had been cast. Which goes back to the lack of a video for the Top 10 Jimi Hendrix songs (which was submitted over 4 years ago in 2013 by the way, lol), when they have made many other (less appealing) lists that were submitted well after.

That all being said, I hope this list is the 1st of many of this type of RIYL/FFO, regardless of how many votes or even the results.

But among the results, I don't mind seeing Wolfmother (even if they need to stop citing "Woman" as their token track. It's not, they have many other, better, more Zeppelin-influenced tracks just from their debut album).

I don't hate My Morning Jacket (Gavin from dredg, whose noted as being a fan of Zeppelin, is a big fan of My Morning Jacket), but they are still more rooted in the jam band scene/sound than the experimental blues rock of Zeppelin.

And White Denim I enjoy, although they were only an Honorable Mention. And I would contend they are also more rooted in the jam band aesthetic or even psych, than heavy blues rock of Zep.

The White Stripes, The Black Keys, and Queens of the Stone Age have far too much of a Garage element and singers (along with instrumental work) that really doesn't remind me let alone compare to Zeppelin.

The  Black Crowes?..no. They had more in common with The Rolling Stones. For 1, their singer doesn't remind me or even sound like he was influenced by Robert Plant.  I don't mind them, especially their album Shake Your Money Maker ("She Talks to Angels" in particular), and that came out right when I was obsessed with Zeppelin, but sorry, I would not say they remind me or I need/needed to hear them because I was a LZ fan.

But who did they miss? I guess I won't give a complete list that I might for a RIYL/FFO, but as my comment included.


-The Tea Party.  This one is so blatantly obvious. These guys channel a ton of Zeppelin's approach to using acoustic and middle eastern elements, while being heavy and dynamic. Their singer is more highly similar to Jim Morrison, but the vocals blend extremely well with the songwriting.

And they're even fucking CANADIAN which WMJ frequently likes to Champion people from their home country, lol.


(As opposed to names on the list Kingdom Come and Whitesnake were just watered down, 80's hair metal bands with a singer whose trying to be Plant in many respects, and this new band Greta van Fleet is a total overt ripoff.)





-Jeff Buckley. When I 1st got into his music, 1 of the comments was "he's like Robert Plant and Jimmy Page combined." Which sounded/sounds hard to believe, but it's true in many ways. He could sing like Plant and play guitar like Page, and that is really no exaggeration. Even just live, the way he took songs and interpreted them, was very similar to what Zeppelin did. "Kangaroo" for example, is a 3-and-a-half minute song from this Dream Pop/Dark Wave band This Mortal Coil, and Jeff and his band have versions that go over 14 minutes? lol.."Dazed and Confused" from Song Remains the Same much?





-The Mars Volta . They were described countless times as the modern Led Zeppelin, and you consider the adventurous approach they took to writing and jamming, it was very much in the Zeppelin school. To go along with the fact they included this group of incredible players much like the members of Led Zeppelin, it seems like such an obvious comparison in many ways. Sure, the Volta also can be compared to bands like Rush and Yes, but they did use a lot of the heavy, bombastic blues rock that at at times Zeppelin did. Whereas Rush and Yes (and many other prog bands) did a lot of things that were more intricate and almost calculated, Zeppelin did their crazy things more loosely. And The Mars Volta very much kept that approach despite the fact they had a lot of technicality.




10. The Black Crowes
9. Whitesnake
8. Royal Blood
7. My Morning Jacket
6. The Black Keys
5. Wolfmother
4. The White Stripes
3. Greta van Fleet
2, Kingdom Come
Honorable Mentions:
Band of Skulls
White Denim
Temples
1. Queens of the Stone Age