This is 14 mins long, with the new recorder which made it into an WMA file, lol. I had to convert that, but so be it.
I'm not sure if making them at a restaurant is the best process, but it was a 1st time/experiment.
I do want to try and make 1 of these for an Albums calendar. The thing I worry about is how long it does go (and requires me to make it), per how long some of the calendars are and how much I would talk about each album (obviously some may be awhile, while others very little).
I am in the middle, er, maybe 2/3 or more from getting through 6 of them which I anticipate publishing around the same time. So perhaps if not before then, I could plan to try doing 1 or more of those Albums Calendar Podcasts around that time.
Time permitting of course per January is looking rather busy at this point with concerts, doctor appointments and a trip to the Hollywood area.
Jim Matheos
Andre Matos
Colin Meloy
Craig Minowa
Janelle Monae
Neal Morse
Dan Moxon
Amanda Palmer
Mike Patton
Yannis Philippakis
Tomer Pink
Mike Portnoy
Jesse Ribordy
Sheena Ringo
Claudio Sanchez
Robert Schneider
Sufjan Stevens
Timbre
Mike Vennart
Daniel Victor
Brooke Waggoner
Steven Wilson
John Wright
Saturday, December 30, 2017
Friday, December 29, 2017
VINYL Video: Esperanza Spalding + Small Leaks Sink Ships
Esperanza Spalding - Exposure / Undeveloped (cd not shown)
Small Leaks Sink Ships - Golden Calf
PHILA - Artists Rise Against Islamophobia
quick video..I have more vinyl coming of course. Plus another podcast.
Sunday, December 24, 2017
X-Mas Albums: The Reign of Kindo and Timbre
among all the X-mas music I get bombarded with this time/week/day(s),
And I of course just posted that list the other day of favorite X-Mas songs, but I failed to include anything from either of these 2. I suppose partially why is per I haven't listened to them all that much, even though I own both.
Also the fact they are traditional X-Mas songs as opposed to originals, but the arrangements are still in Kindo and Timbre's style.
But in just listening to them tonight, I really should listen and know them better as they are both really good. I guess I'll have to try and remember to play them every year now knowing them a little better.
1. Merry Little Chirstmas (0:00)
2. Dreaming of a White Christmas (2:27)
3. What Child is This (5:06)
4. Oh Holy Night (8:37)
5. Winter Wonderland (15:28)
6. The Christmas Song (Chestnuts Roasting on an Open Fire) (18:39)
1. Angelus 02:34
2. O Come, O Come, Emmanuel 04:11
3. Carol of the Bells 05:32
4. The Robin Red Breast 05:22
5. Let All Mortal Flesh Keep Silence 04:38
6. Silent Night 07:07
7. O Little Town of Bethlehem 06:37
8. Silent Night (3 Year Old Timbre) 00:30
9. Joy to the World 04:08
10. What Child Is This? 06:12
11. Silent Night (Friends & Family) 01:15
And I of course just posted that list the other day of favorite X-Mas songs, but I failed to include anything from either of these 2. I suppose partially why is per I haven't listened to them all that much, even though I own both.
Also the fact they are traditional X-Mas songs as opposed to originals, but the arrangements are still in Kindo and Timbre's style.
But in just listening to them tonight, I really should listen and know them better as they are both really good. I guess I'll have to try and remember to play them every year now knowing them a little better.
1. Merry Little Chirstmas (0:00)
2. Dreaming of a White Christmas (2:27)
3. What Child is This (5:06)
4. Oh Holy Night (8:37)
5. Winter Wonderland (15:28)
6. The Christmas Song (Chestnuts Roasting on an Open Fire) (18:39)
1. Angelus 02:34
2. O Come, O Come, Emmanuel 04:11
3. Carol of the Bells 05:32
4. The Robin Red Breast 05:22
5. Let All Mortal Flesh Keep Silence 04:38
6. Silent Night 07:07
7. O Little Town of Bethlehem 06:37
8. Silent Night (3 Year Old Timbre) 00:30
9. Joy to the World 04:08
10. What Child Is This? 06:12
11. Silent Night (Friends & Family) 01:15
Wednesday, December 20, 2017
Tom Brislin - Hurry Up and Smell the Roses (2012)
This is Tom Brislin's solo debut album, that I had no idea was even a thing. I knew he was in a band called Spiraling who once played at CalProg I think in the 2000's (2004? 2003? I forget when).
edit: it may have been in 2005 and 2007 per this link
Anyway, this album is to be honest, A LOT BETTER THAN I EXPECTED.
Tom I know from playing with both Yes and Renaissance as a hired gun live, and I guess he played with Meatloaf and some others.
And he's friends with of all people, Timmy Sean.
But the songwriting on this album is really well composed. Melodic, dreamy, emotional, but not cheesy or even overtly poppy. It's the right mix. Almost like Death Cab for Cutie with Tom Brislin singing, and I not only can tolerate his voice but actually LIKE IT way more than Ben Gibbard.
Why I found out about this now? that new project The Sea Within with Daniel Gildenlow the Flower Kings guys and Marco Minneman he's involved with, I read a comment talking about his solo music being pretty good. And whoever mentioned that, were definitely on the mark.
I now want to re-check out Spiraling I suppose.
1. Hurry Up and Smell the Roses 04:39
2. Your Favorite Day 04:08
3. When You Told Me Not to Go 03:52
4. Stuff You Would Understand 03:19
5. Industry in the Distance 07:28
6. Predawn 00:51
7. Liftoff 04:33
8. The Outskirts 03:28
9. I Hold a Candle 07:32
10. Visitor 03:24
11. Microphone 06:02
edit: it may have been in 2005 and 2007 per this link
Anyway, this album is to be honest, A LOT BETTER THAN I EXPECTED.
Tom I know from playing with both Yes and Renaissance as a hired gun live, and I guess he played with Meatloaf and some others.
And he's friends with of all people, Timmy Sean.
But the songwriting on this album is really well composed. Melodic, dreamy, emotional, but not cheesy or even overtly poppy. It's the right mix. Almost like Death Cab for Cutie with Tom Brislin singing, and I not only can tolerate his voice but actually LIKE IT way more than Ben Gibbard.
Why I found out about this now? that new project The Sea Within with Daniel Gildenlow the Flower Kings guys and Marco Minneman he's involved with, I read a comment talking about his solo music being pretty good. And whoever mentioned that, were definitely on the mark.
I now want to re-check out Spiraling I suppose.
1. Hurry Up and Smell the Roses 04:39
2. Your Favorite Day 04:08
3. When You Told Me Not to Go 03:52
4. Stuff You Would Understand 03:19
5. Industry in the Distance 07:28
6. Predawn 00:51
7. Liftoff 04:33
8. The Outskirts 03:28
9. I Hold a Candle 07:32
10. Visitor 03:24
11. Microphone 06:02
Greg Herriges and Sam Breckenridge - EVERYBODY WANTS TO RULE THE WORLD
Greg and StellaRoma played this tune and interpretation the other night in St.Paul and I mentioned to Greg it would be great if there was a recording of it. So this recording is from a couple of years ago with Sam Breckenridge at The Icehouse, but most importantly, the arrangement is similar, namely just hearing much of the melody on Bouzouki.
Greg Herriges / StellaRoma - Revel & Ritual
1 Birjina Gaztetto Bat Zegoen 3:38
2 Garuda/Khelat Rang Holi 4:52
3 Sakura, Sakura 3:09
4 Sevivon, Sov Sov Sov 2:55
5 Ashura 4:28
6 Foom, Foom, Foom 2:50
7 Bright Night 5:07
8 Gong XI NI 1:55
9 Shchedryk 8:11
Saw Greg with StellaRoma last Saturday at DreamLand Arts in St.Paul. Awesome show, World/Holiday music including New Years (Chinese), Channukah and X-Mas tunes.
Shchedryk is actually the original title of "Carol of the Bells" and their interpretation is as original as ever been recorded. (no royalties due also per the different title).
Sevivon, Sov Sov Sov is a Dreidel song less known than the "Dreidel" song.
Esperanza Spalding - Exposure (2017-2018)
This album that I preordered on Vinyl, I'm not sure has any kind of official release date. But I along with every other Vinyl/CD Preorder received their copy within the last week or so.
I just wish they would have sent an actual DOWNLOAD LINK or Card in the Vinyl with the code, etc. Luckily, I found one.
Also it included a CD of extra songs which is titled Undeveloped, which I take to being bonus/tracks not fully finished, developed, etc. But I have checked out some of that already and am liking some of them.
I'm not sure if this will be as schizo or proggy as her last record I love, Emily's D+Evolution. But I still am optimistic about how good this album is, per just watching it being made on the stream last September.
Oh, and I own 1 of 7777 copies on vinyl (# 2265)
And when it goes up for sale on CD I imagine and digitally, I'll try and remember to pass along links. But for now, this is a December release album.
SIDE A
1. Swimming Toward the Black Dot 4:52
2. Public Trance It 4:34
3, Heaven in Pennies
4. Colonial Fire 3:57
SIDE B
1. Coming to Life 4:10
2. Geriment 2:20
3. I am Telling You 4:37
4. The Ways You Got the Love 5:19
5. I Do 2:44
6. Double Jointed Canyon 4:14
https://esperanzaspalding.shop.musictoday.com/store/
Bonus CD Undeveloped
1. Helluva 3:14
2. Tangerine 3:53
3. World Jungle 3:57
4. Chelsea Mercy 4:29
5. Work of Art 2:08
6. Winning Machines 5:36
7. Trouble 3:45
8. 4th Grade 5:14
9. Whisper 2:02
10. Fittest 2:44
I just wish they would have sent an actual DOWNLOAD LINK or Card in the Vinyl with the code, etc. Luckily, I found one.
Also it included a CD of extra songs which is titled Undeveloped, which I take to being bonus/tracks not fully finished, developed, etc. But I have checked out some of that already and am liking some of them.
I'm not sure if this will be as schizo or proggy as her last record I love, Emily's D+Evolution. But I still am optimistic about how good this album is, per just watching it being made on the stream last September.
Oh, and I own 1 of 7777 copies on vinyl (# 2265)
And when it goes up for sale on CD I imagine and digitally, I'll try and remember to pass along links. But for now, this is a December release album.
SIDE A
1. Swimming Toward the Black Dot 4:52
2. Public Trance It 4:34
3, Heaven in Pennies
4. Colonial Fire 3:57
SIDE B
1. Coming to Life 4:10
2. Geriment 2:20
3. I am Telling You 4:37
4. The Ways You Got the Love 5:19
5. I Do 2:44
6. Double Jointed Canyon 4:14
https://esperanzaspalding.shop.musictoday.com/store/
Bonus CD Undeveloped
1. Helluva 3:14
2. Tangerine 3:53
3. World Jungle 3:57
4. Chelsea Mercy 4:29
5. Work of Art 2:08
6. Winning Machines 5:36
7. Trouble 3:45
8. 4th Grade 5:14
9. Whisper 2:02
10. Fittest 2:44
Christmas Songs (or w/ Titles/Lyrics) I dig
With it being near X-Mas
(a holiday I don't fully celebrate per I'm Jewish, but still do/have done in some capacity. My Family does have a Channukah Party every year though)
And of course seeing so many Christmas songs played, sang, talked about, etc. I guess it would be worth sharing some of my favorites. Prog-related, and some may not even be about X-Mas, but the title/lyrics etc at least use the word.
Mew - She Came Home for Christmas
Soundscape - A Christmas Carol (Parts 1 and 3)
Part 2 isn't on YouTube or online anywhere I know.
Shadow Gallery - Christmas Day..
maybe my favorite SG song actually.
Marillion - Carol of the Bells.
Of course Savatage/Trans Siberian Orchestra made this song famous in modern years, but this version I find is much cooler (although I don't hate the 'Tage version, it's just this one so good).
Greg Herriges / Stella Roma - Shchedryk
recently released a CD of Holiday music and this is on it. This is the original title "Shchedryk" to what became known as "Carol of the Bells."
Now between this and the Marillion version? it's almost a push. Both beat the Savatage version though.
Jonatha Brooke w/ Kevin Gilbert - O Come Emmanuel. This is largely per it includes Kevin Gilbert of course.
(a holiday I don't fully celebrate per I'm Jewish, but still do/have done in some capacity. My Family does have a Channukah Party every year though)
And of course seeing so many Christmas songs played, sang, talked about, etc. I guess it would be worth sharing some of my favorites. Prog-related, and some may not even be about X-Mas, but the title/lyrics etc at least use the word.
Mew - She Came Home for Christmas
Soundscape - A Christmas Carol (Parts 1 and 3)
Part 2 isn't on YouTube or online anywhere I know.
Shadow Gallery - Christmas Day..
maybe my favorite SG song actually.
Marillion - Carol of the Bells.
Of course Savatage/Trans Siberian Orchestra made this song famous in modern years, but this version I find is much cooler (although I don't hate the 'Tage version, it's just this one so good).
Greg Herriges / Stella Roma - Shchedryk
recently released a CD of Holiday music and this is on it. This is the original title "Shchedryk" to what became known as "Carol of the Bells."
Now between this and the Marillion version? it's almost a push. Both beat the Savatage version though.
Jonatha Brooke w/ Kevin Gilbert - O Come Emmanuel. This is largely per it includes Kevin Gilbert of course.
Monday, December 18, 2017
LOST IN VEGAS: YouTube Channel
Lost in Vegas on YouTube
I think I shared the Dream Theater - Metropolis Reaction video from these guys a few weeks ago in here (if I didn't I should still). I know I did on Social Media.
Anyway, these guys are 1 of my newest addictions. In short, it's 2 Black dudes checking out songs live in front of the camera, for the most part un-edited, etc often for the 1st time.
And maybe most significant is they are Reacting (and Reviewing in some cases) a lot of Metal including prog and extreme Metal.
Gojira, Opeth, Ne Obliviscaris, Avenged Sevenfold, Meshuggah, Judas Priest, Megadeth, Slayer, Iron Maiden and Black Sabbath are among the Metal songs they've made Reaction videos to.
I guess their backgrounds musically is Hip-Hop/Rap and some RandB, but they both seem really open-minded and are finding to enjoy a lot of the stuff I and many others enjoy.
Now if you look at their Video History and daily/weekly videos, they do react and review a lot of Hip-Hop and other styles, but I get the sense from the large number of requests, Metal has become a much bigger part of their channel than maybe they intended it to be when they launched it some 7 or 8 months ago.
And they have like 184 Thousand Subscribers, lol.
Myself, who doesn't upload nearly as often, is struggling to get to 100 Subscribers after nearly 3 years, LOL.
But, I really enjoy their channel even with what seems like an overnight snowball success story. They're just funny and entertaining as hell, especially for the songs or artists I know about.
Really, this might be the best YouTube Channel discovery for me since MinistryofMusic (at least since he left). I am curious to see every day what song they may React and Review.
Also their polls on Twitter are cool. They did 1 recently to React to 1 song from 1 of 4 artists (Rush was in there), and it turned out to be Led Zeppelin who won. And they said they want to React to a non-radio/popular track, so not Stairway to Heaven. I mentioned Achilles Last Stand. I guess we'll see what it is. I'm awfully curious regardless per my love/fandom for Zeppelin anyway.
Also there's another channel I discovered the other day, that I may have to share in here if it ends up being like Lost in Vegas, which I suspect it may in some ways.
I think I shared the Dream Theater - Metropolis Reaction video from these guys a few weeks ago in here (if I didn't I should still). I know I did on Social Media.
Anyway, these guys are 1 of my newest addictions. In short, it's 2 Black dudes checking out songs live in front of the camera, for the most part un-edited, etc often for the 1st time.
And maybe most significant is they are Reacting (and Reviewing in some cases) a lot of Metal including prog and extreme Metal.
Gojira, Opeth, Ne Obliviscaris, Avenged Sevenfold, Meshuggah, Judas Priest, Megadeth, Slayer, Iron Maiden and Black Sabbath are among the Metal songs they've made Reaction videos to.
I guess their backgrounds musically is Hip-Hop/Rap and some RandB, but they both seem really open-minded and are finding to enjoy a lot of the stuff I and many others enjoy.
Now if you look at their Video History and daily/weekly videos, they do react and review a lot of Hip-Hop and other styles, but I get the sense from the large number of requests, Metal has become a much bigger part of their channel than maybe they intended it to be when they launched it some 7 or 8 months ago.
And they have like 184 Thousand Subscribers, lol.
Myself, who doesn't upload nearly as often, is struggling to get to 100 Subscribers after nearly 3 years, LOL.
But, I really enjoy their channel even with what seems like an overnight snowball success story. They're just funny and entertaining as hell, especially for the songs or artists I know about.
Really, this might be the best YouTube Channel discovery for me since MinistryofMusic (at least since he left). I am curious to see every day what song they may React and Review.
Also their polls on Twitter are cool. They did 1 recently to React to 1 song from 1 of 4 artists (Rush was in there), and it turned out to be Led Zeppelin who won. And they said they want to React to a non-radio/popular track, so not Stairway to Heaven. I mentioned Achilles Last Stand. I guess we'll see what it is. I'm awfully curious regardless per my love/fandom for Zeppelin anyway.
Also there's another channel I discovered the other day, that I may have to share in here if it ends up being like Lost in Vegas, which I suspect it may in some ways.
Monday, December 11, 2017
Orphaned Land - Unsung Prophets and Dead Messiahs (2017-2018)
Release date is January 26, 2018.
Liked All is One quite a bit, Their last album though from 2016 Knaan, I remember struggling with. Although I recall it was some kind of collaboration with the band Amaseffer, so I'm not sure to treat as a proper full-length anyway.
preorder
1. The Cave
2. We Do Not Resist
3. In Propaganda
4. All Knowing Eye
5. Yedidi
6. Chains Fall To Gravity
7. Like Orpheus
8. Poets Of Prophetic Messianism
9. Left Behind
10. My Brother’s Keeper
11. Take My Hand
12. Only The Dead Have Seen The End Of War
13. The Manifest – Epilogue
Liked All is One quite a bit, Their last album though from 2016 Knaan, I remember struggling with. Although I recall it was some kind of collaboration with the band Amaseffer, so I'm not sure to treat as a proper full-length anyway.
preorder
1. The Cave
2. We Do Not Resist
3. In Propaganda
4. All Knowing Eye
5. Yedidi
6. Chains Fall To Gravity
7. Like Orpheus
8. Poets Of Prophetic Messianism
9. Left Behind
10. My Brother’s Keeper
11. Take My Hand
12. Only The Dead Have Seen The End Of War
13. The Manifest – Epilogue
CYNIC News
Sean Reinert just posted this recently on Facebook.
So, Paul Masvidal will be continuing on under the Cynic name, while Sean goes on to do other music. I guess this overall is good, although what impact this has on the Cynic music, who knows yet of course.
FB Post
Today I post with a heavy heart, but also a lightened spirit. A settlement has been reached between Paul and I in regards to CYNIC. I am unable to disclose any of the details regarding this agreement but I am at peace with the arrangement. I am going to step aside from CYNIC and continue with my personal projects - Paul is going to continue with CYNIC and his.
I want to take this last Facebook post as an opportunity to humbly thank all of the musicians, engineers, technicians, companies, booking agents, managers, crew, press, labels and friends that I've worked with (and will likely continue to) over this past 30-year span.
Most of all - I would like to thank the fans, who to this day still blow me away with their loyalty and love. You've always been the inspiration and the fuel for the machine!
To Paul, I sincerely wish him and the musicians he hires nothing but the best.
If you are interested in what's going on in my world check out some of the links below:
Love,
Sean
So, Paul Masvidal will be continuing on under the Cynic name, while Sean goes on to do other music. I guess this overall is good, although what impact this has on the Cynic music, who knows yet of course.
FB Post
Today I post with a heavy heart, but also a lightened spirit. A settlement has been reached between Paul and I in regards to CYNIC. I am unable to disclose any of the details regarding this agreement but I am at peace with the arrangement. I am going to step aside from CYNIC and continue with my personal projects - Paul is going to continue with CYNIC and his.
I want to take this last Facebook post as an opportunity to humbly thank all of the musicians, engineers, technicians, companies, booking agents, managers, crew, press, labels and friends that I've worked with (and will likely continue to) over this past 30-year span.
Most of all - I would like to thank the fans, who to this day still blow me away with their loyalty and love. You've always been the inspiration and the fuel for the machine!
To Paul, I sincerely wish him and the musicians he hires nothing but the best.
If you are interested in what's going on in my world check out some of the links below:
Love,
Sean
Sunday, December 10, 2017
AMR Podcast #6: Favorite Modern Musicians (Part 1)
This is part 1 of 2. I likely would have made it all in 1, or made the 2nd part already, but I was up against the clock to a point yesterday.
As far it, like many of these, it is a lot of Rehash of the written entry, but with some elaboration.
note: I mean to, but haven't yet decided to put some kind of music in-the-background at least. Part of the issue is sound (not having it hurt the ability to hear my voice), and part of it is WHAT music, lol.
When I'm in the car, I could just load 1 of the thousands of albums I have in my computer or even cds I listen to. I dunno. I will have to think about it. But perhaps it doesn't matter. Like on this one, just put an album from Kevin Gilbert or whatever, without being distracted, lol.
AMR Podcast #5: 2017-2018 Anticipation (1st Quarter?)
40 minutes, not surprisingly. Had to use a different site per the length (or size?) was too long/big. Which is weird per 1 of the previous podcasts was over 30 minutes, so I can't be sure whether this site tunetotube has a time or size restriction.
It's really mostly rehash of the Anticipation/Calendar entry that I continue to bump, only some elaboration on most of the names.
I recall in the past, I have made preview videos that were 2 or 3 parts, so go figure. But I figured, this is a only audio and a "podcast" of sorts, so 40 minutes isn't all that excessive.
I can't guarantee, but truly do mean to make more of these this year as many of the announcements come in throughout the year of what comes out.
And of course if I want to look at it by quarter, the 1st quarter ends January 31st, so I guess I'll see what has been added/updated from now til then to decide on making another 1 of these that soon.
Also 1/4-year like a Midyear list like I have done at the end of April the last few years.
Saturday, December 9, 2017
The Year 1975 Albums Calendar + Top 20
1975, the year before I was born, and I guess I have thought-of for a long time as the peak or maybe just past the peak of progressive rock and art-rock of the 1st era or original era per say.
And with that, there was a lot of depth from this year, in particular with Classic Rock "classics" and Jazz-Rock especially.
A Night at the Opera for nearly 20 years has been an all-favorite of mine. Stone-Cold landmark record, and my favorite Queen album really since I 1st started checking out their catalog almost 20 years ago. It includes the radio staples of course which I do find still hold up, plus "The Prophet's Song" which I consider Queen's greatest work ever.
But you take that amazing record and then also my #1 records from 2 of my favorite bands ever in Renaissance and Led Zeppelin, and you have a year that is really top heavy. Even just the top 10, man, all ESSENTIALS for me including Born to Run, like A Night at the Opera, includes Bruce's greatest track with "Jungleland."
This year also seemed to include many standout Solo albums, many of which were debut solo records for whatever reason. Maybe by the Mid 70's the *bands* had members who felt it was time to do something outside of their main gigs.
Along with those, there are many debut albums in some cases were some of the artists best work, and others, just a start of bigger and better things to come.
The blurbs below are included because in reviewing the years I still had to post, 1975 I started maybe 2 years ago, not long after I began this whole Albums Calendars project. And I didn't find it necessary to not include the blurbs I had already written up. But why some albums have them and others do not? I never finished some of the others and as my style of doing these, I'm not writing blurbs for every album per how much time it would take.
But the good news is, with 1975 finally up, all the 70's years are finished (until if/when an edit/redux may be warranted).
1. Queen - A Night at the Opera
2. Renaissance - Scheherazade and Other Stories
3. Led Zeppelin - Physical Graffiti
4. Rush - Caress of Steel
5. Pink Floyd - Wish You Were Here
6. Jethro Tull - Minstrel in the Gallery
7. Chris Squire - Fish out of Water
8. Return to Forever featuring Chick Corea - No Mystery
9. Kansas - Song for America
10. Bruce Springsteen - Born to Run
11. Steve Hackett - Voyage of the Acolyte
12. Rush - Fly By Night
13. Styx - Equinox
14. Electromagnets - Electromagnets
15. Kansas - Masque
16. Steve Howe - Beginnings
17. Jack Lancaster / Robin Lumley - Peter and the Wolf
18. David Bowie - Young Americans
19. The Eagles - One of These Nights
20. Hall and Oates - Daryl Hall and John Oates
Bob Dylan - Blood on the Tracks
rel January 20, 1975
Stackridge - Extravaganza
rel January 1975
Rush - Fly By Night
rel February 15, 1975
Rush's 2nd album, a record I probably enjoy slightly more than their debut. Of course it is also the 1st album with drummer Neil Peart. It also has one of their most recognizable covers.
Musically, Rush started to experiment with extended song structures and Scifi lyrics.
I guess with this album Rush began a run of consistency that is maybe unmatched, as it's a record I enjoy pretty much every track.
"Anthem" a song I always have loved the energy and Geddy's screaming. When I was in High School, I put it on a mix tape for warmups for my team's basketball games.
"Best I Can" and "Beneath, Between, Behind" also are great energetic blues rock tracks.
"By-Tor and the Snow Dog" has been a fan-favorite since this album came out, and it is really Rush's 1st experience with progressive rock. The story, the suite, the dynamics. I suppose maybe the thing that I often think of this piece most for is Alex Lifeson's guitar *growl* or whatever he used, with the reverb to create the deep, resonant texture.
Led Zeppelin - Physical Graffiti
rel February 24, 1975
While I regard Zeppelin's catalog consistent and pretty much every record they released to be close in quality (sans for Coda, which is more or less a B-sides album anyway), I do consider this my favorite of theirs, I suppose if I had to choose one.
I even bought a Tablature book for it, which included more or less every single part.
But why it's my favorite? I guess a lot of it is the fact it is a double album and one that I find myself enjoying more or less every track in some way. Some more than others I guess. My favorites being "In the Light" and the organ and/or mellotron work especially. Such an epic track. "The Rover" I at 1 time considered my favorite Zeppelin tune, although I suppose I wore it out a little, it has such a ballsy riff.
"In My Time of Dying" "The Wanton Song" and "Sick Again" all have incredible heavy blues riffs I fall for every time I hear them.
The bridge on "Down by the Seaside" is gorgeous (and more or less makes that song great).
"Ten Years Gone" may have Jimmy Page's greatest and saddest solo ever. Goosebumps and even tears it brings me to.
"Kashmir" as much as it did get played a ton on Classic Rock radio, and I would probably place Kevin Gilbert's version above it, is still an iconic track that really was one of the songs that made me a fan of Zeppelin and rock music in general. I even quoted it on my Senior page in HS.
"Custard Pie" is another rocker, which along with "The Rover," really jump starts this album out.
"Trampled Under Foot" was a song at 1st I barely liked, but grew to appreciate. Even if it got on the radio, over some others. It has that organ riff that is unforgettable.
The title track I can say the same about with radio. I do enjoy it, even though I have heard it a lot more times than other tracks on this album.
By that same token, "Night Flight" is a song that radio played, that I have never grown sick of.
I once saw a picture of a lady with a baby
Southern lady, had a very, very special smile
We are in the middle of a change in destination
When the train stops, all together we will smile
"Bron Y-Aur" "Boogie With Stu" and "Black Country Woman" I grew to like enough and fall under this album's *sound* as much as anything, and don't overstay their welcome.
Is it the best album from '75, I can say there was at least 1 record later in the year that I prefer, but certainly in the mix and a top 5-10 definitely.
Ambrosia - Ambrosia
rel February 1975
Camel - The Snow Goose
rel February 1975
Kansas - Song for America
rel February 1975
The title track is one of, if not my favorite Kansas song, although it being 10 minutes surprised me, but I suppose I've heard the 3-minute radio edit more than I'd prefer. But this was their 2nd record and showed some evolution from their debut album from the year before.
"Lamplight Symphony" and "Incomudro - Hymn to the Atman" are among the other highlights
Peter Hamill - Nadir's Big Chance
rel February 1975
Mahavishnu Orchestra - Visions of the Emerald Beyond
rel February 1975
David Bowie - Young Americans
rel March 7, 1975
Soft Machine - Bundles
rel March 22, 1975
Rick Wakeman - The Myths and Legends of King Arthur and the Knights of the Round Table
rel March 27, 1975
Jeff Beck - Blow by Blow
rel March 29, 1975
Steely Dan - Katy Lied
rel March 1975
Another record that I remember best for showing up in the Rolling Stone 67-87 issue. "Black Friday" is the 1 big hit off it. "Bad Sneakers" was the other single from this record, which the guitar work almost sounds like an electric sitar.
10cc - Original Soundtrack
rel March 1975
Journey - Journey
rel April 1, 1975
Pavlov's Dog - Pampered Menial
rel April 4, 1975
Steve Hillage - Fish Rising
rel April 11, 1975
Abba - Abba
rel April 21, 1975
King Crimson - USA
rel May 3, 1975
Hawkwind - Warrior on the Edge of Time
rel May 9, 1975
Elton John - Captain Fantastic and the Brown Dirt Cowboy
rel May 19, 1975
The Eagles - One of These Nights
rel June 10, 1975
Neil Young - Tonight's the Night
rel June 20, 1975
Frank Zappa - One Size Fits All
rel June 25, 1975
Fairport Convention - Rising for the Moon
rel June 1975
Fleetwood Mac - Fleetwood Mac
rel July 11, 1975
Caravan - Cunning Stuns
rel July 25, 1975
Black Sabbath - Sabotage
rel July 28, 1975
Glen Campbell - Rhinestone Cowboy
rel July 1975
Renaissance - Scheherazade and Other Stories
rel July 1975
Like Zeppelin, at least the 70's Renaissance albums were consistently good and I often have a hard time ranking them. But over time, this became my favorite of theirs.
It consists of 4 pieces, including the 24+minute epic/multi-part suite in ""Song of Scheherazade," which I'll admit to not hearing before hearing this record. And it immediately grabbed me and came to become a Renaissance and progressive rock favorite. It's really a journey piece, that features their string arrangements, lead bass lines, Annie's emotive falsetto vocals, and even some middle eastern elements from memory.
But that isn't even my favorite part of this record. My 1st and still probably my favorite Renaissance track is the nearly 11-minute opening cut "Trip to the Fair."
A trip the faiiiiiiiiiir, but nobody was theiiiiiiiiiii-re!
I close my eyes to disguise the fear from inside
Trembling within my own mind I find no place to hide
Stars of tomorrow shine through the grey mist that has gone
I wish that this trip to the fair had never beguhhhhhhhhhhhhhhhhhhhhhhhn
Suddenly thousands of faces I see
Everyone seemed to be staring at me
Clowns laughed in the penny arcade
What was this game my mind played?
I often think of an episode of The Twilight Zone or something with this, or even going to a fair, the MN State Fair or otherwise, and having this experience of it being a nice day to go to a/;the fair, and then getting there and it being empty. Or at least everyone was hiding and playing a practical joke on me or something (or just trying to surprise me), as they all could see me, but I couldn't see them.
But this song made me love Annie Haslam's voice. It is so emotive and gorgeous at times. Powerful, gentle, clean and pretty, and yet very almost crazy at times with some of the laughing and effects.
Also the piano work is brilliant on it. Both the playing and arrangement in the song. Along with some of the bells or xylophone, etc. The crescendos work superbly. I honestly get goosebumps every time I hear it, and from memory, I think when I saw Renaissance, they played it.
"Ocean Gypsy" is another favorite. Very mystical and dreamy. I think of Annie or some gypsy woman, or psychic woman who wears gypsy robes and Shalls, and is very exotic and pretty. The lyrics
Silken threads like wings still shine
Winds take pleasure still make patterns
In her lovely hair
So dark and fine
Stands on high beneath the seas
Cries no more
Her tears have dried
Oceans weep for her the ocean sighs
The lyrics are kind of sad, as they tell of a gypsy woman who dies in some event at sea. Annie's voice does capture that well. Also the piano is quite sad, namely towards the end.
"The Vultures Fly High" is poppy and another track I've always enjoyed on this album, even if it's the weakest song. But like "Northern Lights" and some others, it is a song I've always liked and appreciated.
Scheherazade, like Physical Graffiti, is a favorite and maybe Renaissance most epic/grand-scale album in their catalog, and certainly among my top records for '75.
Gentle Giant - Free Hand
rel July 1975
Hall and Oates - Daryl Hall and John Oates
rel August 18, 1975
Bruce Springsteen - Born to Run
rel August 25,1975
As much as I enjoy a lot of his 1st 2 records, and the follow-up, I can't deny, this is my favorite Springsteen record. First and foremost for my favorite Springsteen song in the closing progressive rock 9+minute"Jungleland"
Donna Summer - Love to Love You Baby
rel August 27, 1975
Miles Davis - Agharta
rel August 1975
Kool and the Gang - Spirit of the Boogie
rel August 1975
Jethro Tull - Minstrel in the Gallery
rel September 5, 1975
I don't liken this to quite the level of Thick as a Brick and A Passion Play, but it's only 1 level below. "Baker St. Muse" "Cold Wind to Valhalla" and the title track are among the best pieces Tull ever recorded.
Pink Floyd - Wish You Were Here
rel September 12, 1975
A fan-favorite, and while I put others like Animals, Obscured By Clouds and Atom Heart Mother above it, I still find it has more to it than the over-mentioned The Wall and even Dark Side.
And while I do love much of the "Shine On" suite, I have always felt "Welcome to the Machine" to be this album's biggest highlight. It's so trippie and mesmerizing.
Supertramp - Crisis? What Crisis?
rel September 14, 1975
Foghat - Fool for the City
rel September 15, 1975
Rush - Caress of Steel
rel September 24, 1975
An underrated Rush album certainly. I love the epics on this record at times as much as any of their other epics. "The Necromancer" has always stuck with me as brilliant, and "Fountain of Lamneth" despite the band and some fans and critics issues with, I find still really works, in some ways like "Supper's Ready" or other extended suites. "Bacchus Plateau" oddly has a part that I always think with a Springsteen's "Jungleland" from Born to Run. Why I have always wondered if Alex Lifeson had been listening to that when they wrote it, but as the dates show, the timing would have been unlikely (Perhaps Steve Van Zandt and Lifeson had been listening something else that was the same piece when both were written? lol).
The Brecker Brothers - The Brecker Bros.
rel September 1975
Electric Light Orchestra - Face the Music
rel September 1975
Kansas - Masque
rel September 1975
The Who - The Who By Numbers
rel October 3, 1975
Roxy Music - Siren
rel October 24, 1975
Steve Howe - Beginnings
rel October 31, 1975
Steve Howe's debut solo record and what I still consider his best. Some great classical-guitar work,
Steve Hackett - Voyage of the Acolyte
rel October 1975
Hackett's debut album that came out while he was still a member of Genesis. Phil Collins and Mike Rutherford are even is included on much of it. Very much fits the "Lost Genesis Album" as it sounds like something the band would have made around this time fittingly. "Ace of Wands" and "Star of Sirius" are among my favorites.
Nektar - Recycled
rel October 1975
One of Nektar's best for sure.
Sparks - Indiscreet
rel October 1975
Van der Graaf Generator - Godbluff
rel October 1975
Tony Williams Lifetime - Believe It
rel October 1975
Chris de Burgh - Spanish Train and Other Stories
rel November 1, 1975
Chris Squire - Fish Out of Water
rel November 7, 1975
Chris Squire's only solo record, which much like Voyage of the Acolyte, sounds much like an album Yes would have made around that time. "Hold Out Your Hand" and "Silently Falling" are maybe the 2 pieces I think of most for it.
Earth Wind and Fire - Gratitude
rel November 11, 1975
Queen - A Night at the Opera
rel November 12, 1975
One of my all-time favorites. 5-stars without question. Love the radio staples "You're My Best Friend" "Bohemian Rhapsody" and when they do air occasionally "I'm in Love with My Car" and "Death on Two Legs."..Even "'39" as much as it sounds like The Moody Blues, totally works. Brian May even on lead vocals.
And of course "The Prophet's Song" is so bloody good. The vocal layers are an amazing studio technique which has been attempted but I'm not sure ever fully matched (Savatage's "Chance" is 1 that comes to mind though). The flow and momentum on it just gets me to sing-along every time.
ah ah people of the earth...
And I now I know, And I now I know, And I now I know
now I know. now I know. now I know.
Eric Carmen - Eric Carmen
rel November 1975
Joni Mitchell - The Hissing of Summer Lawns
rel November 1975
Robert Palmer - Pressure Drop
rel November 1975
Lenny White - Venusian Summer
rel November 1975
Styx - Equinox
rel December 1, 1975
This is a favorite if for nothing else, an all-time Styx favorite of mine "Suite Madame Blue."
AC/DC - T.N.T.
rel December 1, 1975
Bob Marley and the Wailers - Live!
rel December 5, 1975
Kaipa - Kaipa
rel December 1975
Area - Crac!
rel 1975
John Abercrombie - Timeless
rel 1975
Carmen - Dancing on a Cold Wind
rel 1975
Philip Catherine - Guitars
rel 1975
Crack the Sky - Crack the Sky
rel 1975
The Dixie Dregs - The Great Spectacular
rel 1975
Electromagnets - Electromagnets
rel 1975
Eric Johnson's 1st? band. Doing jazz-rock, and rather well.
Goblin - Profondo rosso
rel 1975
Jan Hammer - The First Seven Days
rel 1975
Kraan - Let It Out
rel 1975
Jack Lancaster / Robin Lumley - Peter and the Wolf
rel 1975
Marscape they did even better, but still a worthy 1st effort in adapting and composing a concept record in their (and later Brand X's) style.
Mother Superior - Lady Madonna
rel 1975
Alphonse Mouzon - Mind Transplant
rel 1975
Premiata Forneria Marconi - Chocolate Kings
rel 1975
Return to Forever - No Mystery
rel 1975
Underrated among the RTF and Fusion fans. I sometimes feel I like this album more than Romantic Warrior. "Celebration Suite" is so bloody good, even if I hear moments of Yes/Kansas in it.
David Sancious - Forest of Feelings
rel 1975
Triumvirat - Spartacus
rel 1975
And with that, there was a lot of depth from this year, in particular with Classic Rock "classics" and Jazz-Rock especially.
A Night at the Opera for nearly 20 years has been an all-favorite of mine. Stone-Cold landmark record, and my favorite Queen album really since I 1st started checking out their catalog almost 20 years ago. It includes the radio staples of course which I do find still hold up, plus "The Prophet's Song" which I consider Queen's greatest work ever.
But you take that amazing record and then also my #1 records from 2 of my favorite bands ever in Renaissance and Led Zeppelin, and you have a year that is really top heavy. Even just the top 10, man, all ESSENTIALS for me including Born to Run, like A Night at the Opera, includes Bruce's greatest track with "Jungleland."
This year also seemed to include many standout Solo albums, many of which were debut solo records for whatever reason. Maybe by the Mid 70's the *bands* had members who felt it was time to do something outside of their main gigs.
Along with those, there are many debut albums in some cases were some of the artists best work, and others, just a start of bigger and better things to come.
The blurbs below are included because in reviewing the years I still had to post, 1975 I started maybe 2 years ago, not long after I began this whole Albums Calendars project. And I didn't find it necessary to not include the blurbs I had already written up. But why some albums have them and others do not? I never finished some of the others and as my style of doing these, I'm not writing blurbs for every album per how much time it would take.
But the good news is, with 1975 finally up, all the 70's years are finished (until if/when an edit/redux may be warranted).
1. Queen - A Night at the Opera
2. Renaissance - Scheherazade and Other Stories
3. Led Zeppelin - Physical Graffiti
4. Rush - Caress of Steel
5. Pink Floyd - Wish You Were Here
6. Jethro Tull - Minstrel in the Gallery
7. Chris Squire - Fish out of Water
8. Return to Forever featuring Chick Corea - No Mystery
9. Kansas - Song for America
10. Bruce Springsteen - Born to Run
11. Steve Hackett - Voyage of the Acolyte
12. Rush - Fly By Night
13. Styx - Equinox
14. Electromagnets - Electromagnets
15. Kansas - Masque
16. Steve Howe - Beginnings
17. Jack Lancaster / Robin Lumley - Peter and the Wolf
18. David Bowie - Young Americans
19. The Eagles - One of These Nights
20. Hall and Oates - Daryl Hall and John Oates
Bob Dylan - Blood on the Tracks
rel January 20, 1975
Stackridge - Extravaganza
rel January 1975
Rush - Fly By Night
rel February 15, 1975
Rush's 2nd album, a record I probably enjoy slightly more than their debut. Of course it is also the 1st album with drummer Neil Peart. It also has one of their most recognizable covers.
Musically, Rush started to experiment with extended song structures and Scifi lyrics.
I guess with this album Rush began a run of consistency that is maybe unmatched, as it's a record I enjoy pretty much every track.
"Anthem" a song I always have loved the energy and Geddy's screaming. When I was in High School, I put it on a mix tape for warmups for my team's basketball games.
"Best I Can" and "Beneath, Between, Behind" also are great energetic blues rock tracks.
"By-Tor and the Snow Dog" has been a fan-favorite since this album came out, and it is really Rush's 1st experience with progressive rock. The story, the suite, the dynamics. I suppose maybe the thing that I often think of this piece most for is Alex Lifeson's guitar *growl* or whatever he used, with the reverb to create the deep, resonant texture.
Led Zeppelin - Physical Graffiti
rel February 24, 1975
While I regard Zeppelin's catalog consistent and pretty much every record they released to be close in quality (sans for Coda, which is more or less a B-sides album anyway), I do consider this my favorite of theirs, I suppose if I had to choose one.
I even bought a Tablature book for it, which included more or less every single part.
But why it's my favorite? I guess a lot of it is the fact it is a double album and one that I find myself enjoying more or less every track in some way. Some more than others I guess. My favorites being "In the Light" and the organ and/or mellotron work especially. Such an epic track. "The Rover" I at 1 time considered my favorite Zeppelin tune, although I suppose I wore it out a little, it has such a ballsy riff.
"In My Time of Dying" "The Wanton Song" and "Sick Again" all have incredible heavy blues riffs I fall for every time I hear them.
The bridge on "Down by the Seaside" is gorgeous (and more or less makes that song great).
"Ten Years Gone" may have Jimmy Page's greatest and saddest solo ever. Goosebumps and even tears it brings me to.
"Kashmir" as much as it did get played a ton on Classic Rock radio, and I would probably place Kevin Gilbert's version above it, is still an iconic track that really was one of the songs that made me a fan of Zeppelin and rock music in general. I even quoted it on my Senior page in HS.
"Custard Pie" is another rocker, which along with "The Rover," really jump starts this album out.
"Trampled Under Foot" was a song at 1st I barely liked, but grew to appreciate. Even if it got on the radio, over some others. It has that organ riff that is unforgettable.
The title track I can say the same about with radio. I do enjoy it, even though I have heard it a lot more times than other tracks on this album.
By that same token, "Night Flight" is a song that radio played, that I have never grown sick of.
I once saw a picture of a lady with a baby
Southern lady, had a very, very special smile
We are in the middle of a change in destination
When the train stops, all together we will smile
"Bron Y-Aur" "Boogie With Stu" and "Black Country Woman" I grew to like enough and fall under this album's *sound* as much as anything, and don't overstay their welcome.
Is it the best album from '75, I can say there was at least 1 record later in the year that I prefer, but certainly in the mix and a top 5-10 definitely.
Ambrosia - Ambrosia
rel February 1975
Camel - The Snow Goose
rel February 1975
Kansas - Song for America
rel February 1975
The title track is one of, if not my favorite Kansas song, although it being 10 minutes surprised me, but I suppose I've heard the 3-minute radio edit more than I'd prefer. But this was their 2nd record and showed some evolution from their debut album from the year before.
"Lamplight Symphony" and "Incomudro - Hymn to the Atman" are among the other highlights
Peter Hamill - Nadir's Big Chance
rel February 1975
Mahavishnu Orchestra - Visions of the Emerald Beyond
rel February 1975
David Bowie - Young Americans
rel March 7, 1975
Soft Machine - Bundles
rel March 22, 1975
Rick Wakeman - The Myths and Legends of King Arthur and the Knights of the Round Table
rel March 27, 1975
Jeff Beck - Blow by Blow
rel March 29, 1975
Steely Dan - Katy Lied
rel March 1975
Another record that I remember best for showing up in the Rolling Stone 67-87 issue. "Black Friday" is the 1 big hit off it. "Bad Sneakers" was the other single from this record, which the guitar work almost sounds like an electric sitar.
10cc - Original Soundtrack
rel March 1975
Journey - Journey
rel April 1, 1975
Pavlov's Dog - Pampered Menial
rel April 4, 1975
Steve Hillage - Fish Rising
rel April 11, 1975
Abba - Abba
rel April 21, 1975
King Crimson - USA
rel May 3, 1975
Hawkwind - Warrior on the Edge of Time
rel May 9, 1975
Elton John - Captain Fantastic and the Brown Dirt Cowboy
rel May 19, 1975
The Eagles - One of These Nights
rel June 10, 1975
Neil Young - Tonight's the Night
rel June 20, 1975
Frank Zappa - One Size Fits All
rel June 25, 1975
Fairport Convention - Rising for the Moon
rel June 1975
Fleetwood Mac - Fleetwood Mac
rel July 11, 1975
Caravan - Cunning Stuns
rel July 25, 1975
Black Sabbath - Sabotage
rel July 28, 1975
Glen Campbell - Rhinestone Cowboy
rel July 1975
Renaissance - Scheherazade and Other Stories
rel July 1975
Like Zeppelin, at least the 70's Renaissance albums were consistently good and I often have a hard time ranking them. But over time, this became my favorite of theirs.
It consists of 4 pieces, including the 24+minute epic/multi-part suite in ""Song of Scheherazade," which I'll admit to not hearing before hearing this record. And it immediately grabbed me and came to become a Renaissance and progressive rock favorite. It's really a journey piece, that features their string arrangements, lead bass lines, Annie's emotive falsetto vocals, and even some middle eastern elements from memory.
But that isn't even my favorite part of this record. My 1st and still probably my favorite Renaissance track is the nearly 11-minute opening cut "Trip to the Fair."
A trip the faiiiiiiiiiir, but nobody was theiiiiiiiiiii-re!
I close my eyes to disguise the fear from inside
Trembling within my own mind I find no place to hide
Stars of tomorrow shine through the grey mist that has gone
I wish that this trip to the fair had never beguhhhhhhhhhhhhhhhhhhhhhhhn
Suddenly thousands of faces I see
Everyone seemed to be staring at me
Clowns laughed in the penny arcade
What was this game my mind played?
I often think of an episode of The Twilight Zone or something with this, or even going to a fair, the MN State Fair or otherwise, and having this experience of it being a nice day to go to a/;the fair, and then getting there and it being empty. Or at least everyone was hiding and playing a practical joke on me or something (or just trying to surprise me), as they all could see me, but I couldn't see them.
But this song made me love Annie Haslam's voice. It is so emotive and gorgeous at times. Powerful, gentle, clean and pretty, and yet very almost crazy at times with some of the laughing and effects.
Also the piano work is brilliant on it. Both the playing and arrangement in the song. Along with some of the bells or xylophone, etc. The crescendos work superbly. I honestly get goosebumps every time I hear it, and from memory, I think when I saw Renaissance, they played it.
"Ocean Gypsy" is another favorite. Very mystical and dreamy. I think of Annie or some gypsy woman, or psychic woman who wears gypsy robes and Shalls, and is very exotic and pretty. The lyrics
Silken threads like wings still shine
Winds take pleasure still make patterns
In her lovely hair
So dark and fine
Stands on high beneath the seas
Cries no more
Her tears have dried
Oceans weep for her the ocean sighs
The lyrics are kind of sad, as they tell of a gypsy woman who dies in some event at sea. Annie's voice does capture that well. Also the piano is quite sad, namely towards the end.
"The Vultures Fly High" is poppy and another track I've always enjoyed on this album, even if it's the weakest song. But like "Northern Lights" and some others, it is a song I've always liked and appreciated.
Scheherazade, like Physical Graffiti, is a favorite and maybe Renaissance most epic/grand-scale album in their catalog, and certainly among my top records for '75.
Gentle Giant - Free Hand
rel July 1975
Hall and Oates - Daryl Hall and John Oates
rel August 18, 1975
Bruce Springsteen - Born to Run
rel August 25,1975
As much as I enjoy a lot of his 1st 2 records, and the follow-up, I can't deny, this is my favorite Springsteen record. First and foremost for my favorite Springsteen song in the closing progressive rock 9+minute"Jungleland"
Donna Summer - Love to Love You Baby
rel August 27, 1975
Miles Davis - Agharta
rel August 1975
Kool and the Gang - Spirit of the Boogie
rel August 1975
Jethro Tull - Minstrel in the Gallery
rel September 5, 1975
I don't liken this to quite the level of Thick as a Brick and A Passion Play, but it's only 1 level below. "Baker St. Muse" "Cold Wind to Valhalla" and the title track are among the best pieces Tull ever recorded.
Pink Floyd - Wish You Were Here
rel September 12, 1975
A fan-favorite, and while I put others like Animals, Obscured By Clouds and Atom Heart Mother above it, I still find it has more to it than the over-mentioned The Wall and even Dark Side.
And while I do love much of the "Shine On" suite, I have always felt "Welcome to the Machine" to be this album's biggest highlight. It's so trippie and mesmerizing.
Supertramp - Crisis? What Crisis?
rel September 14, 1975
Foghat - Fool for the City
rel September 15, 1975
Rush - Caress of Steel
rel September 24, 1975
An underrated Rush album certainly. I love the epics on this record at times as much as any of their other epics. "The Necromancer" has always stuck with me as brilliant, and "Fountain of Lamneth" despite the band and some fans and critics issues with, I find still really works, in some ways like "Supper's Ready" or other extended suites. "Bacchus Plateau" oddly has a part that I always think with a Springsteen's "Jungleland" from Born to Run. Why I have always wondered if Alex Lifeson had been listening to that when they wrote it, but as the dates show, the timing would have been unlikely (Perhaps Steve Van Zandt and Lifeson had been listening something else that was the same piece when both were written? lol).
The Brecker Brothers - The Brecker Bros.
rel September 1975
Electric Light Orchestra - Face the Music
rel September 1975
Kansas - Masque
rel September 1975
The Who - The Who By Numbers
rel October 3, 1975
Roxy Music - Siren
rel October 24, 1975
Steve Howe - Beginnings
rel October 31, 1975
Steve Howe's debut solo record and what I still consider his best. Some great classical-guitar work,
Steve Hackett - Voyage of the Acolyte
rel October 1975
Hackett's debut album that came out while he was still a member of Genesis. Phil Collins and Mike Rutherford are even is included on much of it. Very much fits the "Lost Genesis Album" as it sounds like something the band would have made around this time fittingly. "Ace of Wands" and "Star of Sirius" are among my favorites.
Nektar - Recycled
rel October 1975
One of Nektar's best for sure.
Sparks - Indiscreet
rel October 1975
Van der Graaf Generator - Godbluff
rel October 1975
Tony Williams Lifetime - Believe It
rel October 1975
Chris de Burgh - Spanish Train and Other Stories
rel November 1, 1975
Chris Squire - Fish Out of Water
rel November 7, 1975
Chris Squire's only solo record, which much like Voyage of the Acolyte, sounds much like an album Yes would have made around that time. "Hold Out Your Hand" and "Silently Falling" are maybe the 2 pieces I think of most for it.
Earth Wind and Fire - Gratitude
rel November 11, 1975
Queen - A Night at the Opera
rel November 12, 1975
One of my all-time favorites. 5-stars without question. Love the radio staples "You're My Best Friend" "Bohemian Rhapsody" and when they do air occasionally "I'm in Love with My Car" and "Death on Two Legs."..Even "'39" as much as it sounds like The Moody Blues, totally works. Brian May even on lead vocals.
And of course "The Prophet's Song" is so bloody good. The vocal layers are an amazing studio technique which has been attempted but I'm not sure ever fully matched (Savatage's "Chance" is 1 that comes to mind though). The flow and momentum on it just gets me to sing-along every time.
ah ah people of the earth...
And I now I know, And I now I know, And I now I know
now I know. now I know. now I know.
Eric Carmen - Eric Carmen
rel November 1975
Joni Mitchell - The Hissing of Summer Lawns
rel November 1975
Robert Palmer - Pressure Drop
rel November 1975
Lenny White - Venusian Summer
rel November 1975
Styx - Equinox
rel December 1, 1975
This is a favorite if for nothing else, an all-time Styx favorite of mine "Suite Madame Blue."
AC/DC - T.N.T.
rel December 1, 1975
Bob Marley and the Wailers - Live!
rel December 5, 1975
Kaipa - Kaipa
rel December 1975
Area - Crac!
rel 1975
John Abercrombie - Timeless
rel 1975
Carmen - Dancing on a Cold Wind
rel 1975
Philip Catherine - Guitars
rel 1975
Crack the Sky - Crack the Sky
rel 1975
The Dixie Dregs - The Great Spectacular
rel 1975
Electromagnets - Electromagnets
rel 1975
Eric Johnson's 1st? band. Doing jazz-rock, and rather well.
Goblin - Profondo rosso
rel 1975
Jan Hammer - The First Seven Days
rel 1975
Kraan - Let It Out
rel 1975
Jack Lancaster / Robin Lumley - Peter and the Wolf
rel 1975
Marscape they did even better, but still a worthy 1st effort in adapting and composing a concept record in their (and later Brand X's) style.
Mother Superior - Lady Madonna
rel 1975
Alphonse Mouzon - Mind Transplant
rel 1975
Premiata Forneria Marconi - Chocolate Kings
rel 1975
Return to Forever - No Mystery
rel 1975
Underrated among the RTF and Fusion fans. I sometimes feel I like this album more than Romantic Warrior. "Celebration Suite" is so bloody good, even if I hear moments of Yes/Kansas in it.
David Sancious - Forest of Feelings
rel 1975
Triumvirat - Spartacus
rel 1975
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